This book places Dickens and Wilkie Collins against such important figures as John Henry Newman and George Eliot in seeking to recover their response to the religious controversies of mid-nineteenth century England. While much recent criticism has tended to overlook or dismiss their religious pronouncements, this book foregrounds the religious aspect of their writing and relocates their most important work in the context of contemporary debate. The response of both writers is seen to be complex and fraught with tension.

Examines the ways in which religion was constructed as a category and region of experience in nineteenth-century literature and culture.

A Stanford University Press classic.

Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Further, Scheinberg argues that Jewish and Christian women poets had a special interest in Jewish discourse; calling on images from Judaism and the Hebrew Scriptures, their poetry created complex arguments about the relationships between Jewish and female artistic identity. She suggests that Jewish and Christian women used poetry as a site for creative and original theological interpretation, and that they entered into dialogue through their poetry about their own and each other's religious and artistic identities. This book's interdisciplinary methodology calls on poetics, religious studies, feminist literary criticism, and little read Anglo-Jewish primary sources.

This book places Dickens and Wilkie Collins against such important figures as John Henry Newman and George Eliot in seeking to recover their response to the religious controversies of mid-nineteenth century England. While much recent criticism has tended to overlook or dismiss their religious pronouncements, this book foregrounds the religious aspect of their writing and relocates their most important work in the context of contemporary debate. The response of both writers is seen to be complex and fraught with tension.

The Victorian Pulpit is the first book to employ the methods of orality-literacy scholarship in the study of the nineteenth-century British sermon. The first chapters present three ways in which Victorian preaching was a conflation of oral and written practice. The second part is an analysis of the rhetoric of three prominent ministers. The book concludes by suggesting other ways of bringing orality-literacy studies and Victorian scholarship together.

This fifth volume of annual reviews of developments in the implementation of arms control and environmental agreements and in peacekeeping activities covers recent developments. It discusses nuclear proliferation, nuclear testing, a fissile materials cut-off and the counter-proliferation concept.

What was life really like in Victorian England during its transition from provincial society into modern urban power? Discover the effects of increased women's rights, technological advances, and Charles Darwin's discoveries on everyday life. This volume offers a fascinating glimpse into Victorian daily living, including women's roles; Victorian Morality; leisure; health and medicine; and life in all settings, from workhouses to country estates. This edition features an extensive guide to contemporary primary source material and further research, including information about finding authoritative sources easily on the Web. Illustrations, interactive sidebars, a chronology and glossary further illuminate the details of Victorian culture. This volume is an ideal source for students and teachers alike. Discover the effects of increased women's rights, technological advances, and Charles Darwin's discoveries on everyday life. Engaging narrative chapters explore all aspects of the Victorian experience, including: fashion, morality, courtship and mourning rituals, crime and punishment, public school requirements, legal status (marriage, divorce, inheritance, guardians, and bankruptcy), sports like croquet and foxhunting, and the importance of religion.

Victorian Poets and the Changing Bible charts the impact of post-Enlightenment biblical criticism on English literary culture. The eighteenth and nineteenth centuries saw a widespread reevaluation of biblical inspiration, in which the Bible’s poetic nature came to be seen as an integral part of its religious significance. Understandably, then, many poets who followed this interpretative revolution—including Alfred, Lord Tennyson, Robert Browning, and Elizabeth Barrett Browning—came to reconceive their highest vocational ambitions: if the Bible is essentially poetry, then modern poetry might perform a cultural role akin to that of scripture. This context equally illuminates the aims and achievements of famous Victorian unbelievers such as Arthur Hugh Clough and George Eliot, who also responded enthusiastically to the poetic ideal of an inspired text. Building upon a recent and ongoing reevaluation of religion as a vital aspect of Victorian culture, Charles LaPorte shows the enduring relevance of religion in a period usually associated with its decline. In doing so, he helps to delineate the midcentury shape of a literary dynamic that is generally better understood in Romantic poetry of the earlier part of the century. The poets he examines all wrestled with modern findings about the Bible's fortuitous historical composition, yet they owed much of their extraordinary literary success to their ability to capitalize upon the progress of avant-garde biblical interpretation. This book's revisionary and provocative thesis speaks not only to the course of English poetics but also to the logic of nineteenth-century literary hierarchies and to the continuing evolution of religion in the modern era. Victorian Literature and Culture Series