Birgit Spengler untersucht in ihrer Arbeit das zeitgenössische Genre der »Spinoffs« – Romane, die klassische kanonische Werke der amerikanischen Literatur kreativ um- und fortschreiben. Am Beispiel der schreibenden Auseinandersetzung mit Klassikern wie »Moby- Dick« oder den »Adventures of Huckleberry Finn« entschlüsselt sie die literarischen Strategien, die »Spinoffs« nutzen, um auf gesamtkulturelle Sinnstiftungsprozesse Einfluss zu nehmen und sich in die kulturelle Imagination einzuschreiben. Dabei stellen diese Romane auch die Frage nach der Abgeschlossenheit von Kunstwerken, nach kulturellem Kapital und geistigem Eigentum neu.

"Literary Spinoffs: Rewriting the Canon Re-Imagining the Community" explores the literary strategies, theoretical dimensions, and cultural implications of contemporary rewritings of nineteenth-century classics. By hooking on to powerful literary and cultural narratives, literary spinoffs seek to interfere with the cultural imaginary and revise the ways in which the cultural community constructs itself via formative narratives. Spengler offers in-depth case studies of prominent contemporary rewritings and the cultural work they undertake, while also examining the genre s particular aesthetics and effects. Through their intensely intertextual form, spinoffs raise urgent questions about the possibilities for participation in processes of cultural meaning-making and invigorate contemporary debates about intellectual property, cultural capital, as well as high and popular culture. "

"Brave, explosive, and thought-provoking, this is a powerful memoir. 'It's material, make a story out of it,' was the mantra Charlotte Grimshaw grew up with in her literary family. But when her life suddenly turned upside-down, she needed to re-examine the reality of that material. The more she delved into her memories, the more the real characters in her life seemed to object. So what was the truth of 'a whole life lived in fiction'? This is a vivid account of a New Zealand upbringing, where rebellion was encouraged, where trouble and tragedy lay ahead. It looks beyond the public face to the 'messy reality of family life - and much more'."--Back cover.

Decolonisation is a term that alarms some, and gives hope to others. It is an uncomfortable and often bewildering concept for many New Zealanders. This book seeks to demystify decolonisation using illuminating, real-life examples. By exploring the impact of colonisation on Māori and non-Māori alike, Imagining Decolonisation presents a transformative vision of a country that is fairer for all.

Describes some of the inventions resulting from the space program that have proved useful on earth.

Named Best First Novel by Locus 'Twas a time when dragons left their lair and evil shadowed the land.... On the Day of Reckoning, the witches of Eileanan were outlawed--and violations of the new order were punishable by death. Eileanan's Great Towers, once meccas of magic and learning, were left in ruins. And now, the entire land trembles in fear.... Yet deep in the mountains, in the shadow of Dragonclaw, a young girl is being tutored in the old ways. Ignorant of her past, uncertain of her future, the foundling Isabeau will soon be forced down a dangerous path of prophesy, conspiracy, and magic. It is a world where dragons possess the key to ancient mysteries...where a lost prince will discover a strange and wondrous destiny...and where the ultimate battle between good and evil will be waged.... A new Day of Reckoning is at hand....

Five years ago, The Spinoff burst onto New Zealand’s media scene with smart, screamingly funny and seriously relevant writing. Since then, it has enraged and inspired all the right people, respectably won Website of the Year at the 2019 Voyager Media Awards, and expanded into television, podcasts and now – shockingly – a book. Edited by Toby Manhire, it’s jam-packed with The Spinoff’s best work, along with full-colour artwork by Toby Morris, photography, collage, poetry and a clutch of new and exclusive essays. Simon Wilson, Jemaine Clement, Lorde and Jesse Mulligan rub shoulders with Spinoff stars like Alex Casey, Madeleine Chapman and Emily Writes. From Shortland Street to sports, feminism to fashion and current events to Kiwi onion dip, this is an engrossing, original take on everything that matters in Aotearoa New Zealand in the 21st century. Featuring Toby Morris Hera Lindsay Bird Leonie Hayden Michèle A’Court Ashleigh Young Lorde Jemaine Clement Alex Casey Madeleine Chapman Duncan Greive Simon Wilson Aldous Harding Emily Writes Scotty Stevenson David Farrier ...and more "The Spinoff is where we find stories no one else is covering . . . stories we need to hear." 2019 Voyager Media Awards Judges "Right now, every left-leaning, media-savvy, university-educated hipster you know (and probably their baby-boomer parents) is reading The Spinoff." Sunday magazine "Crap and a waste of our money." Mike Hosking

The?Ice?Shelf:?an?eco-comedyOn the eve of flying to Antarctica to take up an arts fellowship, thirty-something Janice, recently separated, has a long night of remembrance, regret and realisation as she goes about the city looking for a friend to take care of her fridge while she's away. En route she discards section after section of her manuscript in the spirit of editing The Ice Shelf into a stronger, sleeker work of literature.The Ice Shelf is an electrifying allegory for the dangers of wasting love and other non-renewable resources.

All Who Live on Islands introduces a bold new voice in New Zealand literature. In these intimate and entertaining essays, Rose Lu takes us through personal history—a shopping trip with her Shanghai-born grandparents, her career in the Wellington tech industry, an epic hike through the Himalayas—to explore friendship, the weight of stories told and not told about diverse cultures, and the reverberations of our parents' and grandparents' choices. Frank and compassionate, Rose Lu's stories illuminate the cultural and linguistic questions that migrants face, as well as what it is to be a young person living in 21st-century Aotearoa New Zealand.

By any measure, New Zealand must confront monumental issues in the years ahead. From the future of work to climate change, wealth inequality to new populism – these challenges are complex and even unprecedented. Yet why does New Zealand’s political discussion seem so diminished, and our political imagination unequal to the enormity of these issues? And why is this gulf particularly apparent to young New Zealanders? These questions sit at the centre of Max Harris’s ‘New Zealand project’. This book represents, from the perspective of a brilliant young New Zealander, a vision for confronting the challenges ahead. Unashamedly idealistic, The New Zealand Project arrives at a time of global upheaval that demands new conversations about our shared future.