In these disquieting tales of confronting the past, the author and playwright showcases his “keen ear for how people talk, think, and behave” (Publishers Weekly). Listening for Ghosts collects some of David Rabe’s most compelling short fiction of the past few years, including three stories that appeared in the New Yorker. In “Things We Worried About When I Was Ten,” a group of seemingly carefree Midwestern boys are revealed to be egregiously uncared for by their parents. “The Longer Grief” is a slow-motion explosion, as one moment in time propels shards of reckoning through the shared history of a brother and sister. In “Uncle Jim Called,” a man cooking stir fry answers a phone call from the dead . “Suffocation Theory” slyly depicts our off-kilter and increasingly apocalyptic world. In the novella, I Have to Tell You, the elderly tenants of a Midwestern apartment complex seek fairness from a conniving landlord. When an emergency stay in the hospital brings a near-octogenarian named Emma face-to-face with looming injustice, she finds herself burdened with two mysteries to solve. She may never get to the bottom of them, but she is determined to do all she can. Also included are “Things We Worried About When I Was Ten,” which won the 2021 O. Henry Prize, and “The Longer Grief,” which won first prize in the 2019 Narrative Story Contest.

SINCE YOU’RE READING my second book, you already know who I am. You know my name is Isaac, that I’m ten years old, soon to be eleven, and you know I am a ghost. I am not dead, not in the usual way. I am not buried and gone, but I am a ghost. I have learned to travel by closing my eyes and thinking where I want to be. That’s how ghosts do it. I can disappear so no one can see me or I can gradually float into sight, as you will recall. But I didn’t tell you everything about being a ghost. I didn’t want to terrify you. But you’re older now—you can handle it.

In one sense a folklorist's portrayal of a notable folk artist's life and art, Listening for a Life is equally a rethinking of the processes involved in such work, not only in how the folklorist conveys her subject but in how her subject constitutes and performs herself into being through dialogue with others: those present, those once present, those imagined and anticipated. Drawing on Bahktinian and feminist theory, Sawin pushes forward our understanding of the interactive roles of ethnographer and subject and in the process gives us a deeper understanding of folk singer and storyteller Bessie Eldreth and her greatest art, herself.

For her college course on novel writing, Melanie is writing a ghost story about a young widow haunted by supernatural forces. But her thoughts are occupied by her attraction to her professor. Soon, the eerie events in her novel are mirrored in her own life, when strange things happen in the house where she is living for the school year. Disembodied footsteps and the intense feeling that she is being watched are only the beginning.

In the bestselling tradition of Rosemary Altea and John Edwards comes the memoir of Mary Ann Winkowski, the real life "Ghost Whisperer" and consultant on the Top 30 CBS show "Ghost Whisperer" starring Jennifer Love Hewitt. Lights flicker on and off for no good reason. You feel drained and inexplicably irritable. Your four-year-old is scared to enter her bedroom. Tell these things to Mary Ann Winkowski, and she'll tell you that you have a ghost. A happily married, devout Catholic, suburban mother and full-time paranormal investigator, Mary Ann Winkowski has been able to see earthbound spirits, spirits that are trapped on earth and haven't "crossed over," since she was a little girl. Mary Ann works with these spirits to help them make peace with what keeps them here - whether it be people they can't let go of or homes they love. In When Ghosts Speak, Mary Ann will tell the amazing story of growing up with this gift, and will share tips on how to recognize when you're not alone, and what to do if you are in the presence of a ghost.

The Connecticut town’s past gives rise to a book full of “tales of supernatural possibilities . . . as much about history as it is about ghost tales” (The Day). A hair-raising number of historic haunts—from sea captains who never returned home to servicemen who never left—exist in the half square mile of Groton Bank. Ghostly soldiers of the Revolutionary War roam the Mother Bailey House and march through the basement of a nearby home, and former residents rouse sleepers at the Avery-Copp House. Fort Griswold was the site of a grisly 1781 battle, and phantom footsteps from an unknown entity echo on the first floor of the Ebenezer Avery House. Unseen inhabitants swing open doors at the Submarine Veterans Club, and long-dead guests add unexpected life to the parties at the Fleet Reserve. Join author Hali Keeler and her team as they navigate Groton Bank’s paranormal history.

If you love ghosts stories you will bristle at this crme de le crme account of the supernatural with astounding proof of the hereafter. But this chronicle is not only about ghosts: Carl Tooley, MD, takes on his late fathers experiments. His daughter Vivian, and her ambivalence about an abortion and her vivacious presence give vitality to the story. Sam Stone, retired professor and Carls mentor is shot while in flagrant delecto along with his paramour, Lydia Domintrope. Lydias husband, a pathologist killed in WW II had removed from a crime lab, Carls fathers brain and mailed it to her where it remained in her attic for 40 years. Carls father, also, an MD, was deemed a suicide. Carl sought to prove it was not by using his fathers experiments in retrieving images from dead brains to record their memories showing via video his murderer. A deceased Bishop comes into the story. The late prelate is a ghost that is ghost ridden. Tanya Pavlov, an RN has affaire with Carl. She tells him In my country screwing is what one gives, here it is what one gets Boris Ivanovitch. Carls lab assistant whose old world humor helps keep in perspective the gravity of their experiments. In Russia we deal with spiestie balls to ankles then push downstairs. Humphry Sellers, married to bisexual African American, suffering from gender dysphoria causes him to consider suicide after she bites off his manhood. Tony Fellucci, a maverick cop, tells Carl, In your profession you examine the living in order to exploit the dead. In mine, we examine the dead in order to exploit the living Maggie, a corpulent CIA agent, coerces Carl to hand over his research, Its either you give or we take. My men can be real pricks and I a real bitch!

Ghosts trail after us. They are our fears and the shape of our hates. We bring them into our lives and into our homes. Poltergeists and the spirits of drowned girls; malicious presences and portents; cat vampires and roaming bushrangers. These ghosts haunt Canberra - these ghosts can kill. Lil is elegant and troubled. Ann has just retired and is about to divorce: she sees vistas of nothingness in her future. Mabel is wedded to her garden. Kat is fifteen and has tried hard to drop out of life. It takes these four women, one cup of tea at a time, to face the ghosts and other supernatural beings in Canberra. But can they face down the darkness and keep Canberra's streets clear of danger?

Afully illustrated, award–winning collection of tales about haunted places—some of which you can visit. If you're fascinated by haunted houses, ghostly graveyards, historic haunts, institutional apparitions, or spirited saloons, this spooky and spine-tingling collection of supernatural stories from across the U.S. will tantalize your paranormal palate. Some of these hot spots are open to the public (and we include their address and website information), while others are private residences with no visitors allowed. In this bone-chilling volume, witnesses tell terrifyingly true tales of cursed roads, ghoulish schools, eerie eateries, and more—so expect to be frightened out of your wits!