This dog training guide reveals nature's application of quiet cont rol without raised voices and aggression. Posture, eye contact, clear boundaries, feedback and follow-through are incorporated and studied.

For readers who crave stories of uninhibited, unrepentant sex between women, Lesbian Lust truly delivers. Sensual, inventive and sizzling hot, the lesbian sex featured in Sacchi Green's relentless, raw stories is nothing less than breathtaking. No fantasy goes unfulfilled; butches abound, baby dykes learn important life lessons, femmes and fatales bring each other to the brink. Not to be missed by any fan of lesbian erotica!

High Tech and High Heels in the Global Economy is an ethnography of globalization positioned at the intersection between political economy and cultural studies. Carla Freeman’s fieldwork in Barbados grounds the processes of transnational capitalism—production, consumption, and the crafting of modern identities—in the lives of Afro-Caribbean women working in a new high-tech industry called “informatics.” It places gender at the center of transnational analysis, and local Caribbean culture and history at the center of global studies. Freeman examines the expansion of the global assembly line into the realm of computer-based work, and focuses specifically on the incorporation of young Barbadian women into these high-tech informatics jobs. As such, Caribbean women are seen as integral not simply to the workings of globalization but as helping to shape its very form. Through the enactment of “professionalism” in both appearances and labor practices, and by insisting that motherhood and work go hand in hand, they re-define the companies’ profile of “ideal” workers and create their own “pink-collar” identities. Through new modes of dress and imagemaking, the informatics workers seek to distinguish themselves from factory workers, and to achieve these new modes of consumption, they engage in a wide array of extra income earning activities. Freeman argues that for the new Barbadian pink-collar workers, the globalization of production cannot be viewed apart from the globalization of consumption. In doing so, she shows the connections between formal and informal economies, and challenges long-standing oppositions between first world consumers and third world producers, as well as white-collar and blue-collar labor. Written in a style that allows the voices of the pink-collar workers to demonstrate the simultaneous burdens and pleasures of their work, High Tech and High Heels in the Global Economy will appeal to scholars and students in a wide range of disciplines, including anthropology, cultural studies, sociology, women’s studies, political economy, and Caribbean studies, as well as labor and postcolonial studies.

The last time Brody Clark left the Rivers, she walked away from her life—her foolish dreams, her few friends, and the secrets she'd kept from everyone. For ten years she'd told herself there was nothing in her past she cared about—not the family who'd given her a home or the one girl she never stopped thinking about. But now she’s back as part of the new medevac flight crew, for at least as long as it takes to finally bury her ghosts. Val Valentine, DVM, planned on a big city boutique vet practice with high profile clients, easy hours, and lucrative profits. All until the man who was more father to her than her own asks for her help, and she ends up back in the backwater where all she has are bad memories. Brody figures cutting her ties to the past would be a hell of a lot easier if she could only avoid the woman she’s never been able to forget. Since Val never even knew she was alive back in high school, that shouldn’t be too hard now. When their lives collide, both women discover what might have been is closer than they think.

Winner of the CWA Gold Dagger for best crime novel of the year: Peter Dickinson targets England’s upper classes in this murderous and strikingly original theme-park mystery Tourists are waiting in line for entry into the world of Old England, a graceful, elegant country house run as a theme park, complete with wrought-iron gates, pet lions, and maids in white caps greeting visitors with a bob and a curtsy. But this fantasy world turns very real when one of the servants takes his own life. Why did the loyal and faithful Arthur Deakin hang himself in the pantry without leaving even a note? Dispatched to find out, Scotland Yard superintendent James Pibble wonders why the local police weren’t called in on a seemingly run-of-the-mill suicide. But as Pibble will soon find, life at the Herryngs estate of twin brothers Ralph and Richard Clavering is anything but ordinary. Sir Ralph, a retired general, and Sir Richard, a former admiral who now writes about animals being driven out of their native habitats, are war heroes who have gone from charmingly eccentric to dangerously certifiable. Sir Ralph’s only daughter is desperate to shield the family from scandal. A disappearance, a man-eating lion, and an old dueling ground add up to foul play as Pibble uncovers a viper’s nest of evil behind an upper-crust facade that could claim his life next. The Old English Peep Show is the 2nd book in the James Pibble Mysteries, but you may enjoy reading the series in any order.

Thirty years after the first group of women was ordained by the Episcopal Church, women are among some of the most vital and successful ministers in all Protestant denominations, even as churches struggle to hold on to their members. Sarah Sentilles enters the lives of female ministers women of various ages and races, in a range of churches to paint the first real portrait of what it's like to serve as a woman of faith today. Sometimes triumphant, sometimes hilarious, sometimes painful, their stories take us from their calls to the pulpit through their ordinations and service in congregations. These women show us how the church can be more welcoming to the women who are its lifeblood. And in their inspiring determination to perform the ministry to which they are called, no matter what the obstacles, we might well see the future of the church itself.

@Manners, Morals and Myths@ introduces us to the people in the ballrooms and clubs of early twentieth-century, mid-western America, but they are not always as they seem. Toni Brownell is groomed from an early age in the fine art of becoming a lady. We mee

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