Highly Recommended!Collectors Edition!Edgar rice Burroughs is the master of science fiction fantasy! Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Tarzan the Ape man and his adventures in jungles vast ? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth's core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs.

In an era when even the finest rugby coaches have a drastically short shelf-life, Ian McGeechan's longevity and adaptability is staggering. In his 20 years at the highest level of the game he has been at the centre of almost every major story in UK rugby and has worked alongside some of the greatest rugby figures of the era. McGeechan began his career as a player -- winning more than thirty caps for Scotland and twice touring with the Lions. As coach to the Scottish national team, he led his country to a famous Grand Slam victory in the 1990 Five Nations tournament. Continued success in management earned him an appointment as head coach to the Lions on four separate occasions, more than any other, and he will again take charge on their 2009 tour to South Africa. Most recently, as coach of Wasps, McGeechan has guided the team to complete dominance in the club game. Now, in this frank and engaging memoir, Ian McGeechan shares his unrivalled insight into the triumphs and tribulations of British rugby and of the progress of the sport over the past two decades. Lion Manoffers a unique glimpse into the past, present and future of British rugby from one of the most influential figures in the history of the sport.

Mr. Milton Smith, Executive Vice President in Charge of Production, was in conference. A half dozen men lounged comfortably in deep, soft chairs and divans about his large, well-appointed office in the B.O. studio. Mr. Smith had a chair behind a big desk, but he seldom occupied it. He was an imaginative, dramatic, dynamic person. He required freedom and space in which to express himself. His large chair was too small; so he paced about the office more often than he occupied his chair, and his hands interpreted his thoughts quite as fluently as did his tongue. "It's bound to be a knock-out," he assured his listeners; "no synthetic jungle, no faked sound effects, no toothless old lions that every picture fan in the U. S. knows by their first names. No, sir! This will be the real thing." A secretary entered the room and closed the door behind her. "Mr. Orman is here," she said. "Good! Ask him to come in, please." Mr. Smith rubbed his palms together and turned to the others. "Thinking of Orman was nothing less than an inspiration," he exclaimed. "He's just the man to make this picture." "Just another one of your inspirations, Chief," remarked one of the men. "They've got to hand it to you." Another, sitting next to the speaker, leaned closer to him. "I thought you suggested Orman the other day," he whispered. "I did," said the first man out of the corner of his mouth. Again the door opened, and the secretary ushered in a stocky, bronzed man who was greeted familiarly by all in the room. Smith advanced and shook hands with him. "Glad to see you, Tom," he said. "Haven't seen you since you got back from Borneo. Great stuff you got down there. But I've got something bigger still on the fire for you. You know the clean-up Superlative Pictures made with their last jungle picture?" "How could I help it; it's all I've heard since I got back. Now I suppose everybody's goin' to make jungle pictures." "Well, there are jungle pictures and jungle pictures. We're going to make a real one. Every scene in that Superlative picture was shot inside a radius of twenty-five miles from Hollywood except a few African stock shots, and the sound effects—lousy!" Smith grimaced his contempt.

It is often assumed that the female characters found in popular folk and fairy tales are little more than inconsequential stereotypes--mostly serving as hapless victims in need of rescue, boring one-dimensional princesses, or egotistical and conniving villains. This book presents more fully-realized portraits of these female characters and the ways in which they actually represent bold and powerful connections to the goddesses of classic mythic narratives. The rich legacy of female goddesses, shamans, queens, and priestesses is in fact preserved and celebrated through these more modern representations, whether as brides who can transform into animals, wise old women who live alone in the deep wilderness, strong warrior maidens, or witches who can conquer and command the elements of nature. In contemplating this revised analysis of female characters within global folktales and fairy tales, readers can see that the goddesses of old have never truly been forgotten.

Humans are unique among all other species in having one cognitive attribute-the ability, almost without conscious effort, to engage in blending. This is the first book that brings the theory of blending to a wide audience and shows how blending is at the heart of the origin of ideas.

Drawing from a rich array of visual and literary material from nineteenth-century Iran, this groundbreaking book rereads and rewrites the history of Iranian modernity through the lens of gender and sexuality. Peeling away notions of a rigid pre-modern Islamic gender system, Afsaneh Najmabadi provides a compelling demonstration of the centrality of gender and sexuality to the shaping of modern culture and politics in Iran and of how changes in ideas about gender and sexuality affected conceptions of beauty, love, homeland, marriage, education, and citizenship. She concludes with a provocative discussion of Iranian feminism and its role in that country's current culture wars. In addition to providing an important new perspective on Iranian history, Najmabadi skillfully demonstrates how using gender as an analytic category can provide insight into structures of hierarchy and power and thus into the organization of politics and social life.

As a boy I listened avidly to all those romantic yarns of the elephant hunters and of the daring and prowess of the hunters on the ivory trail (stories like mine) with hairbreadth escapes. In dreams I saw myself in deserts and jungles... on the ivory trail... after the solitary buffalo.... dreaming of incredible adventures. Had I but known how true all my dreams would one day become...

Ye Song, who once lived in a technologically-advanced world, died and reincarnated into a noble teenager’s body in another world. A fantasy world filled with magic! A series of events filled with tragedy, action, etc. began to unfold one after the other when he fatefully encountered one of the most guarded secrets of this world, obtaining the legendary power of Wizards. Watch how he reached unreachable heights as a powerful Wizard in this new world.

A Guided Tour through the Untamed Territories of Magic Book 1 of the Great Wizards of History Trilogy The history of wizardry comes alive with dozens of unique portraits capturing the most remarkable and infamous practitioners of magic and alchemy. Combining up-to-date historical scholarship and his own keen interpretations of primary texts, Guy Ogilvy develops a fascinating saga of magical thought and practice. The story begins with the prehistoric culture of the Lion Man and moves on to Orpheus and the great figures of myth. Discover the unparalleled influence of Pythagoras and the pre-Socratics as they experience the mysterious glories of Apollo's touch. Behold the leading alchemists of the Middle Ages and the Renaissance as they carry forth the surviving wisdom of the ancients, working their unique magic even as powerful social and political forces align against them. Magic is a vital element of history. The Great Wizards of Antiquity weaves together the loose threads of magic to form a comprehensive tapestry, challenging the ideas brought forth by peddlers of the mundane and returning a sense of enchantment to its rightful place in the human spirit. In this book, you will discover the beliefs and teachings of sorcerers, healers, philosophers, alchemists, and mythological figures, including: The Lion Man Animal magic & the modern mind Orpheus Incantations & the magic of music Dionysus Wild rites & the gift of wine Pythagoras Metempsychosis & the wisdom of the cave dwellers Pherekydes Open secrets & the immortality of souls The Pythia The oracle at Delphi & ecstatic prophecy Epimenides Sacred caves & the unknown gods Abaris The golden arrow & the Hyperborean Apollo Zalmoxis Thrace & the Celtic connection Hermotimus Astral travel & the preeminence of psyche Aristeas The form of a raven & the wonders of Apollo Parmenides The man who knows & the nightmare ride to hell Empedocles Bronze sandals & the four elements Zosimos Transmutation & inner purification J?bir ibn ?ayy?n Islamic alchemy & the theory of balance Jan Baptista Van Helmont The stranger & the projecting powder The Comte de Saint-Germain Universal medicine & the elixir of life Paracelsus Legendary cures & the open book of nature James Price The Royal Society & the Philosopher's Stone

Tori Shweet for Cameroon Pidgin English is a compendium of short stories written in Cameroon's most widely spoken lingua franca commonly called Cameroon Pidgin English (CPE). The grassfields of Cameroon serves as the nursery where these culturally enriched stories are nurtured. The collection comprises animal trickster tales, bird survival tales and human-interest stories. In conformity with the philosophy of French novelist, Stendhal, this anthology of short stories is a mirror that reflects the folklore and mores of the ethnic groups that constitute the grassland region of Cameroon. It serves as a window to the worldview, mindset and value systems of the grafi.