The first book from the new Joey Yap Cultural Series Despite its popularity as a form of cultural entertainment and competitive sport, the Lion Dance has a mystical aspect which is often not told and it is only known by the most traditional masters of the art. Now, for the first time, Joey Yap’s The Art of Lion Dance will lift the veil and bring to light the metaphysical elements, rich cultural history and symbolism behind the ancient dance.

Ernie Wan is very excited for the Chinese New Year festival. He is dancing the lion dance for the first time

When $2000 is stolen during the opening of a restaurant, Lily and her aunt, a Chinese American movie actress, search for the thief throughout San Francisco's Chinatown.

A Junior Library Guild Selection Former best friends become bitter rivals when one returns to lion dancing after a long absence in this vibrant and heartfelt middle grade graphic novel perfect for fans of Haikyu!! and Fence. Young Wei dreamed of being a legendary lion dancer just like his dad. With his best friend Hung performing as the tail and Wei controlling the head, he knew they could become the next generation of lion dance champions. But after his dad’s sudden passing, Wei abruptly quits lion dancing—and his friendship with Hung. Years later, Wei is stuck…in life, in school, and on the bench at games. That is, until he crashes a junior lion dance practice and feels his long-sleeping passion wake up within him once more. The team is happy to have another member to carry on the tradition, especially as one as preternaturally talented as Wei. There’s just one person who doesn’t want him there: the self-proclaimed star, Hung. As Wei and Hung fight to be considered the top lion dancer, both will have to learn how to face their mistakes head-on and remember what it really means to be part of a team.

Lion dance has been in Singapore since the 1930s and is closely connected with the Chinese clans that organised the first troupes, with some of these clans hailing as far back as the 1800s. Chronicling the history of lion dance, therefore, is akin to chronicling the pioneering years of our nation. However, few books document the history of this art form in Singapore.This book is the first of its kind to introduce the history, culture, sport and performance art that is lion and dragon dance in English. It will cover the types of dances and costumes, symbolisms and values embedded in the lion and dragon dance communities. It will tell the stories of Singaporean lion and dragon dance pioneers which have never before appeared in any English publications. It will also feature interviews with current leaders in the community and share our hopes for the future of the art form in Singapore.

The Music of Malaysia, first published in Malay in 1997 and followed by an English edition in 2004 is still the only history, appreciation and analysis of Malaysian music in its many and varied forms available in English. The book categorizes the types of music genres found in Malaysian society and provides an overview of the development of music in that country. Analyses of the music are illustrated with many examples transcribed from original field recordings. Genres discussed include theatrical and dance forms, percussion ensembles, vocal and instrumental music and classical music. It is an excellent introduction to and exploration of the country's vibrant musical culture. This new, fully revised and updated edition includes time lines, listening guides and downloadable resources of field recordings that are analysed and discussed in the text.

Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange, and interpretation and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance, early Toronto hip hop, and contemporary cantor practices within the Byzantine Ukrainian Church in Canada to folk music performances in twentieth-century Quebec, Gaelic milling songs in Cape Breton, and Mennonite songs in rural Manitoba, this collection offers detailed portraits of contemporary music practices and how they engage with diverse cultural expressions and identities. At a historical moment when identity politics, multiculturalism, diversity, immigration, and border crossings are debated around the world, Contemporary Musical Expressions in Canada demonstrates the many ways that music and dance practices in Canada engage with these broader global processes. Contributors include Rebecca Draisey-Collishaw (Queen's University), Meghan Forsyth (Memorial University of Newfoundland), Monique Giroux (University of Lethbridge), Ian Hayes (Memorial University of Newfoundland), Anna Hoefnagels (Carleton University), Judith Klassen (Canadian Museum of History), Chris McDonald (Cape Breton University), Colin McGuire (University College Cork), Marcia Ostashewski (Cape Breton University), Laura Risk (McGill University), Neil Scobie (University Western Ontario), Gordon Smith (Queen's University), Heather Sparling (Cape Breton University), Jesse Stewart (Carleton University), Janice Esther Tulk (Cape Breton University), Margaret Walker (Queen's University), and Louise Wrazen (York University).

The oldest and most respected martial arts title in the industry, this popular monthly magazine addresses the needs of martial artists of all levels by providing them with information about every style of self-defense in the world - including techniques and strategies. In addition, Black Belt produces and markets over 75 martial arts-oriented books and videos including many about the works of Bruce Lee, the best-known marital arts figure in the world.

This book vividly portrays the past, current, and future development of Yokohama Chinatown through the context of its Cantonese residents, grounded through a family history. It is useful for both academic and non- academic readers who are interested in migration history, transformation of urban spaces, anthropological perspectives of integration of immigrants, diasporic studies and overseas Chinese studies. It is informative when considering the role of immigrant communities in the world today in the context of globalization stimulating cross-border movements and anti-globalization forces that act as push and pull factors for migration. It is also a study of harmonious integration of the overseas Chinese community in Yokohama and its ability to retain its own cultural traits, rights, rituals, traditions and dialect language in one of the most homogenous countries in the world. This increases the attractiveness of Yokohama City in terms of ethnic diversity, cosmopolitan multiculturalism and urban space renewal.