This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.

Provides a broad view of the history and current state of scholarship on the art of the ancient Near East This book covers the aesthetic traditions of Mesopotamia, Iran, Anatolia, and the Levant, from Neolithic times to the end of the Achaemenid Persian Empire around 330 BCE. It describes and examines the field from a variety of critical perspectives: across approaches and interpretive frameworks, key explanatory concepts, materials and selected media and formats, and zones of interaction. This important work also addresses both traditional and emerging categories of material, intellectual perspectives, and research priorities. The book covers geography and chronology, context and setting, medium and scale, while acknowledging the diversity of regional and cultural traditions and the uneven survival of evidence. Part One of the book considers the methodologies and approaches that the field has drawn on and refined. Part Two addresses terms and concepts critical to understanding the subjects and formal characteristics of the Near Eastern material record, including the intellectual frameworks within which monuments have been approached and interpreted. Part Three surveys the field’s most distinctive and characteristic genres, with special reference to Mesopotamian art and architecture. Part Four considers involvement with artistic traditions across a broader reach, examining connections with Egypt, the Aegean, and the Mediterranean. And finally, Part Five addresses intersections with the closely allied discipline of archaeology and the institutional stewardship of cultural heritage in the modern Middle East. Told from multiple perspectives, A Companion to Ancient Near Eastern Art is an enlightening, must-have book for advanced undergraduate and graduate students of ancient Near East art and Near East history as well as those interested in history and art history.

Much of the Old Testament seems strange to contemporary readers. However, as we begin to understand how ancient people viewed the world, the Old Testament becomes more clearly a book that stands within its ancient context as it also speaks against it. John Walton provides here a thoughtful introduction to the conceptual world of the ancient Near East. Walton surveys the literature of the ancient Near East and introduces the reader to a variety of beliefs about God, religion, and the world. In helpful sidebars, he provides examples of how such studies can bring insight to the interpretation of specific Old Testament passages. Students and pastors who want to deepen their understanding of the Old Testament will find this a helpful and instructive study.

Far from being a Judeo-Christian invention, apocalyptic thought had its roots in the ancient Near East and was expressed in its art.

This collection of articles is the result of the second meeting of the Mesopotamian Literature Group (Groningen), held in Groningen from 12 till 14 July 1993. The topics treated by these scholars from six countries range from theoretical issues to specific analyses, from broad structures to linguistic textures, including metaphorical language as well as phonic features; also, various poetical techniques and strategies are studied. The interest is more in the questions that are raised than in the answers given, and the matter of legitimization of our theoretical bases runs throughout most contributions, this being the aim of the Group.

This collection of essays focuses on divination across the Ancient World from early Mesopotamia to late antiquity. The authors deal with the forms, theory and poetics of this important and still poorly understood ancient phenomenon.

This book initiates the reader into the study of Akkadian literature from ancient Babylonia and Assyria. With this one relatively short volume, the novice reader will develop the literary competence necessary to read and interpret Akkadian texts in translation and will gain a broad familiarity with the major genres and compositions in the language. The first part of the book presents introductory discussions of major critical issues, organized under four key rubrics: tablets, scribes, compositions, and audiences. Here, the reader will find descriptions of the tablets used as writing material; the training scribes received and the institutional contexts in which they worked; the general characteristics of Akkadian compositions, with an emphasis on poetic and literary features; and the various audiences or users of Akkadian texts. The second part surveys the corpus of Akkadian literature defined inclusively, canvasing a wide spectrum of compositions. Legal codes, historical inscriptions, divinatory compendia, and religious texts have a place in the survey alongside narrative poems, such as the Epic of Gilgamesh, Enuma elish, and Babylonian Theodicy. Extensive footnotes and a generous bibliography guide readers who wish to continue their study. Essential for students of Assyriology, An Introduction to Akkadian Literature will also prove useful to biblical scholars, classicists, Egyptologists, ancient historians, and literary comparativists.

Ancient kings who did not honor the gods overlooked an indispensable means for ruling effectively in their communities. In many traditional societies royal authority was regarded as a divine gift bestowed according to the quality of the relationship of the king both to God or the gods and to the people. The tension and the harmony within these human and divine relationships demanded that the king repeatedly strive to integrate the community's piety with his political strategies. This fascinating study explores the relationship between religion and royal authority in three of history's most influential civilizations: Homeric Greece, biblical Israel, and Old Babylonian Mesopotamia. Dale Launderville identifies similar, contrasting, and analogous ways that piety functioned in these distinct cultures to legitimate the rule of particular kings and promote community well-being. Key to this religiopolitical dynamic was the use of royal rhetoric, which necessarily took the form of political theology. By examining a host of ancient texts and drawing on the insights of philosophers, poets, historians, anthropologists, social theorists, and theologians, Launderville shows how kings increased their status the more they demonstrated through their speech and actions that they ruled on behalf of God or the gods. Launderville's work also sheds light on a number of perennial questions about ancient political life. How could the people call the king to account? Did the people forfeit too much of their freedom and initiative by giving obedience to a king who symbolized their unity as a community? How did the religious traditions serve as a check on the king's power and keep alive the voice of the people? This study in comparative political theology elucidates these engaging concerns from multiple perspectives, making Piety and Politics of interest to readers in fields ranging from biblical studies and theology to ancient history and political science.

The El-Amarna Correspondence offers a completely new edition of the Amarna Letters based on personal inspection and reading of all the extant tablets. This edition includes new transcriptions and a translation along with an extensive introduction and glossary of the Amarna Letters.