A shy and apolitical herpetologist-in-training finds the weight of history bearing down on him as the effects of repression ramp up in his country In an unspecified country that combines elements of Chile under its military regime, South Africa under apartheid, and Italy under fascism, fifteen-year-old Karel Roeder asks only to be left alone to learn from Albert, his mentor at the zoo’s reptile house, and to devote himself to his girlfriend, Leda. But both Leda and Albert lead him into increasingly proscribed areas of thought and speech, and thus into conflict with a newly ascendant party that intends to prosecute a border war against an officially despised ethnic group and criminalize dissent. Citizens have been disappearing and surveillance in the name of safety has become all-pervasive. When Kehr, a special assistant of the civil guard, billets himself at Karel’s house for unknown reasons, Karel finds his already tenuous hold on his own innocence crushed as Kehr—tribune, inquisitor, and metaphysician of terror—instructs his unwilling protégé in those moments when history is let off the leash. Lights Out in the Reptile House is at once a dystopian political parable, a meditation on totalitarianism, and a moving coming-of-age story, as its protagonist struggles to understand his own values and meaning even in the most extreme of crucibles.

Amelia Island's VELVET UNDERTOW,The Goodbye Lie Series - Carolena Dunnigan witnesses the unthinkable and her safe, secure life on Amelia Island, Florida turns to ashes. Vowing to save her siblings, she seeks work and is lured to Charleston, South Carolina. Lust, love, and decades of lies do fierce battle, driving her into Pennsylvania's deadly Johnstown Flood of 1889. It scours away secrets of the past, but will anyone survive the churning undertow of it all? "Engaging historical romance Known to her admirers as GRACIOUS JANE MARIE [of GraciousJaneMarie.com], the author has written a delightful story with THE GOODBYE LIE. Set in the late 1800's , the story takes off to far away shores-and far away desires, lies, and deceit. I look forward to the next [novel in the series], VELVET UNDERTOW." - Jennifer Wardrip for RomanceJunkies.com

#1 New York Times bestselling author Terry McMillan's exuberant return to the four unforgettable heroines of Waiting to Exhale. Waiting to Exhale was more than just a bestselling novel—its publication was a watershed moment in literary history. McMillan's sassy and vibrant story about four black women struggling to find love and their place in the world touched a cultural nerve, inspired a blockbuster film, and generated a devoted audience. Now, McMillan revisits Savannah, Gloria, Bernadine, and Robin fifteen years later. Each is at her own midlife crossroads: Savannah has awakened to the fact that she's made too many concessions in her marriage, and decides to face life single again—at fifty-one. Bernadine has watched her megadivorce settlement dwindle, been swindled by her husband number two, and conned herself into thinking that a few pills will help distract her from her pain. Robin has an all-American case of shopaholism, while the big dream of her life—to wear a wedding dress—has gone unrealized. And for years, Gloria has taken happiness and security for granted. But being at the wrong place at the wrong time can change everything. All four are learning to heal past hurts and to reclaim their joy and their dreams; but they return to us full of spirit, sass, and faith in one another. They've exhaled: now they are learning to breathe.

The characters in these nine short stories abandon families, plot assassinations, nurse vendettas, tease, taunt, and terrorize. They retaliate for bad marriages, dream of weddings, and wait decades for lovers. How far will we go to escape to a better dream? What consequences must we face for hope and fantasy? Robin McLean's stories are strange, often disturbing and funny, and as full of foolishness and ugliness as they are of the wisdom and beauty all around us. Robin McLean holds an MFA from UMass Amherst. She teaches at Clark University and lives in Bristol, New Hampshire, and Sunderland, Massachusetts.

Skillfully edited by John McNally, Bottom of the Ninth: Great Contemporary Baseball Short Stories collects nineteen contemporary baseball short stories from a successful mix of well-established writers, lesser-knowns, and a few up-and-comers. These stories are characterized by the same dramatic elements that draw people to the sport itself--the mythologizing of players, the obsessions and romance of the game, the bonds between players and fans, parents and children. From a key play, a missed catch, a chance lost, these are tales of characters facing high stakes and calls to action, metaphorically and literally, in the bottom of the ninth.

Since Columbus arrived in 1492 and called Cuba “the most beautiful country that human eyes have ever seen,” few places on earth have evoked such passion. The thirty-one writers in Cuba in Mind offer ample proof of the fascinations that have lured generations of travelers. In this richly varied anthology of poetry, fiction, and nonfiction, we hear from such famous visitors as Anthony Trollope, Langston Hughes, Ernest Hemingway, and Graham Greene. Poets and journalists offer their responses, from Allen Ginsberg and Jayne Cortez to Alma Guillermoprieto and Robert Stone; and novelists weigh in with such fictional portrayals as Elmore Leonard’s Cuba Libre and Pico Iyer’s Cuba and the Night. Cuban exiles, immigrants, and their offspring provide their unique perspective, from Cristina García’s essay “Simple Life” to excerpts from Oscar Hijuelos’s novel The Mambo Kings Play Songs of Love and from Carlos Eire’s memoir Waiting for Snow in Havana. Embracing salsa and santeria, politics and baseball, the island’s sparkling beaches and the teeming Havana streets, Cuba in Mind captures the vibrancy, the contradictions, the heat and the humor of Cuba as shown by some of the best writers in the English language. Contributors: Thomas Barbour • José Barreiro • Ruth Behar • William Cullen Bryant • Jayne Cortez • Stephen Crane • Andrei Codrescu • Eleanor Early • Carlos Eire • Kimi Eisele • Cristina García • Allen Ginsberg • Graham Greene • Alma Guillermoprieto • Elizabeth Hanly • Ernest Hemingway • Consuelo Hermer • Oscar Hijuelos • Langston Hughes • Pico Iyer • Elmore Leonard • Rosa Lowinger • Marjorie May • Tom Miller • Holly Morris • Ricardo Pau-Llosa • Robert Stone • Jim Shepard • Isadora Tattlin • Anthony Trollope • Walter D. Wilcox

"In a tiny settlement on the west coast of Greenland, 11-year-old Aleq and his best friend, frequent trespassers at a mining site exposed to mountains of long-buried and thawing permafrost, carry what they pick up back into their village, and from there Shepard's harrowing and deeply moving story follows Aleq, one of the few survivors of the initial outbreak, through his identification and radical isolation as the likely index patient. While he shoulders both a crushing guilt for what he may have done and the hopes of a world looking for answers, we also meet two Epidemic Intelligence Service investigators dispatched from the CDC--Jeannine, an epidemiologist and daughter of Algerian immigrants, and Danice, an MD and lab wonk. As they attempt to head off the cataclysm, Jeannine--moving from the Greeland hospital overwhelmed with the first patients to a Level 4 high-security facility in the Rocky Mountains--does what she can to sustain Aleq."--Publisher's description.

Bursting with wicked humor and driven by an incomparable understanding of what it means to be human, The World to Come is the inimitable work of “the most ambitious story writer in America” (The Daily Beast). Now a major motion picture Shepard traverses both borders and centuries, seamlessly inhabiting a multitude of disparate men and women, and giving voice to visionaries, pioneers, and secret misfits—from nineteenth-century explorers departing on one of the Arctic’s most nightmarish expeditions to twentieth-century American military wives maintaining hope at home. Shepard’s characters confront everything from the emotional pitfalls of everyday life to colossal catastrophes, battling natural forces, the hazards of new technology, and their own implacable shortcomings. "[Shepard] has a knack for compressing a novel’s worth of life into 30 or 40 pages.” —The Boston Globe

Following his widely acclaimed Project X and Love and Hydrogen—“Here is the effect of these two books,” wrote the Chicago Tribune: “A reader finishes them buzzing with awe”—Jim Shepard now gives us his first entirely new collection in more than a decade. Like You’d Understand, Anyway reaches from Chernobyl to Bridgeport, with a host of narrators only Shepard could bring to pitch-perfect life. Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear. Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”

The acclaimed National Book Award finalist—“one of the United States’ finest writers,” according to Joshua Ferris, “full of wit, humanity, and fearless curiosity”—now gives us a novel that will join the short list of classics about children caught up in the Holocaust. Aron, the narrator, is an engaging if peculiar and unhappy young boy whose family is driven by the German onslaught from the Polish countryside into Warsaw and slowly battered by deprivation, disease, and persecution. He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo. When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape—as his mentor suspected he could—to spread word about the atrocities? Jim Shepard has masterfully made this child’s-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron’s voice will remember it forever.