"Challenging the binary categories of "new play" and "production" dramaturgy, this book offers both a theoretical model for understanding adaptation for the stage and a practical guide for dramaturgs and others involved in the creation of theatrical adaptations"--

Comedy Characters: 3 male, 3 female, flexible castingChained to his desk in the basement of customer service hell, Segis suddenly finds himself set free in the CEO's penthouse-but is it a dream? This raucous reinvention of Pedro Calderon de la Barca's Life is a Dream gleefully skewers corporate America with razor-sharp wit "Enjoyably stylish [with an] antic pace and witty aesthetic" - Washington Post"Ambitious, often uproarious." - City Paper "A pizzazz-filled concoction that skewers corporatism with a generous supply side of laughs. [Callaghan] is without doubt the purveyor of top-shelf American wit." - Metro Weekly "[Callaghan has] a keen eye for the outlandish. Exudes the kind of infectious zaniness that occasionally attracts cult followings." - Variety "I can't remember the last time a play made me laugh so hard. Between the chuckles and belly laughs, the dialog is surprisingly layered, and gives the audience plenty to think about. Fever/Dream is about as funny as the sharpest Hollywood comedy, and far more rewarding." -BrightestYoungThings.com

"Comparative literature," Earl Miner writes, "clearly involves something more than comparing two great German poets, and something different from a Chinese studying French literature or a Russian studying Italian literature." But what would a true intercultural poetics be? This work proposes various ways to "study something other than what are, all things considered, the short and simple annals of one cultural parish at one historic moment." The first developed account of theories of literature from an intercultural standpoint, the book shows that an "originative" or "foundational" poetics develops in cultures with explicit poetics when critics define the nature and conditions of literature in terms of the then most esteemed genredrama, lyric, or narrative. Earl Miner demonstrates that these definitions and inferences from them constitute useful bases for comparative poetics.

Tony Harrison's v. was written during the Miners' Strike of 1984-85 when he visited his parents' grave in a Leeds cemetery and found it vandalised by obscene graffiti. Channel Four's film of v. prompted extreme political and media reaction documented in the book's second edition (1989).