1 in 8 women will develop invasive breast cancer over the course of her lifetime, but this is not just another cancer book. Breast cancer survivor Kim Harms combines her own experience with extensive research and walks readers through the process of mastectomy and breast reconstruction, weighing the pros and cons, detailing the physical and emotional costs, and laying out the questions cancer fighters need to ask to be their own best advocate. With a foreword by the medical director of Katzmann Breast Center and chapters on everything from the vulnerable feeling of exposing your breasts to “everyone” to the distinctions between reconstruction and augmentation (trust us, it’s not a boob job!), Life Reconstructed is the compassionate, honest roadmap every breast cancer fighter needs on her journey to recovery.

Whether facing mastectomy and breast reconstruction due to a cancer diagnosis or a genetic predisposition to the disease, the process is filled with uncertainty, difficult questions, intense emotions, and life-altering decisions that must be made in quick order. In Life Reconstructed, Kim Harms details her own experience, the experiences of others, plus extensive research, delving into the physical, emotional, psychological, and relational aspects of mastectomy and breast reconstruction, featuring: - input from medical professionals, - a detailed look at the distinct differences between breast reconstruction and breast augmentation (It's not a boob job!) - practical advice for decision-making, self-advocacy, recovery, talking with your children, a return to intimacy, and more. "Harms' journalistic skills and storytelling ability to share her own personal struggles with breast cancer make this book ex- ceptional." -Susan L. Beck, DO, MPH, Breast Surgeon and Medical Director, Katzmann Breast Center KIM HARMS is a two-time breast cancer survivor with a BA in English from Iowa State University. She has more than twenty years of experience as a freelance writer and spends her weekday afternoons working in her local library. A lifelong Midwestern girl, she lives in Central Iowa with her husband, the youngest of their three sons, and a rambunctious dog who takes her on walks twice a day.

Find Hope and Recreate a Good Life After Loss Struggling with grief and moving forward after losing a spouse? The problem isn't you. It's the grief that is changing the way your brain works (or doesn't). Time, in and of itself, does not heal. What does heal is: Understanding that moving forward is not the same as "moving on." Realizing that there is no requirement to leave your spouse in the past. Knowing that you don't have to "get over it" but you can incorporate your loss. Learning how to carry your grief so that it isn't a burden. Finding your way forward in a way that honors your late spouse. Life, Reconstructed is your guide to healing your life after loss. It applies the cutting-edge tools and techniques of life coaching to the uniquely difficult journey of the widowed. It's delivered with depth and compassion from someone who has experienced your struggle firsthand. There is hope. There is a way to heal and hold on to your love. There is a next version of you -- a person you can become not in spite of your loss, but because of it. Life, Reconstructed reveals the way, on your terms and on your timeline.

Iranian women tell in their own words what the revolution attempted and how they responded. The Islamic revolution of 1979 transformed all areas of Iranian life. For women, the consequences were extensive and profound, as the state set out to reverse legal and social rights women had won and to dictate many aspects of women's lives, including what they could study and how they must dress and relate to men. Reconstructed Lives presents Iranian women telling in their own words what the revolution attempted and how they responded. Through a series of interviews with professional and working women in Iran—doctors, lawyers, writers, professors, secretaries, businesswomen—Haleh Esfandiari gathers dramatic accounts of what has happened to their lives as women in an Islamic society. She and her informants describe the strategies by which women try to and sometimes succeed in subverting the state's agenda. Esfandiari also provides historical background on the women's movement in Iran. She finds evidence in Iran's experience that even women from "traditional" and working classes do not easily surrender rights or access they have gained to education, career opportunities, and a public role.

The deeply personal memoir of Lydia Meredith, a woman who spent almost thirty years married to a preacher—only to have her husband leave her for a man—and how her life becomes a testimony of tolerance and a theology of love and acceptance. After being married to Reverend Dennis A. Meredith for almost thirty years, Lydia Meredith discovers a shocking truth: the love of her life left her for a man. Now, Lydia opens up for the first time about how that revelation shattered her world—and strengthened her faith. With her life turned upside down, Lydia struggled to put the pieces of her broken heart back together and that led her to pursue understanding through an accredited theological education. She wanted a way to put her family back together and she found Jesus’ ministry and teachings were “actually” about teaching tolerance and love for people who are labeled different. Candid, honest, and incredibly touching, Lydia Meredith shows that faith and perseverance can get you through any challenge life throws your way.

The Fourteenth Amendment, ratified on July 9, 1868, identified all legitimate voters as "male." In so doing, it added gender-specific language to the U.S. Constitution for the first time. Suffrage Reconstructed considers how and why the amendment's authors made this decision. Vividly detailing congressional floor bickering and activist campaigning, Laura E. Free takes readers into the pre- and postwar fights over precisely who should have the right to vote. Free demonstrates that all men, black and white, were the ultimate victors of these fights, as gender became the single most important marker of voting rights during Reconstruction. Free argues that the Fourteenth Amendment's language was shaped by three key groups: African American activists who used ideas about manhood to claim black men's right to the ballot, postwar congressmen who sought to justify enfranchising southern black men, and women's rights advocates who began to petition Congress for the ballot for the first time as the Amendment was being drafted. To prevent women's inadvertent enfranchisement, and to incorporate formerly disfranchised black men into the voting polity, the Fourteenth Amendment's congressional authors turned to gender to define the new American voter. Faced with this exclusion some woman suffragists, most notably Elizabeth Cady Stanton, turned to rhetorical racism in order to mount a campaign against sex as a determinant of one's capacity to vote. Stanton's actions caused a rift with Frederick Douglass and a schism in the fledgling woman suffrage movement. By integrating gender analysis and political history, Suffrage Reconstructed offers a new interpretation of the Civil War–era remaking of American democracy, placing African American activists and women's rights advocates at the heart of nineteenth-century American conversations about public policy, civil rights, and the franchise.

Basing his work on a study of 120 American men and drawing on years of experience in dealing with men's issues, Dr. Levant shows men how to change facets of traditional behavior patterns that limit their effectiveness as lovers, husbands, fathers, and friends, while enhancing those parts of the male code which are meaningful and empowering.

An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the stage and encountered the realities of her new world: the battles she was forced to fight as a woman, an immigrant worker, and a Jew with family left behind in Hitler’s deadly path. The story begins in 1914: Mary, the girl who will become Lillian Faderman’s mother, just seventeen and swept up with vague ambitions to be a dancer, travels alone to America, where her half-sister in Brooklyn takes her in. She finds a job in the garment industry and a shop friend who teaches her the thrills of dance halls and the cheap amusements open to working-class girls. This dazzling life leaves Mary distracted and her half-sister and brother-in-law scandalized that she has become a “good-time gal.” They kick her out of their home, an event with consequences Mary will regret for the rest of her life. Eighteen years later, still barely scraping by as a garment worker and unmarried at thirty-five, Mary falls madly in love and has a torrid romance with a man who will never marry her, but who will father Lillian Faderman before he disappears from their lives. America is in the midst of the Depression, Hitler is coming to power in Europe, and New York’s garment workers are just beginning to unionize. Mary makes tentative steps to join, despite her lover’s angry opposition. As National Socialism engulfs Europe, Mary realizes she must find a way to get her family out of Latvia, and she spends frenetic months chasing vague promises and false rumors of hope. Pregnant again, after having submitted to two wrenching back-room abortions, and still unmarried, Mary faces both single motherhood and the devastating possibility of losing her entire Eastern European family. Drawing on family stories and documents, as well as her own tireless research, Lillian Faderman has reconstructed an engrossing and essential chapter in the history of women, of workers, of Jews, and of the Holocaust as immigrants experienced it from American shores.

Vladimir Ilyich Lenin is among the most enigmatic and influential figures of the twentieth century. While his life and work are crucial to any understanding of modern history and the socialist movement, generations of writers on the left and the right have seen fit to embalm him endlessly with superficial analysis or dreary dogma. Now, after the fall of the Soviet Union and “actually-existing” socialism, it is possible to consider Lenin afresh, with sober senses trained on his historical context and how it shaped his theoretical and political contributions. Reconstructing Lenin, four decades in the making and now available in English for the first time, is an attempt to do just that. Tamás Krausz, an esteemed Hungarian scholar writing in the tradition of György Lukács, Ferenc Tokei, and István Mészáros, makes a major contribution to a growing field of contemporary Lenin studies. This rich and penetrating account reveals Lenin busy at the work of revolution, his thought shaped by immediate political events but never straying far from a coherent theoretical perspective. Krausz balances detailed descriptions of Lenin’s time and place with lucid explications of his intellectual development, covering a range of topics like war and revolution, dictatorship and democracy, socialism and utopianism.Reconstructing Lenin will change the way you look at a man and a movement; it will also introduce the English-speaking world to a profound radical scholar.

Stressed single mother and law partner Kate is in the meeting of her career when she is interrupted by a telephone call to say that her teenaged daughter Amelia has been suspended from her exclusive Brooklyn prep school for cheating on an exam. Torn between her head and her heart, she eventually arrives at St Grace's over an hour late, to be greeted by sirens wailing and ambulance lights blazing. Her daughter has jumped off the roof of the school, apparently in shame of being caught. A grieving Kate can't accept that her daughter would kill herself: it was just the two of them and Amelia would never leave her alone like this. And so begins an investigation which takes her deep into Amelia's private world, into her journals, her email account and into the mind of a troubled young girl. Then Kate receives an anonymous text saying simply: AMELIA DIDN'T JUMP. Is someone playing with her or has she been right all along?