Fans of Amelia’s Notebook and Judy Moody will love this friendship story bursting with doodles and pictures Bea Garcia is an artist. She draws anywhere and everywhere—but mostly in her own notebook. When Bea’s first and only best friend Yvonne moves to Australia, not even drawing makes Bea feel better. And things only get worse when a loud, rambunctious boy moves in next door. He’s nothing at all like Yvonne! But with a little imagination and a whole lot of doodles, Bea Garcia might just make a new friend. This first book in a brand-new chapter book series is a must-read for doodlers everywhere.

More than five hundred images, selected from the photographic archives of "Life" and other collections, portray the people and events that transformed the modern era

-This comprehensive volume of images honors Douglas Kirkland, the talented photographer who has been such an integral leading force in contemporary culture and photography -Will appeal to Kirkland fans craving a comprehensive collection of all his iconic photographs, from Princess Diana and Prince Charles' wedding day kiss to Marilyn Monroe swathed in silk bed linen Douglas Kirkland has amassed an impressive body of work throughout his 50-year photography career, his images running the gamut from stars and filmmakers, to classics and collectables, to love and nudes. Here, the photographer presents a collection of his images accompanied by a story of his career's development told from his perspective. Kirkland worked for such publications as Look Magazine and Life Magazine, but his career took off with his legendary 1961 Marilyn Monroe shoot for Look's 25th anniversary issue, the photographs from which are still recreated by stars today. Featuring an insightful foreword by acclaimed director Baz Luhrmann and his award-winning wife, Catherine Martin, this volume reveals both Kirkland and his prolific work.

A Photographic Celebration of the Life and Work of the Legendary Peter Drucker Born on November 19, 1909, Peter Drucker grew up in Austria and moved to Germany at the age of seventeen. When the Nazis rose to power in 1933, they burned and banned some of Drucker's earliest writings, and he fled the country. As Drucker witnessed the institutions of his nation fall apart one by one, he concluded that "performing responsible management is the alternative to tyranny." In 1937, Drucker and his wife immigrated to the United States--and the practice of management has never been the same. Drucker: A Life in Pictures celebrates the life and work of "the man who invented management," as Drucker was known. He was a prolific writer, a passionate teacher, and a brilliant adviser who influenced how organizations are run perhaps more than any single figure of the twentieth century. Drucker was also a loving husband and father, a loyal friend, and a passionate baseball fan. Drawn from the Drucker Archives, a part of the Drucker Institute at Claremont Graduate University, this trove of photos captures Drucker in all facets of his life--as an immigrant fleeing Hitler's Germany, a bestselling author, a beloved professor, and a consultant to major corporations, nonprofits, and government agencies. The images include Drucker's doctoral dissertation on international law; a handwritten note from General Electric's Jack Welch; a high honor bestowed upon Drucker by the Emperor of Japan; Drucker's typewriter; his walking stick and record collection; and the file the FBI kept on Drucker--along with other stunning photographs of his manuscripts, awards, personal letters, and other ephemera. The book is framed by extensive captions written by Drucker expert Rick Wartzman, and also includes excerpts of interviews with Drucker himself. All told, this handsome, unique photo history shines a spotlight on the many sides of one of the twentieth century's most influential figures. Drawn from the vast collection at the Drucker Archives, a part of the Drucker Institute at Claremont Graduate University, Drucker: A Life in Pictures features almost 100 photographs of Peter Drucker's correspondence, manuscripts, awards, personal items, and other ephemera. Much of it has never been seen before by the public. Each picture provides a glimpse into Drucker's long, fascinating, and hugely influential life, with every image placed into context through extensive captions written by Rick Wartzman, the Drucker Institute's executive director. Interlaced through the book are excerpts from various interviews that Drucker gave over the years. Drucker: A Life in Pictures is a fitting tribute to one of the most important minds of the twentieth century.

Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum

This book contains 50 years of photography by the author, a National Geographic photographer. He was a pioneer of color photography with a style that called for entering people's homes and hearts; by winning their confidence he was able to capture "off guard" moments, and reveal the depth of human nature. His work reveals beauty, mystery, and a sense of adventure. Part photography retrospective and part personal memoir, this book paints a full picture of the life of a globe-trekking photographer over the past half century.

This iconic volume features the most exquisite photographs ever taken of America's legendary First Lady. A sumptuous, oversized edition, this 272-page book includes more than 250 glamorous, dramatic and intimate images taken throughout her life, many never published before. Bringing readers into her exclusive and priveleged world, Jackie: a Life in Pictures begins with her upper class upbrining in the '30s and '40s and goes on to cover her courtship and marriage to JFK in 1953 and life as a politician's wife, through to her post-JFK days as the wife of Aristotle Onassis.

A captivating selection of images by the world’s leading photographers celebrating one of the most recognized faces in fashion and film. Dubbed an “It Girl” by Yves Saint Laurent in the early 1970s, Marisa Berenson is the original modern muse-inspiring fashion designers, photographers, stylists, and fashion editors for over thirty years. Born of noble lineage-and the granddaughter of the famed fashion designer Elsa Schiaparelli-Berenson’s meteoric rise began formally at age sixteen, leading to numerous covers and editorials in Vogue, Harper’s Bazaar, and countless other high-end fashion and society magazines. Her timeless beauty and chameleonlike talent for transformation soon led to her entry into film, where she landed leading roles in the period films Cabaret, Death in Venice, and Stanley Kubrick’s lavish production of Barry Lyndon. This captivating collection of fashion editorials, magazine covers, film stills, and candid photos were captured by the leading photographers and filmmakers of the day, including Richard Avedon, Irving Penn, David Bailey, Hiro, Helmut Newton, Henry Clarke, Norman Parkinson, Robert Mapplethorpe, and Steven Meisel, among many others. This lavish yet intimate volume details a visual biography of Berenson, and demonstrates the lasting resilience that continues to make her an enthralling and legendary visage.

A captivating debut about the lure of the 1930s Hollywood, in all its dangerous glamour. Irving snapped his fingers, so loudly that it echoed through the room, over all the chatting and flirting. Elsa was surprised that such a sharp, loud noise could come out of such a small person. Laura Lamont, he said. You want it? It's yours. Come see me when you're ready. When the most famous producer in 1930s Hollywood plucks Elsa Emerson from a party and gives her a brand-new name, a star of the silver screen is born. Step by step she succumbs to the consuming power of the studio. But her transformation is more profound than she could ever have foreseen...

In a remarkable wedding of words and pictures, here is the larger-than-life George Herman "Babe" Ruth, "the greatest player of all time".