"Life on the Mississippi" (1883) is a memoir by Mark Twain of his days as a steamboat pilot on the Mississippi River before the American Civil War, and also a travel book, recounting his trip along the Mississippi River from St. Louis to New Orleans many years after the War.

?Mark Twain was the first truly American writer, and all of us since are his heirs.? --William Faulkner A brilliant amalgam of remembrance and reportage, by turns satiric, celebratory, nostalgic, and melancholy, Life on the Mississippi evokes the great river that Mark Twain knew as a boy and young man and the one he revisited as a mature and successful author. Written between the publication of his two greatest novels, Tom Sawyer and Huckleberry Finn, Twain?s rich portrait of the Mississippi marks a distinctive transition in the life of the river and the nation, from the boom years preceding the Civil War to the sober times that followed it. Library of America Paperback Classics feature authoritative texts drawn from the acclaimed Library of America series and introduced by today?s most distinguished scholars and writers. Each book features a detailed chronology of the author?s life and career, and essay on the choice of the text, and notes. The contents of this Paperback Classic are drawn from Mark Twain: Mississippi Writings, volume number 5 in the Library of America series. It is joined in the series by six companion volumes, gathering the collected works of Mark Twain.

Beginning in 1611 with the King James Bible and ending in 2014 with Elizabeth Kolbert's 'The Sixth Extinction', this extraordinary voyage through the written treasures of our culture examines universally-acclaimed classics such as Pepys' 'Diaries', Charles Darwin's 'The Origin of Species', Stephen Hawking's 'A Brief History of Time' and a whole host of additional works --

Even in the decades before Mark Twain enthralled the world with his evocative representations of the Mississippi, the river played an essential role in American culture and consciousness. Throughout the antebellum era, the Mississippi acted as a powerful symbol of America's conception of itself -- and the world's conception of America. As Twain understood, "The Mississippi is well worth reading about." Thomas Ruys Smith's River of Dreams is an examination of the Mississippi's role in the antebellum imagination, exploring its cultural position in literature, art, thought, and national life. Presidents, politicians, authors, poets, painters, and international celebrities of every variety experienced the Mississippi in its Golden Age. They left an extraordinary collection of representations of the river in their wake, images that evolved as America itself changed. From Thomas Jefferson's vision for the Mississippi to Andrew Jackson and the rowdy river culture of the early nineteenth century, Smith charts the Mississippi's shifting importance in the making of the nation. He examines the accounts of European travelers, including Frances Trollope, Charles Dickens, and William Makepeace Thackeray, whose views of the river were heavily influenced by the world of the steamboat and plantation slavery. Smith discusses the growing importance of visual representations of the Mississippi as the antebellum period progressed, exploring the ways in which views of the river, particularly giant moving panoramas that toured the world, echoed notions of manifest destiny and the westward movement. He evokes the river in the late antebellum years as a place of crime and mystery, especially in popular writing, and most notably in Herman Melville's The Confidence-Man. An epilogue discusses the Mississippi during the Civil War, when possession of the river became vital, symbolically as well as militarily. The epilogue also provides an introduction to Mark Twain, a product of the antebellum river world who was to resurrect its imaginative potential for a post-war nation and produce an iconic Mississippi that still flows through a wide and fertile floodplain in American literature. From empire building in the Louisiana Purchase to the trauma of the Civil War, the Mississippi's dominant symbolic meanings tracked the essential forces operating within the nation. As Smith shows in this groundbreaking work, the story of the imagined Mississippi River is the story of antebellum America itself.

When Mark Twain was seventeen he went back to the home of his boyhood resolved to become a pilot on the Mississippi. How he learnt the river he has told us in 'Life on the Mississippi,' wherein his adventures, his experiences, and his impressions while he was a cub-pilot are recorded with a combination of precise veracity and abundant humor which makes the earlier chapters of that marvelous book a most masterly fragment of autobiography. The life of a pilot was full of interest and excitement and opportunity, and what young Clemens saw and heard and divined during the years when he was going up and down the mighty river we may read in these pages.

"All modern American literature comes from one book called Huckleberry Finn," declared Ernest Hemingway. "There was nothing before. There has been nothing as good since." Yet even from the time of its first publication in 1885, Mark Twain's masterpiece has been one of the most celebrated and controversial books ever published in America. No other story so central to our American identity has been so loved and so reviled as Huck Finn's autobiography.

Life on the Mississippi (1883) is a memoir by Mark Twain of his days as a steamboat pilot on the Mississippi River before the American Civil War. It is also a travel book, recounting his trip along the Mississippi River from St. Louis to New Orleans many years after the war.

The Portable Nineteenth-Century Russian Reader magnificently represents the great voices of this era. It includes such masterworks of world literature as Pushkin's poem "The Bronze Horseman"; Gogol's "The Overcoat"; Turgenev's novel First Love; Chekhov's Uncle Vanya; Tolstoy's The Death of Ivan Ilych; and "The Grand Inquisitor" episode from Dostoyevsky's The Brothers Karamazov; plus poetry, plays, short stories, novel excerpts, and essays by such writers as Griboyedov, Pavlova, Herzen, Goncharov, Saltykov-Shchedrin, and Maksim Gorky. Distinguished scholar George Gibian provides an introduction, chronology, biographical essays, and a bibliography.