Are you tired of the same old stuff (S.O.S)? Have you heard enough about the “New Age”? Do you long for something fresh and exciting? Then perhaps this book is for you. It’s not about the same old tired reality that’s been talked about for decades. It’s not a sugar-coated, love and light routine. And it’s not another “feel-good” manual or “how to succeed without really trying” rehash. It’s not psycho babble, quick fix therapy, preaching or lamenting a cause. This book takes a no-nonsense look at what is really happening — behind the scenes, above the scenes and beyond the scenes. It addresses the issues you and I are facing right now and will be facing for a long time to come. It uses the past only as a springboard for stepping into the unknown, into the big picture. It exposes the lies, coverups, deceit, control and manipulation that have kept the people of Earth locked into rigid systems of dogma and despair. But it also offers real solutions that are timely, and yet, timeless. It gives you ideas that can help you put the pieces of the cosmic jigsaw together. And practical advice that can stimulate your creative juices. Get out your surfboard and ride the cutting edge!

Reprint of the Daughters edition of 1972 with a new 57 p. introduction in which Harris blasts the original publishers. Annotation copyright by Book News, Inc., Portland, OR

What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Dividing their writings into two genres--the romantic story and the heroic, or quest, story, Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism. Illustrating how the generational conflict between the lesbian- feminists of twenty years ago and the queer theorists of today stokes the critical fires of contemporary lesbian and literary theory, Heterosexual Plots and Lesbian Narratives concludes by arguing for a broad and generous definition of lesbian writing.

A helicopter crash alters a Coast Guard rescue swimmer's life forever in Cutting Edge, a suspense thriller by USA Today bestselling author Ward Larsen Trey DeBolt is a young man at the crest of life. His role as a Coast Guard rescue swimmer in Alaska offers him a rewarding job and limitless adventure. Then a tragic accident alters his life: during a harrowing rescue, his helicopter goes down. Severely injured, DeBolt awakens in a seaside cabin in Maine, thousands of miles from where the accident occurred. His lone nurse lets slip that he has been officially declared dead, lost in the crash. Back in Alaska, however, Coast Guard investigator Shannon Lund uncovers evidence that DeBolt might still be alive. Her search quickly becomes personal, but before she can intervene, chaos erupts outside a cabin in the wilds of Maine. The nurse who has been treating DeBolt is brutally killed by military-trained assassins. DeBolt is only saved when a bizarre vision guides him to safety. Soon other images appear, impossible revelations that are unfailing in their accuracy. As he runs for his life, DeBolt discovers he has been drawn into an ultra-secret government project. The power it bestows is boundless, both a gift and a curse. Yet one thing is certain: Trey DeBolt has abilities no human has ever known. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Twelve former and three current Cutco Cutlery sales professionals--with more than $300 million combined in Cutco Cutlery sales--have gathered together to collaborate and share their influence, secrets, and real world wisdom.

The Beatles' hair changed the world. As their increasingly wild, untamed manes grew, to the horror of parents everywhere, they set off a cultural revolution as the most tangible symbol of the Sixties' psychedelic dream of peace, love and playful rebellion. In the midst of this epochal change was Leslie Cavendish, hairdresser to the Beatles and some of the greatest stars of the music and entertainment industry. But just how did a fifteen-year-old Jewish school dropout from an undistinguished North London suburb, with no particular artistic talent or showbusiness connections, end up literally at the cutting edge of Sixties' fashion in just four years? His story – honest, always entertaining and inspiring – parallels the meteoric rise of the Beatles themselves, and is no less astounding.

This novel, a never before published Roman a clef by the famous imagist writer, H.D. (Hilda Doolittle), that explores H.D.'s love for women, is a lyrical recreation of the love and loss of her friend and first love, Frances Gregg, and of her later meeting with Bryher who was to become H.D.'s lifelong companion. Spanning the years from H.D.'s childhood in Pennsylvania to the birth of her daughter, Perdita, in 1919, this turbulent love story is set against the backdrop of World War I, H.D.'s involvement in early 20th century London literary circles, her brief engagement to American poet, Ezra Pound, and her shattered marriage to British novelist Richard Aldington. Paint it Today is H.D.'s most lesbian novel, a modern, homoerotic tale of passage which focuses almost entirely on the young heroine's search for the sister love which would empower her spiritually, creatively, and sexually. Cassandra Laity's introduction places H.D.'s love for the sexually magnetic, betraying Gregg and for the more nurturing and loyal Bryher in the context of the lesbian romanticism of early modern fiction. her annotations of all Greek references and literary quotations,m as well as, biographical facts represented in the text, provide nuance and detail to this engrossing work.

The last two decades have seen a resurgence of critical and popular attention to Virginia Woolf's life and work. Such traditional institutions as The New York Review of Books now pair her with William Shakespeare in promotional advertisements; her face is used to sell everything from Barnes & Noble books to Bass Ale. Virginia Woolf: Lesbian Readings represents the first book devoted to Woolf's lesbianism. Divided into two sections, Lesbian Intersections and Lesbian Readings of Woolf's Novels, these essays focus on how Woolf's private and public experience and knowledge of same-sex love influences her shorter fiction and novels. Lesbian Intersections includes personal narratives that trace the experience of reading Woolf through the 60s, 70s, 80s, and 90s. Lesbian Readings of Woolf's Novels provides lesbian interpretations of the individual novels, including Orlando, The Waves, and The Years. Breaking new ground in our understanding of the role Woolf's love for women plays in her major writing, these essays shift the emphasis of lesbian interpretations from Woolf's life to her work.

The weather in Moscow is good, there's no cholera, there's also no lesbian love...Brrr! Remembering those persons of whom you write me makes me nauseous as if I'd eaten a rotten sardine. Moscow doesn't have them--and that's marvellous." —Anton Chekhov, writing to his publisher in 1895 Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to to the strength and confidence with which she pursued both her personal and artistic life. Author of five volumes of poetry, and lover of Marina Tsvetaeva, Sophia Parnok was the only openly lesbian voice in Russian poetry during the Silver Age of Russian letters. Despite her unique contribution to modern Russian lyricism however, Parnok's life and work have essentially been forgotten. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles. From a young age, however, she deplored all forms of male posturing and condescension and felt alienated from what she called patriarchal virtues. Parnok's approach to her sexuality was equally forthright. Accepting lesbianism as her natural disposition, Parnok acknowledged her relationships with women, both sexual and non-sexual, to be the centre of her creative existence. Diana Burgin's extensively researched life of Parnok is deliberately woven around the poet's own account, visible in her writings. The book is divided into seven chapters, which reflect seven natural divisions in Parnok's life. This lends Burgin's work a particular poetic resonance, owing to its structural affinity with one of Parnok's last and greatest poetic achievements, the cycle of love lyrics Ursa Major. Dedicated to her last lover, Parnok refers to this cycle as a seven-star of verses, after the seven stars that make up the constellation. Parnok's poems, translated here for the first time in English, added to a wealth of biographical material, make this book a fascinating and lyrical account of an important Russian poet. Burgin's work is essential reading for students of Russian literature, lesbian history and women's studies.