Long regarded as one of Australia's greatest poets, Robert Gray (winner of every major Australian poetry prize, and widely studied in schools and universities) has now penned his autobiography. His life spans the landscape of our nation. This is the most important literary biography of 2008! Sure to be reviewed across the nation.

Mack incorporates recent scholarship on Gray, drawing on developments in 18th-century and gender studies, as well as on extensive archival research into the life of the poet and his family. The result is an eloquent and enlightening book, sure to be the definitive biography of this great poet, a forefather of the Romantic Movement. 50 illustrations.

Coast Road: Selected Poems is the definitive Robert Gray collection.Robert Gray is one of Australia's most acclaimed poets. Among his many prizes are the Patrick White Award, the Philip Hodgins Memorial Medal, and the Australia Council's Writer's Emeritus Award for lifetime achievement. His Selected Poems has been published in the United States, China, Germany, the Netherlands and the United Kingdom. He is the author of a prize-winning prose memoir, The Land I Came Through Last.'An imagist without a rival in the English-speaking world.' Kevin Hart'Individual, surprising, evocative … at once cool and rapturous. ' Lisa Gorton

Taking an interdisciplinary approach, Robert Gray offers a thorough and well-rounded clinical guide to exploring the depth of the unconscious through art in psychotherapy. He emphasises the clinical relevance of art therapy and critically highlights ideas around evidence-based practice and the link to cognitive behavioural therapy. Gray suggests specific ways of engaging with clients and their images, such as uncovering life scripts, changing neural pathways through Creative Mind Ordering, and addressing traumatic experiences through the Jungian Self- Box. He shows how artists and psychotherapists can make a transformational difference by combining ‘art as therapy’ and ‘art in therapy’ with a scientific approach and a spiritual awareness. He argues a clear framework that bridges the unmeasurable and spontaneous part of psychotherapy through art, along with the work with the unconscious and the clarity of a scientific method, can help facilitate long term change. Art Therapy and Psychology is hands-on and rich with supportive study tools and numerous case studies with which the reader can relate. This book is essential reading for art therapists in training and in practice, psychologists and mental health professionals looking to establish or grow their expertise.

NEW YORK TIMES BESTSELLER • “For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person.”–USA Today In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions. Praise for A Man Without a Country “[This] may be as close as Vonnegut ever comes to a memoir.”–Los Angeles Times “Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”–The New York Times Book Review “Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”–Chicago Tribune “Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”–The Australian “Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”–Studs Terkel

On the first day of October 1787, captains John Kendrick and Robert Gray, along with fifty other men - sailors and tradesmen alike - set sail from Boston, soon to be the first Yankees to lay eyes on the lush and resource-rich Northwest Coast of North America. This journey, and Gray's subsequent voyage in 1790, were trading ventures that would lead to little wealth for anyone involved, but would supply future generations with rich stories of encounters between the Native Americans and the traders, of desperate escapades along the coast, and, eventually, the reward to the United States of the Columbia River. Kendrick, on board the Columbia Rediviva, and Gray, on the Lady Washington, maneuvered around treacherous Cape Horn, then sailed north up the western coasts to present-day Oregon, Washington, and British Columbia. There they traded with the Indians for the prized sea-otter pelts (called by the Russians "soft gold"). Finally, they would sail for the China ports of Macao and Canton, where they traded the skins for tea and fine china. The American ships had joined a contingent of international vessels (mostly British and Spanish) assembled at Nootka Sound, some to trade, others on voyages of exploration. The two captains eventually would switch ships, and Kendrick would remain on the Northwest Coast, while Gray sailed on to China and to Boston - then back once again. These were the first citizens of the new nation to sail into the Pacific, and the repercussion of their voyages would ring loudly for years to come. The dreamer Kendrick would never return to Boston, choosing to remain on the other side of the world until his death in the Sandwich Islands, late in 1794. The more pragmaticGray would continue his career as a sea captain into the nineteenth century.