The path less travelled. The road seldom seen. A collection of short stories that define the "unknown", The Midnight Cabaret is the darkest hours of your psyche...the parts hidden away from the majority. A mans musings into Death result in an answer that lasts forever... A musician finally finds his true love, whos fate is intertwined with a particular piece of music... A detective that finds that even as he nears the end of his journey, the road still moves on.. A series of stories that are for those who wish to look at a world seldom seen. From the author of Demon Seige comes an experiment in the abstract...

The life of a young female named Candice is brought to life.wants to become a Cabaret singer and she performs as local clubs and sings. She meets arecord executive at a cafe and he likes what he sees in Candice. They talk and she is offered a recorddeal and she begins to perform and travel with Charles. Charles becomes likened to Candice and hedesires her to be is companion but Candice is seeing past all that and she focuses on her career.

Detective Jim Holmes moved from the London Met to Tokyo in order to widen his experience, working with the fabled Chief Inspector Stella Koide. This turns out to be much more than he bargained for, when the murder of a Kabuki-cho prostitute leads to identification of a series of sadistic murders far beyond his worst nightmares. Attacks on the detectives expose links to the yakuza and also members of an exotic nightclub that caters for the more exotic sexual tastes of the ultra-rich. The team's uncanny ability to solve cryptic clues reveals deeper layers of an international conspiracy, with links to illegal human genetic engineering and corporate espionage run from the other side of the world. To expose the secret manipulator behind this labyrinthine plot will require direct confrontation on his home ground. As the risks to the detectives increase, Koide�s high-tech tools and Holmes' understanding of the character of their foe must be combined, not only to crack the case, but also to keep them alive long enough to do so.

A handy and engaging chronicle, this book is the most detailed production history to date of the original Broadway version of Cabaret, showing how the show evolved from Christopher Isherwood's Berlin stories, into John van Druten's stage play, a British film adaptation, and then the Broadway musical, conceived and directed by Harold Prince as an early concept musical. With nearly 40 illustrations, full cast credits, and a bibliography, The Making of Cabaret will appeal to musical theatre aficionados, theatre specialists, and students and performers of musical theatre.

A New York Review Books Original A master anthology of Russia’s most important poetry, newly collected and never before published in English In the years before the 1917 Russian Revolution, the Stray Dog cabaret in St. Petersburg was the haunt of poets, artists, and musicians, a place to meet, drink, read, brawl, celebrate, and stage performances of all kinds. It has since become a symbol of the extraordinary literary ferment of that time. It was then that Alexander Blok composed his apocalyptic sequence “Twelve”; that the futurists Velimir Khlebnikov and Vladimir Mayakovsky exploded language into bold new forms; that the lapidary lyrics of Osip Mandelstam and plangent love poems of Anna Akhmatova saw the light; that the electrifying Marina Tsvetaeva stunned and dazzled everyone. Boris Pasternak was also of this company, putting together his great youthful hymn to nature, My Sister, Life. It was a transforming moment—not just for Russian but for world poetry—and a short-lived one. Within little more than a decade, revolution and terror were to disperse, silence, and destroy almost all the poets of the Stray Dog cabaret.

This first major biography of the most romanticized icon in jazz thrillingly recounts his wild ride. From his emergence in the 1950s--when an uncannily beautiful young man from Oklahoma appeard on the West Coast to become, seemingly overnight, the prince of "cool" jazz--until his violent, drug-related death in Amsterdam in 1988, Chet Baker lived a life that has become an American myth. Here, drawing on hundreds of interviews and previously untapped sources, James Gavin gives a hair-raising account of the trumpeter's dark journey.

THE INSTANT #1 NEW YORK TIMES BESTSELLER! “I like to think of Not All Diamonds and Rosé as the ultimate reunion. I know readers will be surprised, entertained, and even shocked at what’s in store." —Andy Cohen Dave Quinn's Not All Diamonds and Rosé is the definitive oral history of the hit television franchise, from its unlikely start in the gated communities of Orange County to the pop culture behemoth it has become—spanning nine cities, hundreds of cast members, and millions of fans. What is it really like to be a housewife? We all want to know, but only the women we love to watch and the people who make the show have the whole story. Well, listen in close, because they’re about to tell all. Nearly all the wives, producers, and network executives, as well as Andy Cohen himself, are on the record, unfiltered and unvarnished about what it really takes to have a tagline. This is your VIP pass to the lives behind the glam squads, testimonials, and tabloid feuds. Life’s not all diamonds and rosé, but the truth is so much better, isn’t it? “This exhaustive oral history features dishy interviews with 185 cast and crew members behind the Bravo phenomenon. Fans will delight to read about how it all got started.” —New York Post Includes Color Photographs

As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,