‘Us Maoris used to practice slavery just like them poor Negroes had to endure in America . . .' says Beth Heke in Once Were Warriors. ‘Oh those evil colonials who destroyed Maori culture by ending slavery and cannibalism while increasing the life expectancy,' wrote one sarcastic blogger. So was Maori slavery ‘just like' the experience of Africans in the Americas and were British missionaries or colonial administrators responsible for ending the practice? What was the nature of freedom and unfreedom in Maori society and how did that intersect with the perceptions of British colonists and the anti-slavery movement? A meticulously researched book, Outcasts of the Gods? looks closely at a huge variety of evidence to answer these questions, analyzing bondage and freedom in traditional Maori society; the role of economics and mana in shaping captivity; and how the arrival of colonists and new trade opportunities transformed Maori society and the place of captives within it.

"A multilayered, highly informative and insightful book that blends memoir, historical and travel narrative-vivid and meticulously researched."--San Francisco Chronicle

Who are the Maori of New Zealand? How did they get here and how did they settle the country? What are the main tribal groups in New Zealand, and where are they based? The first publication to come out of the online Te Ara Encyclopedia of New Zealand project tells the story of the tangata whenua of Aotearoa, from their journeys across the vast Pacific Ocean to the histories of all the major iwi, including the contemporary issues they face today. No other book brings together in one place all these tribal histories. Based on the latest research and generously illustrated in full colour with superb mapping and photographs, this rich resource is an essential part of 'our' nation's story and fills an important gap in the history of New Zealand.

This is the first book to tell the story of on eof the most contentious figures in Victorian and Edwardian politics: that of the independent-minded and exceptionally able Conservative politician, Sir John Eldon Gorst.

"It has been recorded that old pre-Maori hsitorical sites have been deliberately destroyed using bulldozers to cover burial cave sites, flattening stone walls and ancient buildings. These factual sites have been carbon dated and are believed to be approximately 5000 years old. Why? Today we have separatism, a racial problem brought on by political blundering, s o much so that the native born New Zealanders within this country are now really upset for good reason. Why? It wasnt so long ago in the mid-seventies that New Zealand was voted the third best country in the world, but how things have changed. What happened ; where did we go terribly wrong?"--Back cover

A sweeping historical novel set in nineteenth-century New Zealand from the #1 New York Times–bestselling author. The only son of a poor British coal miner, Robert Coffin sets sail for the far ends of the Earth in search of his fortune, leaving his young bride and infant child behind in England. In the sordid and dangerous South Pacific port of Kororareka, on the sprawling island the native Maori call “the Land of the Long White Cloud,” Coffin builds a successful new life as a merchant. He gains an unwavering respect for the aboriginal people and their culture, and finds comfort in the arms of his fiery Irish mistress, Mary. But the unexpected arrival of a China-bound clipper bearing his wife, Holly, and son, Christopher, throws Coffin’s world into turmoil—compounded by the ever-increasing tension between the Maori tribes and the mistrusted “pakehas” who are plundering their land. As the years of a volatile nineteenth century progress, the indomitable family of the stalwart adventurer the Maori have named “Iron Hair” will struggle, sacrifice, and endure through war, chaos, catastrophe, and change.

First published in 1986, James Belich's groundbreaking book and the television series based upon it transformed New Zealanders' understanding of New Zealand's great "civil war": struggles between Maori and Pakeha in the 19th century. Revealing the enormous tactical and military skill of Maori, and the inability of the Victorian interpretation of racial conflict to acknowledge those qualities, Belich's account of the New Zealand Wars offered a very different picture from the one previously given in historical works. This bestselling classic of New Zealand history and Belich's larger argument about the impact of historical interpretation resonates today.

Translation of a French edition produced for a thesis by Háelâene Serabian (Ph. D.)--University of Cambridge, 2005.

An introduction to the history, modern and traditional cultural practices, and economy of the Maori people of New Zealand.

From the 1870s to the early twentieth century, the Bohemian immigrant artist Gottfried Lindauer travelled to marae and rural towns around New Zealand and - commissioned by Maori and Pakeha - captured in paint the images of key Maori figures. For Maori then and now, the faces of tupuna are full of mana and life. Now this definitive book on Lindauer's portraits of the ancestors collects that work for New Zealanders. The book presents 67 major portraits and 8 genre paintings alongside detailed accounts of the subject and work, followed by essays by leading scholars that take us inside Lindauer and his world: from his artistic training in Bohemia to his travels around New Zealand as Maori and Pakeha commissioned him to paint portraits; his artistic techniques and deep relationship with photography; Henry Partridge's gallery of Lindauer works on Queen Street in Auckland where Maori visited to see their ancestors; and the afterlife of the paintings in marae and memory. Published in association with Auckland Art Gallery Toi o Tamaki.