The release of Skyfall in 2012 marked the fiftieth anniversary of the James Bond film franchise. It earned over one billion dollars in the worldwide box office and won two Academy Awards. Amid popular and critical acclaim, some have questioned the representation of women in the film. From an aging M to the limited role of the Bond Girl and the characterization of Miss Moneypenny as a defunct field agent, Skyfall develops the legacy of Bond at the expense of women. Since Casino Royale (2006) and its sequels Quantum of Solace (2008) and Skyfall constitute a reboot of the franchise, it is time to question whether there is a place for women in the new world of James Bond and what role they will play in the future of series. This volume answers these questions by examining the role that women have historically played in the franchise, which greatly contributed to the international success of the films. This academic study constitutes the first book-length anthology on femininity and feminism in the Bond series. It covers all twenty-three Eon productions as well as the spoof Casino Royale (1967), considering a range of factors that have shaped the depiction of women in the franchise, including female characterization in Ian Fleming's novels; the vision of producer Albert R. Broccoli and other creative personnel; the influence of feminism; and broader trends in British and American film and television. The volume provides a timely look at women in the Bond franchise and offers new scholarly perspectives on the subject.

From the author of All the Money in the World and The Profession of Violence comes the definitive biography of James Bond's creator, Ian Fleming. It is now over fifty years since the premiere of Dr No, the very first Bond film, with Sean Connery introducing 007 as the glamorous secret agent who would become the single most profitable movie character in the history of cinema. But James Bond was invented by one man, Ian Fleming, a wartime intelligence officer and Sunday Times newspaper man who lived to see only the very beginning of the Bond cult. Pearson, who worked with Fleming at the Sunday Times, based this biography on his own memories of Fleming, on Fleming's private papers, and on a series of interviews with an extraordinary collection of Fleming's contemporaries – family, friends, enemies, teachers, colleagues, mistresses, and former spies from around the world. First published in 1966, John Pearson's famous biography remains the definitive account of how only Ian Fleming could have dreamed up James Bond, for he led a life as colourful as anything in his fiction, which in turn became a covert autobiography. Charming, debonair and a ruthless womaniser, globetrotting from wartime Algiers to beachside Jamaica, Fleming was as elusive and opaque as his imaginary creation. In his new introduction to this edition, Pearson examines the extent to which Fleming's character informs the movie portrayals of Bond, from Sean Connery through to Daniel Craig, and how Bond himself has achieved immortality beyond Fleming's wildest dreams.

Australia Business and Investment Opportunities Yearbook Volume 7 Mining and Minerals Northern Territories