Augustan Poetry and the Roman Republic explores the liminal status of the Augustan period, with its inherent tensions between a rhetoric based on the idea of res publica restituta and the expression of the need for a radical renewal of the Roman political system. It attempts to examine some of the ways in which the Augustan poets dealt with these and other related issues by discussing the many ways in which individual texts handle the idea of the Roman Republic. Focusing on the works of the major Augustan poets, Vergil, Horace, Propertius, and Ovid, the contributions in this collection look at the under-studied aspect of their poetry, namely the way in which they constructed and investigated images of the Roman Republic and the Roman past.

Major study of the literary treatment of rumour and renown across the canon of authors from Homer to Alexander Pope, including readings in historiographical and dramatic texts, and authors such as Petrarch, Chaucer, Spenser, Shakespeare and Milton. Of interest to students of classical and comparative literature and of reception studies.

This volume presents essays written in honour of Stratis Kyriakidis, Emeritus Professor of Latin Literature at the Aristotle University of Thessaloniki. Greece. It offers a rich assortment of scholarship on classical literature, ranging from Homeric epic, and the tradition of ecphrasis it spawned in a number of genres, to 17th-century English translations of Virgil’s Aeneid. The collection is divided into two sections, the first on Greek literature, and the second on Latin literature. The sixteen chapters within offer fresh insights and thoughtful readings of a variety of works of classical literature, as well-known as the Iliad and the Aeneid and as exotic as the epigrams of Geminus.

Greek and Roman stories of origin, or aetia, provide a fascinating window onto ancient conceptions of time. Aetia pervade ancient literature at all its stages, and connect the past with the present by telling us which aspects of the past survive "even now" or "ever since then". Yet, while the standard aetiological formulae remain surprisingly stable over time, the understanding of time that lies behind stories of origin undergoes profound changes. By studying a broad range of texts and by closely examining select stories of origin from archaic Greece, Hellenistic Greece, Augustan Rome, and early Christian literature, Time in Ancient Stories of Origin traces the changing forms of stories of origin and the underlying changing attitudes to time: to the interaction of the time of gods and men, to historical time, to change and continuity, as well as to a time beyond the present one. Walter provides a model of how to analyse the temporal construction of aetia, by combining close attention to detail with a view towards the larger temporal agenda of each work. In the process, new insights are provided both into some of the best-known aetiological works of antiquity (e.g. by Hesiod, Callimachus, Vergil, Ovid) and lesser-known works (e.g. Ephorus, Prudentius, Orosius). This volume shows that aetia do not merely convey factual information about the continuity of the past, but implicate the present in ever new complex messages about time.

The uses and effects of repetition, imitation, and appropriation in Latin epic poetry.

Argues that Catullus adapts Roman comedy to explore private ideas about love, friendship, and social rivalry.

Explores the dynamic interactions among Latin poets, artists, and audiences in constructing and critiquing imperial power in Augustan Rome.

This book traces the roots of modern notions of celebrity, fame, and infamy back to the Hellenistic period of classical antiquity, when sensational personages like Cleopatra of Egypt and Alexander the Great became famous world-wide.

Simply Latin brings you the full Latin text of all fifteen books of Ovid's Metamorphoses. In this classic of Roman literature, Ovid describes a history of time from creation to the deification of Julius Caesar using the metaphor of Greek myth.

The Latin poet Propertius (ca. 50–16 B.C.) is considered by many to be the greatest elegiac poet of Rome. Long neglected because of the obscurity of his thought and the vagaries of his syntax, Propertius has now emerged as a writer of compelling originality and intellectual power. In this authoritative edition of Propertius’s elegies, L. Richardson, jr, makes these challenging poems both intelligible and accessible. For students of literature and history alike, Propertius offers insights into the intellectual world of Augustan Rome and Roman society. His perplexities and frustrations, his struggles with himself and with his domineering and capricious mistress Cynthia, and his exhilarations and depressions all strike a surprisingly familiar chord for the modern reader. Through an in-depth introduction and explanatory notes, Richardson strives to make the poems as readable as possible, at the same time examining the complexities and textual difficulties of the texts. Each elegy is accompanied by an introductory note providing a literary interpretation of the poem, followed by full and detailed commentary.