Ancient declamation—the practice of delivering speeches on the basis of fictitious scenarios—defies easy categorization. It stands at the crossroads of several modern disciplines. It is only within the past few decades that the full complexity of declamation, and the promise inherent in its study, have come to be recognized. This volume, which contains thirteen essays from an international team of scholars, engages with the multidisciplinary nature of declamation, focusing in particular on the various interactions in declamation between rhetoric, literature, law, and ethics. Contributions pursue a range of topics, but also complement each other. Separate essays by Brescia, Lentano, and Lupi explore social roles—their tensions and expectations—as defined through declamation. With similar emphasis on historical circumstances, Quiroga Puertas and Tomassi consider the adaptation of rhetorical material to frame contemporary realities. Schwartz draws attention to the sometimes hazy borderline between declamation and the courtroom. The relationship between laws and declamation, a topic of abiding importance, is examined in studies by Berti, Breij, and Johansson. Also with an eye to the complex interaction between laws and declamation, Pasetti offers a narratological analysis of cases of poisoning. Citti discovers the concept of natural law represented in declamatory material. While looking at a case of extreme cruelty, Huelsenbeck evaluates the nature of declamatory language, emphasizing its use as an integral instrument of performance events. Zinsmaier looks at discourse on the topic of torture in rhetorical and legal contexts.

This book offers translations of ten rhetorical declamations of the fourth-century AD sophist Libanius of Antioch and some related texts, almost all appearing for the first time in a modern language. In these works the declaimer impersonates such mythological or historical figures as Poseidon, Paris, Achilles, and Orestes, either in court (as prosecutor or defendant) or by trying to persuade his audience to take a course of action. The texts illustrate the sophist's eloquence and had an educational purpose in the schools, but were also delivered before adult audiences. They also put the Hellenic past on display for audiences of the Greek East in the Roman Empire. The annotated translations are accompanied by analyses of their themes, structure, and argumentation.

A professor of Greek rhetoric, frequent letter writer and influential social figure, Libanius (AD 314–393) is a key author for anybody interested in late antiquity, ancient rhetoric, ancient epistolography and ancient biography. Nevertheless, he remains understudied because it is such a daunting task to access his large and only partially translated oeuvre. This volume, which is the first comprehensive study of Libanius, offers a critical introduction to the man, his texts, their context and reception. Clear presentations of the orations, progymnasmata, declamations and letters unlock the corpus, and a survey of all available translations is provided. At the same time, the volume explores new interpretative approaches of the texts from a variety of angles. Written by a team of established as well as upcoming experts in the field, it substantially reassesses works such as the Autobiography, the Julianic speeches and letters, and Oration 30 For the Temples.

A Greek declamation was an 'imaginary speech': a fictitious speech composed for a rhetorical scenario set in Classical Greece. Although such speeches began as rhetorical exercises, under the high Roman empire they developed into a full-blown prestigious genre in their own right. This first monograph on Greek declamation for nearly forty years re-evaluates a genre that was central to Greek imperial literature and to ancient and modern notions of the 'Second Sophistic'. Rejecting traditional conceptions of the genre as 'nostalgic', this book considers the significance of Greek declamation's re-enactment of classical history for its own times, and integrates the genre into the wider history of the period. It shows through extended readings how the genre came to constitute a powerful and subtle instrument of identity formation and social interaction, and a site for free thinking on issues of major contemporary importance such as imperialism and inter-polis relations.

Shows the unique perspective of Talmudic rabbis as they navigate between platonic objective truth and the realm of rhetorical argumentation.

Declamations were composed and orally delivered in the Roman Empire by sophists, or teachers of rhetoric, of whom the Greek-speaking Libanius was one of the most distinguished. Stock Characters Speaking may be thought of as emerging from three developments of recent decades: an explosive interest in late antiquity, a newly sympathetic interest in rhetoric (including ancient declamation), and a desire to bring Libanius’s massive corpus into English and other modern languages. In this book, author Robert J. Penella translates eight of Libanius’s declamations: 29, 30, 34, 35, 37, 45, 46, 47, and, in an appendix, the thirteenth-century Gregory of Cyprus’s response to Declamation 34. Each translation is accompanied by an introduction, in which Penella examines the themes, structure, and the stasis, or key issue, of the declamations. Figures who appear in the translated declamations include a parasite who has lost his patron, a man envious of his rich neighbor, a miser’s son, a poor man willing to die for his city, a rich war-hero accused of aiming at tyranny, and a convict asking for exile. Three of these declamations have appeared in German; otherwise, these translations are the first into a modern language.

This book argues that narrations of rhetorical performances in late antique literature can be interpreted as a reflection of the ongoing debates of the time. Competition among cultural elites, strategies of self-presentation and the making of religious orthodoxy often took the shape of narrations of rhetorical performances in which comments on the display of oratorical skills also incorporated moral and ethical judgments about the performer. Using texts from late antique authors (in particular, Themistius, Synesius of Cyrene, and Libanius of Antioch), this book proposes that this type of narrative should be understood as a valuable way to decipher the cultural and religious landscape of the fourth century AD. The volume pays particular attention to narrations of deficient rhetorical deliveries, arguing that the accounts of flaws and mistakes in oratorical displays and rhetorical performances reveal how late antique literature echoed the concerns of the time. Criticisms of deficient deliveries in different speaking occasions (declamations, public speeches, oratorical agones, school exercises, sermons) were often disguised as accusations of practising magic, heresy or cultural apostasy. A close reading of the sources shows that these oratorical deficiencies hid struggles over religious, cultural and political issues.

Fragmentary texts play a central role in Classics. Their study poses a stimulating challenge to scholars and readers, while its methods and principles, far from being rigidly immutable, invite constant reflection on its methods, approaches, and goals. By focusing on some of the most relevant issues that fragmentologists have to face, this book contributes to the ongoing and lively debate on the study of fragmentary texts. This volume contains an extensive theoretical introduction on the study of textual fragments, followed by eight essays on a wide variety of topics relevant to the study of fragmentary texts across literary genres. The chapters range from archaic Greek epics (the Hesiodic corpus) to late-antique grammarian Nonius Marcellus as a source of fragments of Republican literature. All contributions share a nuanced, critical attention to the main methodological implications of the study of fragmentary texts and mutually contribute to highlighting the field’s common specificities and limitations, both in theory and in editorial practice. The book offers a representative spectrum of fragmentological issues, providing all readers with an interest in Classics with an up-to-date, methodologically aware approach to the field.

Taken together, Gregory of Nyssa’s XV Homilies In Canticum Canticorum are at the same time – as if in unison – a work of spiritual, exegetical, and theological doctrine. The wide spectrum of the themes present in them have prompted a great interest in this work, not only among scholars of patristics or theology, but also among those interested in biblical interpretation, ancient rhetoric or Christian mystical doctrine. These Proceedings present the results of the 13th International Colloquium on Gregory of Nyssa (Rome, 17-20 September 2014): a systematic commentary of Gregory’s In Canticum from a broad perspective in the form of sixteen papers and a selection of fourteen short essays devoted to various issues that represent a valuable set of supporting studies.