Gentlemen Bankers investigates the social and economic circles of one of America’s most renowned and influential financiers to uncover how the Morgan family’s power and prestige stemmed from its unique position within a network of local and international relationships. At the turn of the twentieth century, private banking was a personal enterprise in which business relationships were a statement of identity and reputation. In an era when ethnic and religious differences were pronounced and anti-Semitism was prevalent, Anglo-American and German-Jewish elite bankers lived in their respective cordoned communities, seldom interacting with one another outside the business realm. Ironically, the tacit agreement to maintain separate social spheres made it easier to cooperate in purely financial matters on Wall Street. But as Susie Pak demonstrates, the Morgans’ exceptional relationship with the German-Jewish investment bank Kuhn, Loeb & Co., their strongest competitor and also an important collaborator, was entangled in ways that went far beyond the pursuit of mutual profitability. Delving into the archives of many Morgan partners and legacies, Gentlemen Bankers draws on never-before published letters and testimony to tell a closely focused story of how economic and political interests intersected with personal rivalries and friendships among the Wall Street aristocracy during the first half of the twentieth century.

John Masefield wrote four books on The Great War: Gallipoli, The Old Front Line, War and the Future and Battle of the Somme. These have been acclaimed as perceptive and beautiful crafted works, which bring home the full horror and hopelessness of war. This is the first opportunity for historians and general readers to purchase all four in a handsome yet reasonably priced volume, which is definitely a collectable. In addition there is a full introduction by Dr. Philip Errington, the leading Masefield authority who is head of Sotheby's Department of Printed Books and Manuscripts. This rare collection is rounded off by a selection of shorter pieces by the hugely popular Poet Laureate.

Containing over 25,000 entries, this unique volume will be absolutely indispensable for all those with an interest in Britain in the twentieth century. Accessibly arranged by theme, with helpful introductions to each chapter, a huge range of topics is covered. There is a comprehensiveindex.

A Study Guide for John Masefield's "Cargoes," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.

Yeats's Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this volume. Spanning the whole of Yeats's career, the essays are organised into three main parts. The first deals with Yeats's concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from ghosts and fairies, to figures borrowed from painters and sculptors and, extraordinarily, to the actual dancer for whom he makes room in his work. The second section puts Yeats's poetry in context with the work of Synge, D.H. Lawrence, Walter de la Mare and other 'Georgians', and with that of T.S. Eliot and other modernists; assessing the continuities (real and asserted) in Yeats's long poetic career against the revolutions in the poetry of his time. The profound connections between the writings of Yeats and Joyce, including the coupling of Finnegans's Wake and 'The Wanderings of Oisin' are also examined. Rounding off the volume 'Phantasmagoria', explores the implications for his poetics of Yeats's spiritualist philosophy, especially in terms of his conception of the poetic self, and, finally, the last section analyses two works animated by Yeats's quest for the 'faery bride' and his desperate attempt to attract, through his work, a real one.

Countering traditional narratives that place men at the centre of political thinking and history, this text tells the life story of Florence Hope Luscomb, a political activist who's life spanned nearly all of the 20th century.

This study examines Hardy's prolonged struggle with his contemporary readers, whose bourgeois values he despised. Initially content to compromise, to provide them with congenial entertainment, Hardy resorted at first to strategies of subversion, smuggling material past his editors and finally to outspoken attack. Professor T. R. Wright attempts to balance historical research into the response of 'actual' readers and the material conditions of publishing with literary-critical analysis of the 'implied' reader inscribed in the novels themselves.

The first biography of the philosopher who became a mastermind of Allied intelligence in World War Two. Austere, witty, and formidable, J. L. Austin (1911-1960) was the leader of Oxford Ordinary Language Philosophy and the founder of speech-act theory. This book—the first full-length biography of Austin—enhances our understanding of his dominance in 1950s Oxford, examining the significance of his famous Saturday morning seminars, and his sometimes tense relationships with Gilbert Ryle, Isaiah Berlin, A. J. Ayer, and Elizabeth Anscombe. Throwing new light on Austin's own intellectual development, it probes the strengths and weaknesses of his mature philosophy, and reconstructs his late unpublished work on sound symbolism. Austin's philosophical work remains highly influential, but much less well known is his outstanding contribution to British Intelligence in World War Two. The twelve central chapters thus investigate Austin's part in the North African campaign, the search for the V-weapons, the preparations for D-Day, the Battle of Arnhem, and the Ardennes Offensive, and show that, in the case of D-Day, he played a major role in the ultimate Allied victory. While exploring Austin's dramatic and romantic personal history, Rowe pays close attention to his harsh schooling and pre-war affair with a married Frenchwoman; his wartime marriage, bomb injury, and response to a colleague's murder; and his post-war family life, the growing influence of America, and his tragically premature death. Adding considerably to our knowledge of World War Two, and Austin's diverse and enduring influence, this biography reveals the true complexity of his character, and the full range and significance of his achievements.

In the remainder of the book, Valerie Langfield discusses and contextualises all his music: songs, chamber, orchestral and theatre music, and his light opera, Julia, performed at Covent Garden in 1936."--BOOK JACKET.