Each of the writings this book deals with were influenced by and capitalized on certain aspects of Scottish culture in the late-18th and early 19th centuries and those cultural influences combined to forge a rhetorical approach that practically guaranteed the Scottish men of letters a dominant place in the public sphere. This book covers the Edinburgh Review in and as the public sphere 1802-08; Christopher North and the review essay as conversational exhibition; Lockhart's modified amateurism and the shame of authorship; and the Presbyterian sermon, Carlyle's homiletic essays, and Scottish periodical writing.

The ballad is an enduring and universal literary genre. In this book, first published in 1972, David Buchan is concerned to establish the nature of a ballad and of the people who produced it through a study of the regional tradition of the Northeast of Scotland, the most fertile ballad area in Britain. His account of this tradition has two parallel aims, one specifically literary – to investigate the ballad as oral literature – and one broadly ethnographic – to set the regional tradition in its social context. Dr Buchan applies the interesting and important work which has recently been done on oral tradition in Europe on the relationship of the ballad to society to his study of this particular part of Scotland. He examines a nonliterate society to discover what factors besides nonliteracy helped foster its ballad tradition. He analyses the processes of composition and transmission in the oral ballad, and considers the changes which removed nonliteracy, altered social patterns, and seriously affected the ballad tradition. By demonstrating how people who could neither read nor write were able to compose literature of a high order, David Buchan provides a convincing explanation of the ballad’s perennial appeal and an answer to the ‘ballad enigma’. His book is also a valuable study in social history of this culturally distinct region, the Northeast of Scotland.

1833, Catherine Jane Hamilton returned from India to Edinburgh to seek a divorce from her husband, the physician Alexander Lesassier. The charge was adultery, and proof for it lay in a trunk containing her husband's personal papers. Catherine won her suit without difficulty and the trunk was deposited in the library of the Royal College of Physicians of Edinburgh. Alexander Lesassier died in 1839 during the First Afghan War; his trunk and its contents remained untouched for the next century and a half. It has now been opened and a remarkable tale, told in remarkable detail, has spilled forth. The life of Alexander Lesassier, as expertly reconstructed by Lisa Rosner, affords startling insight into the sensibilities of an era and of the man who, in his own eyes and those of the women who adored him, was its most perfect creation. Affable and self-absorbed, engaging and ignoble Lesassier was a physician, military surgeon, and novelist, who was also a shameless opportunist, charming scoundrel, seducer, and survivor. His is the story of a failed medical man who wanted to be something different and saw himself as entitled to more than he had; someone who can always be guaranteed to make the wrong choice, and then protest that he has done well. This fascinating and deeply absorbing book offers rare insights into Georgian, Regency, and early Victorian Britain through the fortunes and misfortunes, hopes and whims, of "the most beautiful man in existence."

Matthew Lewis (17775-1818), author of The Monk—one of the most famous of gothic novels—is attracting increasing attention for his own talent and his pre-eminence in the gothic school. The gothic mode, aside from its intrinsic interest, is important because of its distinct influence in British, continental, and American literature. Yet a full-length biography of Lewis has not appeared since 1839. For the nonspecialist seeking an introduction to Romanticism and the Regency, Lewis is a valuable man to know, with his varied literary interests—poetry, the novel, drama—and his wide acquaintance: royalty, the peerage, literary celebrities like Byron, Scott, Shelley, Sheridan, and the theatrical world. As a writer he showed uncanny anticipation of popular literary trends and a talent for the spectacular. This new biography, based on information which has appeared since 1839 and on new material, presents the whole man, not a selection of eccentricities. It includes treatment of all his works and a section of newly edited correspondence.