Mit Beiträgen von Christina Antenhofer (Innsbruck), Oliver Auge (Kiel), Michail A. Bojcov (Moskau), Klaus Brandstätter (Innsbruck), Robert Büchner (Innsbruck), Jean-Marie Cauchies (Brüssel), Michael A. Chisholm (Edmonton, AB), Paula Sutter Fichtner (New York), Manfred Hollegger (Graz), Harald Kleinschmidt (Tsukuba und Tokyo), Isabella Lazzarini (Campobasso und Durham/GB), Howard Louthan (Gainsville, FL), Christina Lutter (Wien), Heather Madar (Arcata, CA), Axel Metz (Münster), Heinz Noflatscher (Innsbruck), Joseph F. Patrouch (Edmonton, AB), Sabine Sailer (Innsbruck), Thomas Schauerte (Nürnberg), Georg Schmidt (Jena), Elena Taddei (Innsbruck), Lorenzo Tanzini (Cagliari) und Daniela Unterholzner (Wien).

"This volume celebrates and extends the extraordinary and transformative work of Ian Doyle on medieval manuscripts and their legacies. Eighteen original contributions by eminent international scholars of manuscript studies and history of the book present new research on textual issues, manuscript preservation and circulation, manuscripts and print, and the afterlives of manuscripts. Essays adopt the multi-faceted and nuanced approaches to manuscript studies and history of the book characteristic of Ian Doyle's work, taking up topics to which his research has drawn attention, extending his studies of particular manuscripts, scribes and networks, and exploring his remarkable contributions to the field. Contributors are: Ralph Hanna, Susan Powell, Julia Boffey, David Rundle, James Willoughby, Carol Meale, Martha Driver, William Marx, Veronica O'Mara, Richard Gameson, Kathleen Scott, Margaret Connolly, Richard Beadle, A. S. G. Edwards, Elizabeth Rainey, Pamela Robinson, Toshi Takamiya, Linne Mooney, and Derek Pearsall"--

Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.

Micrographic reproduction of the 13 volume Oxford English dictionary published in 1933.

One of the most unusual contributions to the crusading era was the idea of the leper knight - a response to the scourge of leprosy and the shortage of fighting men which beset the Latin kingdom in the twelfth century. The Order of St Lazarus, which saw the idea become a reality, founded establishments across Western Europe to provide essential support for its hospitaller and military vocations. This book explores the important contribution of the English branch of the order, which by 1300 managed a considerable estate from its chief preceptory at Burton Lazars in Leicestershire. Time proved the English Lazarites to be both tough and tenacious, if not always preoccupied with the care of lepers. Following the fall of Acre in 1291 they endured a period of bitter internal conflict, only to emerge reformed and reinvigorated in the fifteenth century. Though these late medieval knights were very different from their twelfth-century predecessors, some ideologies lingered on, though subtly readapted to the requirements of a new age, until the order was finally suppressed by Henry VIII in 1544. The modern refoundation of the order, a charitable institution, dates from 1962. The book uses both documentary and archaeological evidence to provide the first ever account of this little-understood crusading order.DAVID MARCOMBE is Director of the Centre for Local History, University of Nottingham.

Published between 1862 and 1932, and reissued here in multiple parts, this monumental calendar of documents remains an essential starting point for the serious study of Tudor history. An experienced editor of historical texts, John Sherren Brewer (1809-79) had no prior training in the history of the period, yet he brought to the project the necessary industriousness and an impeccable command of Latin. Four volumes appeared before his death, whereupon James Gairdner (1828-1912), his former assistant, took up the editorial reins. Continuing Brewer's method of ordering chronologically all available documents from 1509 to 1547, and reproducing some passages while paraphrasing or omitting others, Gairdner brought the project to its conclusion, aided himself by R. H. Brodie (1859-1943) in preparing the later volumes. Part 2 of Volume 2 (1864) covers the period from January 1517 to December 1518.