A selection of polemical writings and memoirs by the founder of the Futurist art movement.

It began with the best of intentions. Worried about the effects of alcohol on American families, mothers and civic leaders started a movement to outlaw drinking in public places. Over time, their protests, petitions, and activism paid off—when a Constitional Amendment banning the sale and consumption of alcohol was ratified, it was hailed as the end of public drunkenness, alcoholism, and a host of other social ills related to booze. Instead, it began a decade of lawlessness, when children smuggled (and drank) illegal alcohol, the most upright citizens casually broke the law, and a host of notorious gangsters entered the public eye. Filled with period art and photographs, anecdotes, and portraits of unique characters from the era, this fascinating book looks at the rise and fall of the disastrous social experiment known as Prohibition. Bootleg is a 2011 Kirkus Best Teen Books of the Year title. One of School Library Journal's Best Nonfiction Books of 2011. YALSA Excellence in Nonfiction Finalist in 2012.

Carol Miller makes a memorable debut in Murder and Moonshine, the first of an intriguing new mystery series. All small towns have secrets---and plenty of them---as every small-town waitress knows. Daisy is no different. A young, recently separated waitress at H & P's Diner in sleepy southwestern Virginia, she hears more than her fair share of neighborhood gossip while serving plates of hash and peach cobbler. But when a reclusive old man shows up at the diner one day, only to drop dead a few minutes later, Daisy quickly learns that some secrets are more dangerous to keep than others---especially when there are money and moonshine involved. The man's death was suspicious, and no longer sure who she can trust, Daisy turns sleuth while also seeking to protect her sick mother and keeping a handle on Aunt Emily, her goading, trigger-happy landlord. Caught between whiskey and guns, a handsome ATF agent and a moonshine-brewing sweet talker, and a painful past and a dangerous present, Daisy has her work cut out for her. There's trouble brewing in her small town, and before it passes, many secrets will come to light.

Ever wished there was a book about some of the weirdest and most disturbing stories in the Bible that was also hilarious to read? You've found it. It turns out, there's a lot of strange stuff in the Bible, and this book takes a tongue-in-cheek look at all of it. Approximately 80 percent of Americans admit they haven't read the Bible. If they did, they'd be pleasantly surprised by its impressive quantity of sex and poop jokes. David danced naked. Noah was basically a moonshining hillbilly. Ezekiel baked poop bread. Herod was eaten by worms. Jesus cursed a fig tree, just to prove he could. Mark went streaking. Hosea married a prostitute. Lot was date-raped by his own daughters. This unique book: Combines humor and education to give better insight into some of the strangest parts of the Bible Organized by topic (poop, genitalia, weird violence, prostitution, gratuitous nudity, seemingly pointless miracles, and other fun stuff) Is a thoroughly researched (really!), reverent, and insightful look at the best-selling book in history Makes a perfect gift for pastors and white elephant parties From Elisha, who loosed homicidal bears on some kids because they called him bald (it's a long story), to the story of Ehud, who gets away with assassinating a tyrannical king because his servants think said king is taking a dump (also a long story), this book examines and casts new light on some of the Bible's stranger moments.

Secrets, lies, and a splash of moonshine: a classic country house whodunit with a distinctly Southern twist. After losing her husband and her home, small-town girl Daisy McGovern moves in with her invalid mother at an old inn in sleepy southwestern Virginia. When the inn's eccentric proprietor, Aunt Emily, decides to throw a weekend party for a small group of friends and neighbors, everybody is excited--until a winter storm approaches and one of the guests is crushed by an antique bookcase during the night. At first, the death appears to be an accident. But as the storm worsens and the sheriff is unable to reach them, suspicion slowly grows. Was it murder? After the inn loses power and a second death occurs, it's clear to Daisy that one among them is a killer. But who? The young, new, secretive maid? The antique-peddling pair of spinster sisters? Her not-so-welcome in-laws? The peculiar house-hunting couple? The supposedly stranded motorist? With no way to leave and no way to get help, Daisy's only contacts to the outside world are her best friend Beulah and the always charming (and equally troublesome) moonshiner, Rick Balsam. Trapped with a clever and seemingly undetectable murderer, she must unravel the truth before the party ends with her funeral.

Nothing but clear, 100-proof American history. Hooch. White lightning. White whiskey. Mountain dew. Moonshine goes by many names. So what is it, really? Technically speaking, “moonshine” refers to untaxed liquor made in an unlicensed still. In the United States, it’s typically corn that’s used to make the clear, unaged beverage, and it’s the mountain people of the American South who are most closely associated with the image of making and selling backwoods booze at night—by the light of the moon—to avoid detection by law enforcement. In Moonshine: A Cultural History of America’s Infamous Liquor, writer Jaime Joyce explores America’s centuries-old relationship with moonshine through fact, folklore, and fiction. From the country’s early adoption of Scottish and Irish home distilling techniques and traditions to the Whiskey Rebellion of the late 1700s to a comparison of the moonshine industry pre- and post-Prohibition, plus a look at modern-day craft distilling, Joyce examines the historical context that gave rise to moonshining in America and explores its continued appeal. But even more fascinating is Joyce’s entertaining and eye-opening analysis of moonshine’s widespread effect on U.S. pop culture: she illuminates the fact that moonshine runners were NASCAR’s first marquee drivers; explores the status of white whiskey as the unspoken star of countless Hollywood film and television productions, including The Dukes of Hazzard, Thunder Road, and Gator; and the numerous songs inspired by making ’shine from such folk and country artists as Joan Baez, Bob Dylan, Alan Jackson, and Dolly Parton. So while we can’t condone making your own illegal liquor, reading Moonshine will give you a new perspective on the profound implications that underground moonshine-making has had on life in America.

In this intoxicating new cozy mystery series, the future for modern-day moonshiner Hattie Hayes looks bright--until death darkens the doorstep of her Moonshine Shack. The Hayes family has made moonshine in Chattanooga since the days of Prohibition, and Hattie is happy to continue the tradition, serving up fun, fruity flavors in mason jars for locals and tourists alike. All signs indicate her new 'shine shop will be a smashing success. What's more, mounted police officer Marlon Landers has taken a shine to Hattie. For the first time ever, the stars seemed to have aligned in both her work and romantic life. But when a body ends up on her store's doorstep alongside a broken jar of her Firefly Moonshine, it just might be lights out for her fledgling business. The homicide detective can't seem to identify the person who killed the owner of a nearby bar. The only witness is Hattie's longhaired gray cat, and Smoky isn't talking. When the detective learns that the victim and Hattie had a heated exchange shortly before his murder, she becomes her prime suspect. Lest Hattie end up behind bars like her bootlegging great-grandfather a century before, she must distill the evidence herself and serve the killer a swift shot of justice.

Their neighbors were Bill and Hillary Clinton. Their home was Chappaqua, the upscale New York suburb famous for its tranquility—until one dark night, when a brutal murder shattered the community. Driving home with his wife Peggy, Carlos Perez-Olivo claimed he was forced off the road by another vehicle. Entering the couple's SUV, the other driver allegedly shot and killed Peggy during a struggle. Then, while wrestling with the assailant, Carlos took a bullet in the abdomen. But disturbing facts about Carlos began to surface: He'd sent flowers to his mistress two days before Peggy's murder. He'd been recently disbarred as a criminal defense attorney. And now, he stood to inherit Peggy's life insurance policies. With each revelation, more questions were raised: Was Carlos an innocent victim? A scheming accomplice? Or a cold-blooded killer? This is what really happened...

Rosemary Edghill cast a keenly observant, friendly, yet faintly amused eye on an intriguing American micro-culture. The Bast novels offer a very new view of the practitioners of a very old faith. Edghill allows that there's still magic in the air. Rosemary Edghill's Bast novels are a real treat. Bell, Book, and Murder contains all three Bast novels, Speak Daggers to Her, Book of Moons, and The Bowl of Night (excerpted in USA Today). At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Honorable Mention, 2019 Victor Turner Prize in Ethnographic Writing, given by the Society for Humanistic Anthropology Honorable Mention, 2019 Sharon Stephens Prize, given by the American Ethnological Society Examines the role that race played in the inception of the airline industry Empire in the Air is at once a history of aviation, and an examination of how air travel changed lives along the transatlantic corridor of the African diaspora. Focusing on Britain and its Caribbean colonies, Chandra Bhimull reveals how the black West Indies shaped the development of British Airways. Bhimull offers a unique analysis of early airline travel, illuminating the links among empire, aviation and diaspora, and in doing so provides insights into how racially oppressed people experienced air travel. The emergence of artificial flight revolutionized the movement of people and power, and Bhimull makes the connection between airplanes and the other vessels that have helped make and maintain the African diaspora: the slave ships of the Middle Passage, the tracks of the Underground Railroad, and Marcus Garvey’s black-owned ocean liner. As a new technology, airline travel retained the racialist ideas and practices that were embedded in British imperialism, and these ideas shaped every aspect of how commercial aviation developed, from how airline routes were set, to who could travel easily and who could not. The author concludes with a look at airline travel today, suggesting that racism is still enmeshed in the banalities of contemporary flight.