“Lester Higata knew his life was about to end when he walked out on the lanai behind his house in Makiki and saw his long-dead father sitting in a lawn chair near the little greenhouse where Lester kept his orchids.” Thus begins Barbara Hamby’s magical narrative of the life of a Japanese American man in Honolulu. The quietly beautiful linked stories in Lester Higata’s 20th Century bring us close to people who could be, and should be, our friends and neighbors and families. Starting in 1999 with his conversation with his father, continuing backward in time throughout his life with his wife, Katherine, and their children in Hawai‘i, and ending with his days in the hospital in 1946, as he heals from a wartime wound and meets the woman he will marry, Hamby recreates not just one but any number of the worlds that have shaped Lester. The world of his mother, as stubbornly faithful to Japan and Buddhism as Katherine’s mother is to Ohio and conservative Christianity; the world of his children, whose childhoods and adulthoods are vastly different from his own; the world after Pearl Harbor and Vietnam; the world of a professional engineer and family man: the worlds of Lester Higata’s 20th Century are filled with ordinary people living extraordinary lives, moving from farms to classrooms and offices, from racism to acceptance and even love, all in a setting so paradisal it should be heaven on earth. Never forgetting the terrors of wartime—“We wake one morning with the wind racing toward us like an animal, and nothing is ever the same”—but focusing on the serene joys of peacetime, Lester populates his worlds with work, faith, and family among the palm trees and blue skies of the island he loves.

An anthology of twentieth-century American poetry, featuring Wallace Stevens, T.S. Eliot, Elizabeth Bishop, Robert Hayden, Gwendolyn Brooks, Derek Walcott, Adrienne Rich, John Ashbery, Anne Sexton, and many others.

An anthology of brand-new poems inspired by Taylor Swift songs, from a powerhouse group of contemporary poets, including Kate Baer, Maggie Smith, and Joy Harjo. Let the decoding begin! With a record-breaking four Grammy awards for Album of the Year, Taylor Swift stands alone in the world of pop music. One of the most talented lyricists of all time, her music captivates millions of fans throughout the globe with the narrative depth and emotional resonance of her songwriting. In Invisible Strings, poet, professor, and dedicated Swiftie Kristie Frederick Daugherty has brought together 113 contemporary poets, each contributing an original poem that responds to a specific Taylor Swift song. In a spirit of celebration and collaboration, poets have taken a cue from Swift’s love of dropping clues and puzzles for her fandom to decode, as each poem alludes to a song without using direct lyrics. Swifties will enjoy closely reading each of the poems to discover which song each poet responded to; each poem responds to only one song. The collection showcases a diverse and accomplished array of writers including the 23rd US Poet Laureate Joy Harjo, Pulitzer Prize winners Diane Seuss, Yusef Komunyakaa, Carl Phillips, Rae Armantrout, Paul Muldoon, and Gregory Pardlo, National Book Critics Circle Award winners Mary Jo Bang and Laura Kasischke, and bestselling poets Maggie Smith, Aimee Nezhukumatathil, Kate Baer, amanda lovelace, Tyler Knott Gregson, and Jane Hirshfield. Swifties will experience the profundity and nuance of Swift’s lyrics through these poems, while having fun matching the poems to songs from all of her eras—vault tracks included! For poetry lovers, this one-of-a-kind anthology is an unparalleled collection of new work from today’s most lauded and revered poets.

AMY GERSTLER’S COMMITMENT TO INNOVATIVE POETRY that conveys meaning, feeling, wit, and humor informs the cross section of poems in the 2010 edition of The Best American Poetry. The works collected here represent the wealth, the breadth, and the tremendous energy of poetry in the United States today. Featuring poems from some of our country’s top bards, including John Ashbery, Anne Carson, Louise Glück, Sharon Olds, and Charles Simic, The Best American Poetry 2010 also presents poems that poignantly capture the current moment, such as the sonnets John Updike wrote to chronicle his dying weeks. And there are exciting poems from a constellation of rising stars: Bob Hicok, Terrance Hayes, Denise Duhamel, Dean Young, and Elaine Equi, to name a very few. The anthology’s mainstays are in place: It opens with series editor David Lehman’s incisive foreword about the state of American poetry and has a marvelous introduction by Amy Gerstler. Notes from the poets, illuminating their poems and their writing processes, conclude this delightful addition to a classic series. Dick Allen * John Ashbery * Sandra Beasley * Mark Bibbins * Todd Boss * Fleda Brown * Anne Carson * Tom Clark * David Clewell * Michael Collier * Billy Collins * Dennis Cooper * Kate Daniels * Peter Davis * Tim Dlugos * Denise Duhamel * Thomas Sayers Ellis * Lynn Emanuel * Elaine Equi * Jill Alexander Essbaum * B. H. Fairchild * Vievee Francis * Louise Glück * Albert Goldbarth * Amy Glynn Greacen * Sonia Greenfield * Kelle Groom * Gabriel Gudding * Kimiko Hahn * Barbara Hamby * Terrance Hayes * Bob Hicok * Rodney Jones * Michaela Kahn * Brigit Pegeen Kelly * Corinne Lee * Hailey Leithauser * Dolly Lemke * Maurice Manning * Adrian Matejka * Shane McCrae * Jeffrey McDaniel * W. S. Merwin * Sarah Murphy * Eileen Myles * Camille Norton * Alice Notley * Sharon Olds * Gregory Pardlo * Lucia Perillo * Carl Phillips * Adrienne Rich * James Richardson * J. Allyn Rosser * James Schuyler * Tim Seibles * David Shapiro * Charles Simic * Frank Stanford * Gerald Stern * Stephen Campbell Sutherland * James Tate * David Trinidad * Chase Twichell * John Updike * Derek Walcott * G. C. Waldrep * J. E. Wei * Dara Wier * Terence Winch * Catherine Wing * Mark Wunderlich * Matthew Yeager * Dean Young * Kevin Young

The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In "Free Ham," a young dropout wins a ham after her house burns down and refuses to accept it. "Has my ham done anything wrong?" she asks when the grocery store manager demands that she claim it. In "Carry Me Home, Sisters of Saint Joseph," a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy "North Of." In "The Idea of Marcel," Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over.

From a lightning death on an isolated peak to the intrigues of a small town orchestra, the glimmering stories in this debut collection explore how nature—damaged, fierce, and unpredictable—worms its way into our lives. Here moths steal babies, a creek seduces a lonely suburban mother, and the priorities of a passionate conservationist are thrown into confusion after the death of her son. Over and over, the natural world reveals itself to be unknowable, especially to the people who study it most. These tales of scientists, nurses, and firefighters catalog the loneliness within families, betrayals between friends, and the recurring song of regret and grief.

Night in Erg Chebbi and Other Stories spans the globe, taking us from Belfast to Brazil, Morocco to Manhattan. The teenaged daughter of an IRA assassin flees Northern Ireland only to end up in Baby Doc’s terrifying Haiti. An American woman who’s betrayed her brother only to lose him to a Taliban bullet comes face to face with her demons during a vacation in Morocco. A famed photojournalist must find a way to bring her life’s work to closure before she goes blind, a quest that changes her understanding of the very physics of light. By turns innocent and canny, the characters of Night in Erg Chebbi and Other Stories must learn to improvise—quickly—when confronted with stark choices they never dreamed they’d have to make. Lyrical, immaculately constructed and deeply felt, these nine stories take us far beyond our comfort zones and deep into the wilds of the human heart.

How does one live a good life? If you’re Pat Graves, you change your name to Cecile Collette, move to Cleveland, and join three churches and the Rotary Club. For Cecile, who will reinvent herself again before the story ends, it may be possible to make Michigan and everything else she touches beautiful, but she’ll come to grief when she tries to redesign another human being. In the title story, Mackenzie, a girl without looks or potential, builds a full life in Paris, based on the sketchy belief that she had an ancestor renowned for being dauntless. College freshman Adam, holding a fantasy of his newly discovered father, finds the man broke and foolish; still he does all he can to rescue his dad from a disastrous contract. Kate, convinced she’s doing the right thing, helps her cousin gain full custody of his daughter, only realizing years later the truth of what happened. Watching CNN, a grandmother recalls a date she once had with a man now giving advice on foreign policy. Whether set in Scandinavia, America, France, England, Australia, or Nepal, these stories champion those who are tenacious in the face of life’s surprises.

In When Mystical Creatures Attack!, Ms. Freedman’s high school English class writes essays in which mystical creatures resolve the greatest sociopolitical problems of our time. Students include Janice Gibbs, “a feral child with excessive eyeliner and an anti-authoritarian complex that would be interesting were it not so ill-informed,” and Cody Splunk, an aspiring writer working on a time machine. Following a nervous breakdown, Ms. Freedman corresponds with Janice and Cody from an insane asylum run on the capitalist model of cognitive-behavioral therapy, where inmates practice water aerobics to rebuild their Psychiatric Credit Scores. The lives of Janice, Cody, and Ms. Freedman are revealed through in-class essays, letters, therapeutic journal exercises, an advice column, a reality show television transcript, a diary, and a Methodist women’s fundraising cookbook. (Recipes include “Dark Night of the Soul Food,” “Render Unto Caesar Salad,” and “Valley of the Shadow of Death by Chocolate Cake.”) In “Virtue of the Month,” the ghost of Ms. Freedman’s mother argues that suicide is not a choice. In “The Un-Game,” Janice’s chain-smoking nursing home charge composes a dirty limerick. In “The Hall of Old-Testament Miracles,” wax figures of Bible characters come to life, hungry for Cody’s flesh. Set against a South Texas landscape where cicadas hum and the air smells of taco stands and jasmine flowers, these stories range from laugh-out-loud funny to achingly poignant. This surreal, exuberant collection mines the dark recesses of the soul while illuminating the human heart.

This prize-winning debut of twelve stories explores a femininity that is magical, raw, and grotesque. Aghast at the failings of their bodies, this cast of misfit women and girls sets out to remedy the misdirection of their lives in bold and reckless ways. Figure skaters screw skate blades into the bones of their feet to master elusive jumps. A divorcee steals the severed arm of her ex to reclaim the fragments of a dissolved marriage. Following the advice of a fashion magazine, teenaged girls binge on grapes to dye their skin purple and attract prom dates. And a college freshman wages war on her roommate from Jupiter, who has inadvertently seduced all the boys in their dorm with her exotic hermaphroditic anatomy. But it isn’t just the characters who are in crisis. In Lungs Full of Noise, personal disasters mirror the dissolution of the natural world. Written in lyrical prose with imagination and humor, Tessa Mellas’s collection is an aviary of feathered stories that are rich, emotive, and imbued with the strength to suspend strange new worlds on delicate wings.