Legendary Narratives of Hyderabad is a compendium of narratives woven around the legends associated with Hyderabad. The book is a tribute to the great city of Hyderabad. Each legend vividly portrays the enchanting soul/spirit of the city. The magnificent city embodies a rich heritage and a unique culture and its secular spirit embodies peace and amity. The ten chapters of the book beautifully bring to life the confluence of cultures, cuisine, language and literature. They finely blend and enrich the Dakhni Tehzeeb, showcasing a style which is distinctly Hyderabadi in its nature and ethos. Hyderabad remains true to its epithet, “city of good fortune” (Farkhunda Buniyad in Persian). It is a majestic replica of heaven on earth and this book takes you on the journey of its past glory.

This book examines how narratives of communal conflicts in south India affect Muslims, women, and the lower castes, entrenching complex realities of marginalisation and violence. Through extensive empirical research, it traces a thread connecting the history of communalism in the south Indian city of Hyderabad with the reality of everyday life in so-called “riot-prone” neighbourhoods. The chapters move between political discourse and daily life, bringing attention to how minority voices navigate and mould the space of interfaith relations and community belonging, and emphasising their political significance within a context dominated by narratives of communal conflicts. The book concludes with a reflection on the entanglements of dominant conflict paradigms and the lived experience of marginality across multiple axes of difference, positioning this interplay as crucial for understanding the multiple dimensions of political violence in contemporary societies. This book will be of much interest to students of feminist peace research, political violence, Asian studies, and International Relations.

This volume presents in translation and transcription the oral text of narratives about and poems by Slēwīḥ, one of Arabia's most famous nineteenth-century robber barons, recorded by Xālid, a sheikh of the 'Utaybah tribe of Saudi Arabia and the great-grandson of Slēwīḥ.

Starting with the period prior to the city's birth in 1591, the book presents an unbroken and colourful chronicle of Hyderabad, one of contemporary India's most important cities. Retaining the basic information from the original, this paperback edition includes a new chapter and updated information.

A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.

This book examines how territorial, civilisational and cultural location determines one’s gaze and attitude while representing a contested space like Tibet. It analyses representations of Tibet in three novels: James Hilton’s Lost Horizon (1933), Jamyang Norbu’s The Mandala of Sherlock Holmes (1999) and Kaushik Barua’s Windhorse (2013). It shows how these novels project different types of gaze — insider, outsider and insider-outsider — and explores them within the context of some contemporary Tibetan activist writers. The book also looks at Tibetan exilic writings and virtual activities of the Tibetan activists whose programmes and rhetoric counter the age-old image of the Tibetans as passive and non-violent people. It shows how activists utilise social networking as an effective platform to counter imperialist occupation of Tibet by China. It includes interviews of eight Anglophone Tibetan writers – Tenzin Tsundue, Thubten Samphel, Tsering Namgyal Khortsa, Tsering Wangmo Dhompa, Jamyang Norbu, Tenzin Dickie, Bhuchung D. Sonam, and an Indian writer who has written on Tibet, Kaushik Barua. Interdisciplinary, accessible and engaging, this book presents one of the first studies on how Tibet has been represented in English fiction. It will be of interest to scholars and researchers of literature, media and cultural studies, politics, history and China studies.

This book is an offering—of prose, poetry, musical lyrics, and visual art—by the women of Meghalaya in Northeast India. One of the smallest states in the country, but also, one of the most beautiful, Meghalaya is blessed with landscapes that mesmerize and inspire song and story. In the not-so-distant past, though, it has also seen political turbulence and civil unrest, and many of the works here capture that quiet unease—in homes and kitchens, in market-places and public taxis. Yet this anthology is also a celebration. Of wisdom and joy, of queerness and sisterhood, of mothers and feminine bodies, of home and hearths. Of voices new and established. Brought together in one volume by Janice Pariat, a novelist and poet from these hills. Here, we sit together around a fire, and sing, and weep, and dance, and tell stories. We dream of where we came from, the hills, the mist, and dream of what else we are still yet to discover.

For decades India has been intermittently tormented by brutal outbursts of religious violence, thrusting thousands of ordinary Hindus and Muslims into bloody conflict. In this provocative work, psychoanalyst Sudhir Kakar exposes the psychological roots of Hindu-Muslim violence and examines with grace and intensity the subjective experience of religious hatred in his native land. With honesty, insight, and unsparing self-reflection, Kakar confronts the profoundly enigmatic relations that link individual egos to cultural moralities and religious violence. His innovative psychological approach offers a framework for understanding the kind of ethnic-religious conflict that has so vexed social scientists in India and throughout the world. Through riveting case studies, Kakar explores cultural stereotypes, religious antagonisms, ethnocentric histories, and episodic violence to trace the development of both Hindu and Muslim psyches. He argues that in early childhood the social identity of every Indian is grounded in traditional religious identifications and communalism. Together these bring about deep-set psychological anxieties and animosities toward the other. For Hindus and Muslims alike, violence becomes morally acceptable when communally and religiously sanctioned. As the changing pressures of modernization and secularism in a multicultural society grate at this entrenched communalism, and as each group vies for power, ethnic-religious conflicts ignite. The Colors of Violence speaks with eloquence and urgency to anyone concerned with the postmodern clash of religious and cultural identities.