This science fiction adventure represents the ultimate survivor genre, a hero against all odds, against powerful special interests too-big-to-fail, a system controlled by ultimate insiders who often seem hell-bent on obsession, the last war, escalation, and world economic domination, to create a brave new world, another dystopia. And the story focuses on a black site scientist with an urgent mission: to reach the next underground bunker with unparalleled destruction and equipment that smolders, a place with sections that have damage beyond description, beyond all known languages from some unknown experiment, as the experiment may have fractured time or seriously damaged a local aspect of the universe. As people often say the most important trait is location-location-location, a real estate term regarding a vital place or vulnerable point. And in this case, the concern is about a weapon of mass destruction, a favorite human pursue since prehistoric times, and this weapon is not a mother of all bombs, not MOAB or the insidious neutron bomb, but a new age experiment that directed a complex particle beam at a universal pressure point in space, universal defect in spacetime or support aspect, well, similar to the way someone brings down a high-rise building by damaging the main support beam, and in this case to collapse the universal wave function, as the universe may represent a bubble, a supreme algebraic bubble, a supreme bulkhead. And this secret military experiment, one without checks and balances, appears to have punctured the universe with a special warp bubble pierce, and might initiate deflation at faster than light speed, to deflate the universe, as space can move faster than light, which in this case will quickly collapse the universe, to bring about the End of Days, eschatology, the final events of history, and the ultimate human destiny.

This science fiction adventure represents the ultimate survivor genre, a hero against all odds, against powerful special interests too big to fail, a system controlled by ultimate insiders who often seem hell-bent on obsession, the last war, escalation, and world economic domination to create a brave new world; another dystopia. And the story focuses on a black site scientist with an urgent mission: to reach the next underground bunker with unparalleled destruction and equipment that smoldersa place with sections that have damage beyond description, beyond all known languages from some unknown experiment, as the experiment may have fractured time or seriously damaged a local aspect of the universe. As people often say, the most important trait is location-location-location, a real estate term regarding a vital place or vulnerable point. And in this case, the concern is about a weapon of mass destruction, a favorite human pursuit since prehistoric times. And this weapon is not a mother of all bombs, not MOAB or the insidious neutron bomb, but a new-age experiment that directed a complex particle beam at a universal pressure point in spaceuniversal defect in space time or support aspect, well, similar to the way someone brings down a high-rise building by damaging the main support beam, and in this case, to collapse the universal wave function, as the universe may represent a bubble, a supreme algebraic bubble, a supreme bulkhead. And this secret military experiment, one without checks and balances, appears to have punctured the universe with a special warp bubble pierce and might initiate deflation at faster-than-light speed to deflate the universe, as space can move faster than light, which in this case will quickly collapse the universe to bring about the end of days, eschatology, the final events of history, and the ultimate human destiny.

In Manhattan, New York, Monday, 9:28 a.m., a Norwegian Nobel Prize Committee member, new Swedish Academy committee secretary, and permanent seasoned adviser, “the specialist” of intangible cultural heritage investigates a well-known Scandinavian metaphysical poet named Erika Segersäll Unræd, also known as persona no grata.

After many months of long work commutes, dense traffic, work stress as a wage slave, one difficult diet after another, and sleepless nights of tossing and turning, Bonnie seems quite exhausted, malnourished, and timeless. Such as, when will relief arrive? And, when will I find paradise? And especially, when will she find someone to love and cherish? So, she buys another lottery ticket.

When it was formed, Trojan Records epitomised the punk DIY ethic over a decade before 1976. With a blizzard of individual labels and a marketing strategy that involved selling product out of the backs of vans, the company spearheaded the injection of reggae and ska into the vein of British youth consciousness. In its first brief six-year incarnation, Trojan produced nearly 30 hit singles, created the legendary compilation series Tighten Up and launched new acts like Jimmy Cliff, Desmond Dekker, Ken Boothe, The Pioneers, Bob And Marcia, Greyhound and Dave And Ansell Collins, all against a background of cut-throat politics, cultural division and prejudice. Featuring a comprehensive discography, Young, Gifted And Black is the official story of Trojan Records, lifting the lid on the scheming, backbiting and sheer seat-of-the-pants inspiration that made the label such a powerful force for black UK music.

"[Stanley is] as clear-eyed about music as he is crazy in love with it." —Mikael Wood, Los Angeles Times A monumental work of musical history, Yeah! Yeah! Yeah! traces the story of pop music through songs, bands, musical scenes, and styles from Bill Haley and the Comets’ “Rock around the Clock” (1954) to Beyoncé’s first megahit, “Crazy in Love” (2003). Bob Stanley—himself a musician, music critic, and fan—teases out the connections and tensions that animated the pop charts for decades, and ranges across the birth of rock, soul, R&B, punk, hip hop, indie, house, techno, and more. Yeah! Yeah! Yeah! is a vital guide to the rich soundtrack of the second half of the twentieth century and a book as much fun to argue with as to quote.

Saxophonist Carlos Garnett, despite being blind in his later years, was an integral part of Miles Davis' nonet. His pivotal roles extended beyond live performances to studio work during the "On the Corner" era in 1972. Though he was born in a community of laborers who worked for the Panama Canal Company, his talent and work ethic led him to perform with some of the world's most notable musicians. Garnett's upbringing had influences from various cultures, including Jamaica, Trinidad, and Barbados, which informed his later musical fusions. This autobiography traces Carlos Garnett's journey from his native, segregated town of Red Tank, now erased from modern maps. After establishing himself as a prominent musician in his homeland, Garnett left for Brooklyn, NY. There, he worked with Art Blakey, Freddie Hubbard, Charles Mingus, Andrew Hill, Mtume James, Norman Connors and of course, Miles Davis. Garnett's original albums for Muse Records showcased his musical fusions, highlighting his talents as a composer, arranger, and instrumentalist.