The only English translation of recently edited transcriptions of Kant's lectures on anthropology, given between 1772 and 1789.

This collection of essays is the first comprehensive volume dedicated to Kant's lectures on anthropology and their philosophical importance.

4e de couverture: Responding to the challenges from the worlds they study and reflecting critically on their own practice, anthropologists have recently devoted new attention to ethics and morality. This masterclass brings together four of the most eminent scholars working in this field--Michael Lambek, Veena Das, Didier Fassin, and Webb Keane--to discuss, in a lecture format, the way in which anthropology faces contemporary ethical issues and moral problems. Rather than treating ethics as an object or as an isolable domain in moral theory, the authors are interested in grasping how the ethical and the moral emerge from social actions and interactions, how they are related to historical contexts and cultural settings, how they are transformed through their confrontation with the political, and how they are, ultimately, an integral part of life. Contrasting in their perspectives and methods, but developing a lively conversation, this masterclass provides four distinct voices to compose what will be an essential guide for an anthropology of the ethical and the moral in the twenty-first century.

This 2007 volume contains all of Kant's major writings on human nature.

Kant's lectures on anthropology capture him at the height of his intellectual power. They are immensely important for advancing our understanding of Kant's conception of anthropology, its development, and the notoriously difficult relationship between it and the critical philosophy. This 2003 collection of essays by some of the leading commentators on Kant offers a systematic account of the philosophical importance of this material that should nevertheless prove of interest to historians of ideas and political theorists. There are two broad approaches adopted: a number of the essays consider the systematic relations of the anthropology to critical philosophy, especially speculative knowledge and ethics. Other essays focus on the anthropology as a major source for the clarification of both the content and development of Kant's work. The volume also serves as an interpretative complement to the translation of the lectures in the Cambridge Edition of the Works of Immanuel Kant.

The Tanner Lectures are a collection of educational and scientific discussions relating to human values. Conducted by leaders in their fields, the lectures are presented at renowned institutions around the world, including the Universities of Oxford, Harvard, and Yale. In January 2019, University of Toronto's Michael Lambek, professor, former Canada Research Chair, and member of the Royal Society of Canada, delivered the Tanner Lecture at the University of Michigan's Department of Philosophy on the topic of Concepts and Persons. As well as tracing his career in social and cultural anthropology, Lambek's Tanner Lecture spoke on the intersection of anthropology and philosophy as a means of articulating the moral basis of human action. By elucidating where anthropology and philosophy might intersect, Lambek's lecture is a profound examination of the human condition, and is beautifully captured in this publication. Concepts and Persons recounts the lecture as delivered at the prestigious event, the commentary of three distinguished respondents, and Lambek's own response to that commentary. The book's presentation of the lecture also includes a rich and layered set of notes that augment the lecture significantly, as well as additional clarification and thought that has developed since the event.

One Discipline, Four Ways offers the first book-length introduction to the history of each of the four major traditions in anthropology—British, German, French, and American. The result of lectures given by distinguished anthropologists Fredrik Barth, Andre Gingrich, Robert Parkin, and Sydel Silverman to mark the foundation of the Max Planck Institute for Social Anthropology, this volume not only traces the development of each tradition but considers their impact on one another and assesses their future potentials. Moving from E. B. Taylor all the way through the development of modern fieldwork, Barth reveals the repressive tendencies that prevented Britain from developing a variety of anthropological practices until the late 1960s. Gingrich, meanwhile, articulates the development of German anthropology, paying particular attention to the Nazi period, of which surprisingly little analysis has been offered until now. Parkin then assesses the French tradition and, in particular, its separation of theory and ethnographic practice. Finally, Silverman traces the formative influence of Franz Boas, the expansion of the discipline after World War II, and the "fault lines" and promises of contemporary anthropology in the United States.

Drid Williams explores dance and dance-related subjects ranging from Aboriginal and African dances to the Royal Ballet, and makes a compelling case for moving beyond the Western view of the dance as mere entertainment.

Biomedicine is often thought to provide a scientific account of the human body and of illness. In this view, non-Western and folk medical systems are regarded as systems of 'belief' and subtly discounted. This is an impoverished perspective for understanding illness and healing across cultures, one that neglects many facets of Western medical practice and obscures its kinship with healing in other traditions. Drawing on his research in several American and Middle Eastern medical settings, in this 1993 book Professor Good develops a critical, anthropological account of medical knowledge and practice. He shows how physicians and healers enter and inhabit distinctive worlds of meaning and experience. He explores how stories or illness narratives are joined with bodily experience in shaping and responding to human suffering and argues that moral and aesthetic considerations are present in routine medical practice as in other forms of healing.

Johannes Fabian was one of the first anthropologists to introduce the concept of popular culture into the study of contemporary Africa. Drawing on his research in the Shaba region of Zaire (now the Democratic Republic of Congo), he has been writing for thirty years about the practices, beliefs, and objects that make up popular culture in an urban African setting: labor and language, religious movements, theater and storytelling, music and painting, grassroots literacy and historiography. In Moments of Freedom Fabian reflects on anthropological uses of the concept of popular culture. He retraces how his explorations of popular culture in this urban-industrial setting showed that classiclal culture theory did not account for large aspects of contemporary African life. Popular culture draws on various genres of representation and performance, and Fabian explores the notion of genre itself as it applies to Shaba religious discourse, painting, and the theater. He also addresses the element of time and how spatial thinking about culture, ethnicity, and globalization acts as an obstacle to appreciating the contemporaneity of African popular culture. The volume ends with a discussion of contestation in light of current calls for democratization. In Moments of Freedom, Johannes Fabian takes stock of decades of anthropological work on popular culture and examines the development of his own thought over time. Throughout the volume, he makes eloquent connections to other firelds such as history, folklore studies, and cultural studies, suggesting areas for further research in each.