“A twisty, captivating, edge-of-your-seat read.” —Megan Miranda, bestselling author of All the Missing Girls “Creepy and oh so clever!” —Alice Feeney, bestselling author of Sometimes I Lie A woman is forced to question her own identity in this riveting and emotionally charged thriller by the blockbuster bestselling author of The Good Girl, Mary Kubica Jessie Sloane is on the path to rebuilding her life after years of caring for her ailing mother. She rents a new apartment and applies for college. But when the college informs her that her social security number has raised a red flag, Jessie discovers a shocking detail that causes her to doubt everything she’s ever known. Finding herself suddenly at the center of a bizarre mystery, Jessie tumbles down a rabbit hole, which is only exacerbated by grief and a relentless lack of sleep. As days pass and the insomnia worsens, it plays with Jessie’s mind. Her judgment is blurred, her thoughts are hampered by fatigue. Jessie begins to see things until she can no longer tell the difference between what’s real and what she’s only imagined. Meanwhile, twenty years earlier and two hundred and fifty miles away, another woman’s split-second decision may hold the key to Jessie’s secret past. Has Jessie’s whole life been a lie or have her delusions gotten the best of her? Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie The Other Mrs. Local Woman Missing Just The Nicest Couple She's Not Sorry

Perfect for fans of Wendy Walker and Samantha Downing, in this thrilling domestic suspense novel, a woman fights to hide her secrets as her life's idyllic façade begins to fall apart. Cape Morgan, Maine, is the utopian ideal for a charmed life, and Beatrice Wicker knows it. The multi-million-dollar house on the sea coast. The joint bank accounts. The safety and security that go along with being married to an esteemed architect and community leader. The scenic coastline, perfect for her ambitious plan to turn an abandoned asylum into an artists’ retreat. So what if her husband sneaks off to see his second family now and again? Beatrice is willing to look the other way. It’s simply the price she must pay to keep their life together. Josh doesn’t realize that Beatrice knows about his other life. That’s just one of Beatrice’s secrets. And now, that truth—along with a deadly host of other secrets from the past—is about to upend their false paradise. When there’s an explosion at the local elementary school playground, and a two-year-old boy is abducted, it doesn’t take Beatrice long to make the connection between the missing boy and her husband. It was the son from Josh’s other life who was kidnapped, and Josh can’t do anything about it without revealing the truth. Helping Josh find his son would destroy the façade of her perfect marriage and could put more children’s lives in danger. But that’s not all. It would reveal her deeper secret: Beatrice Wicker is not who she claims to be.

When a devastating car crash dashes Parker Wood’s dreams of being a pro baseball player, he returns to his childhood home to take over the family landscaping company. His dad may be gone now, but some things haven’t changed. Like the crush Parker’s always had on the girl next door. Sophie Vaughn’s two month marriage and hellishly public divorce didn’t help her wedding and party planning business. She’s determined not to let personal drama get in the way again, no matter how big the temptation, or how long she’s lusted after her old best friend. When Parker and Sophie discover they are neighbors once again, it’s as if time has stood still. Their friendship is as strong as ever, as is the crush neither of them ever admitted having. They have a second chance at making their dreams come true, unless their secrets tear it apart.

In this vivid portrait of tragedy, adaptation, and survival, surprising moments of amusement and sometimes hilarity surface. Questions arise about how sibling relationships, family constitution, and personal experience plays a role in making us who we are.

In October 2003, I became a victim of traumatic brain injury. Thats when I was hit and dragged by a pickup truck while riding a Big Wheel trike at a friends party. Emergency brain surgery saved my life, but I lost a portion of the back part of my brain. At the age of ten, I had to learn how to breathe, swallow, talk, eat, stand, sit, walkeverything all over again. Traumatic brain injury is one of the leading causes of disability among children, yet, because of the complexity of the brain, experts still have much to learn about how to treat TBI. In When the Lights Go Out, I describe my therapieswhats worked, what hasnt, and whyand share how I learned to cope with the emotional and psychological challenges. In the process, I have discovered the critical roles that faith in God, love of family, the healing power of friends, and the inherent goodness of people all played in my ability to triumph over overwhelming odds. I have also learned that a horrific accident has given me an amazing gift. When the Lights Go Out is an expression of that gift.

'Twisty and terrifying, LEAVE THE LIGHTS ON will keep you guessing until the end' B A Paris 'Utterly addictive' CRIME MONTHLY 'A twisty, thoroughly modern thriller with a plot as smart as the deadly home it depicts' RACHEL EDWARDS 'I was completely hooked from the start of this creepy, very contemporary thriller' SUE WATSON ***WHAT REAL READERS SAY ABOUT EGAN HUGHES*** "100% kept me on the edge of my seat" 5 stars " Intriguingly structured and plotted" 5 stars "Such a compelling book" 5 stars "A brilliant read" 5 stars "Had me guessing right until the end" 5 stars ___________________ Their new 'smart home' is Joe's dream. A remote cottage where everything - from the lighting to the locks - is controlled through an app. It's the perfect blend of old-world charm and modern convenience. What better place for them to escape after all Lauren's trauma? Lauren desperately wants Joe to be happy after all she's put him through, so she doesn't tell him how much she hates being so dependent on technology. How vulnerable it makes them. Then 'the incidents' begin. Joe thinks Lauren is the victim of her own fevered imagination. But Lauren can't be sure. She doesn't believe in ghosts, but she also knows the past rarely stays buried. And she is haunted by one question: Is their past finally catching up with them? _____________________ ***PRAISE FOR EGAN HUGHES*** This one really pulled me in' JANE CORRY 'Tense, thrilling and full of twists and turns' ANGELA MARSONS 'A summer must-read' WOMAN'S WEEKLY 'A masterclass in storytelling' THE COURIER 'Addictive, I was gripped from the opening chapter' JO SPAIN 'Plunges the reader in and leaves them gasping for air' RACHEL EDWARDS 'Utterly addictive' CRIME MONTHLY 'Gripping' HELLO

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

What you need to know now about America's energy future "Hi, I'm the United States and I'm an oil-oholic." We have an energy problem. And everybody knows it, even if we can't all agree on what, specifically, the problem is. Rising costs, changing climate, peaking oil, foreign oil, public safety?if the fears are this complicated, then the solutions are bound to be even more confusing. Maggie Koerth-Baker?science editor at the award-winning blog BoingBoing.net?finally makes some sense out of the madness. Over the next 20 years, we'll be forced to cut 20 quadrillion BTU worth of fossil fuels from our energy budget, by wasting less and investing in alternatives. To make it work, we'll need to radically change the energy systems that have shaped our lives for 100 years. And the result will be neither business-as-usual, nor a hippie utopia. Koerth-Baker explains what we can do, what we can't do, and why "The Solution" is really a lot of solutions working together. This isn't about planting a tree, buying a Prius, and proving that you're a good person. Economics and social incentives got us a country full of gas-guzzling cars, long commutes, inefficient houses, and coal-fired power plants out in the middle of nowhere, and economics and incentives will be the things that build our new world. Ultimately, change is inevitable. Argues we're not going to solve the energy problem by convincing everyone to live like it's 1900 because that's not a good thing. Instead of reverting to the past, we have to build a future where we get energy from new places, use it in new ways, and do more with less. Clean coal? Natural gas? Nuclear? Electric cars? We'll need them all. When you look at the numbers, you'll find that we'll still be using fossil fuels, nuclear, and renewables for decades to come. Looks at new battery technology, smart grids, passive buildings, decentralized generation, clean coal, and carbon sequestration. These are buzzwords now, but they'll be a part of your world soon. For many people, they already are. Written by the cutting edge Science Editor for Boing Boing, one of the ten most popular blogs in America

Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?