Dating a demon, defeating evil, running a tiki bar: Arcadia Bell is a great occult mage in many respects. But then there’s the challenge of her boyfriend’s precocious teenage son… Arcadia "Cady" Bell may have saved the Hellfire Club’s children from a local bogeyman, but she and her Earthbound demon boyfriend, Lon Butler, now face a more disturbing problem: his teenage son’s new demonic abilities. Jupe Butler can persuade you to do anything—or so he thinks. To test the limits of his newfound power, Cady invites the co-owner of Tambuku Tiki Lounge to be the teen’s guinea pig during an afternoon boat cruise. But when an angry storm whips the Pacific into a frenzy and Jupe puts them all in serious danger, will Cady's magic trump a teenager’s excess confidence?

A #1 New York Times Bestseller From the New York Times–bestselling author of We Hunt the Flame comes the first book in a hotly-anticipated fantasy teeming with romance and revenge, led by an orphan girl willing to do whatever it takes to save her self-made kingdom. On the streets of White Roaring, Arthie Casimir is a criminal mastermind and collector of secrets. Her prestigious tearoom transforms into an illegal bloodhouse by night, catering to the vampires feared by society. But when her establishment is threatened, Arthie is forced to strike an unlikely deal with an alluring adversary to save it—she can’t do the job alone. Calling on some of the city’s most skilled outcasts, Arthie hatches a plan to infiltrate the sinister, glittering vampire society known as the Athereum. But not everyone in her ragtag crew is on her side, and as the truth behind the heist unfolds, Arthie finds herself in the midst of a conspiracy that will threaten the world as she knows it. Dark, action-packed, and swoonworthy, this is Hafsah Faizal better than ever.

Demon-friendly tiki bar owner Arcadia Bell discovers more about her evolving magical abilities when her bar is the target of a demonic crime wave.

"The Arden Shakespeare is the established scholarly edition of Shakespeare's plays. Now in its third series, Arden offers the best in contemporary scholarship. Each volume guides you to a deeper understanding and appreciation of Shakespeare's work." -- Back cover.

THE GODS ARE BEGINNING TO WHISPER, BUT WILL THE GODDESS OF LUCK SMILE UPON EIRA? Eira never asked to be blessed by the gods—to be a Divine. After killing her childhood best friend by accident, she wishes they’d take her gift back. Now she cloisters herself in the Temple of Ahrea to keep others safe from her. Despite the volatile nature of her Divine power, Eira longs to use it to help others in the realm. After healing wounded guild members of the Copper Jackals, Eira learns more about the missing people across the kingdom. Then the mysterious, wind-wielding Caelus arrives at the temple from the royal capital, claiming he’s there to help research runes. But when Teeg, a young boy she cares for like a younger brother, goes missing, Eira abandons the temple with Caelus at her side to search for him. While traveling to the dwarven city in the mountains, Caelus challenges Eira’s beliefs about her power, and sends her heart racing. However, when the two discover dark truths about the disappearances throughout the kingdom, Eira realizes that finding Teeg won’t be as easy as she hoped. Embark on a richly crafted journey where multifaceted characters, worldbuilding, and foreshadowing unveil the rich tapestry of an epic story full of romantic tension. The Tempest's Soul weaves found family, unique gods, and a world filled with secrets, offering a spellbinding tale where destinies collide through intricate details on every page.

A scrupulous study of Shakespeare’s The Tempest and its most comprehensive rewriting Indigo, or Mapping the Waters by Marina Warner. Taking as its focus representations of femininity and the other, the study scrutinises the various implications of three concepts: ambivalence, liminality and plurality in terms of their relevance to the conjunctures of postfeminism and post-colonialism, proposing that postfeminist discourse is in search of a new ethics and perspective that mainly champion these three terms through the employment of intertextuality as a strategy. The study is careful to carry out a comparative analysis of the works in terms of both poetics and politics. Informed by interdisciplinarity, the study explores how The Tempest destabilises itself, inviting a deconstructionist reading in terms of its relation to patriarchal and colonial dynamics ingrained in the play and how Indigo takes its substantial space among other rewritings of The Tempest by presenting new and imaginative ways of seeing the female and feminised figures in the play.

November issue includes abridged index to yearly volume.