For hundreds of years in Louisiana, lullabies were hummed, prayers were called, opera was performed, la-las were danced, and work and carnival songs were sung in Creole. A francophone language with connections to West Africa, Louisiana Creole is now one of the most endangered languages in the world. In this musical ethnography, you will find fifteen original and traditional Creole songs that cross time and musical genres such as blues, zydeco, and traditional jazz. African spirits, maroon villages, Congo Square, southwest Louisiana dance halls, and the Northside Skull and Bone Gang all make appearances. Beginning with an introduction to the history and grammar of the language, the accompanying essays include in-depth interviews with Creole speakers and their descendants, as well as photography, original artwork, archival documents, and altars. The book concludes with the Creole lyrics for each song, along with their English translations. Avek ye, vou ve 'koute, lir, chante, epi pale an Creole. (With them, you will listen, read, sing, and speak in Creole.) Includes audio CD of Creole compositions from Louisiana.

Learning to play by ear is a unique part of becoming a musician in New Orleans. This life history and photography project explores the traditional methods of teaching brass band music in the city that gave birth to jazz. Through in-depth interviews, the bands, social and pleasure clubs, schools, churches, and other neighborhood institutions that have supported the music, and the spirit embodied in it, come to life.

Hundreds of years ago, Terrebonne Parish was known to Indigenous peoples as "Yakni Chitto," which means "Big Country." Located between the Mississippi and Atchafalaya, Monique's father's parents were born along Bayou Pointe-aux-Chenes into a small Houma community. Migrating to Lower St. Bernard Parish each winter to trap, they eventually bought land along Bayou Terre-aux- Boeufs. Monique spent a large part of her childhood with her grandmother, Armantine Marie Bil- liot Verdin, and in the 1990s began to document their family's deep connection to South Louisiana in black and white photographs. As she writes in the book, "I've been trying to make sense of the strange beauty left here—the magic that is entangled in the ugliest underbelly of a plantation economy surrendered to the petro-chemical industry." In conversation with writers, family members, and theatre-makers, Monique shares how multiracial collectives in South Louisiana have come together to honor and protect their homes and work towards a shared future.

The Other Hybrid Archipelago presents the postcolonial literatures of the Francophone Indian Ocean islands to an Anglophone audience. The islands of Madagascar, Mauritius, Reunion, the Comoros, and the Seychelles form a region that has a particular cultural identity because of the varied mixture of populations that have settled there and the dominant influence of French colonialism. This survey concentrates on the period since the Second World War, when most of the islands achieved independence, except for Reunion and Mayotte, which maintain a regional status within the French Republic. The postcolonial approach suggests certain recurrent themes and preoccupations of the islands' cultures and an appropriate way to define their recent cultural production, while taking account of the burden of their colonial past. The rich cocktail of cultural and linguistic influences surveyed is situated in relation to the contemporary political and social context of the islands and their marginal status within the global economy.

Written by the members during the year after Katrina, Nine Times writes about their lives, their parades, the storm, and the rebuilding process. Through interviews, photographs, and writing, Nine Times brings readers into their world of second lines, brass bands, Magee's Lounge, and the ties that bind.

Reproduction of the original: Strange True Stories of Louisiana by George W. Cable

Hawaii is without parallel as a crossroads where languages of East and West have met and interacted. The varieties of English (including neo-pidgin) heard in the Islands today attest to this linguistic and cultural encounter. "Da kine talk" is the Island term for the most popular of the colorful dialectal forms--speech that captures the flavor of Hawaii's multiracial community and reflects the successes (and failures) of immigrants from both East and West in learning to communicate in English.

This book launches a new approach to creole studies founded on phylogenetic network analysis. Phylogenetic approaches offer new visualisation techniques and insights into the relationships between creoles and non-creoles, creoles and other contact varieties, and between creoles and lexifier languages. With evidence from creole languages in Africa, Asia, the Americas, and the Pacific, the book provides new perspectives on creole typology, cross-creole comparisons, and creole semantics. The book offers an introduction for newcomers to the fields of creole studies and phylogenetic analysis. Using these methods to analyse a variety of linguistic features, both structural and semantic, the book then turns to explore old and new questions and problems in creole studies. Original case studies explore the differences and similarities between creoles, and propose solutions to the problems of how to classify creoles and how they formed and developed. The book provides a fascinating glimpse into the unity and heterogeneity of creoles and the areal influences on their development. It also provides metalinguistic discussions of the “creole” concept from different perspectives. Finally, the book reflects critically on the findings and methods, and sets new agendas for future studies. Creole Studies has been written for a broad readership of scholars and students in the fields of contact linguistics, biolinguistics, sociolinguistics, language typology, and semantics.

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