In March of 1924, D. H. Lawrence, Frieda Lawrence and the Honorable Dorothy Brett went to Taos, New Mexico, to absorb the color and romance of what was to them a mysterious and compelling land. Dorothy Brett recreated those days in this fascinating first-hand account, and also writes of when she was the close friend of Aldous Huxley, Lytton Strachey, Katherine Mansfield, and other important literary and artistic figures. But more importantly, she focused on her relationship with Lawrence and the book was specifically addressed to him as if he were to read it, reminding him personally of her long-standing devotion. Such devotion was not rebuffed by Lawrence, it seems, but it was met differently by the two other women orbiting the famous writer: his wife, Frieda Lawrence, and Mabel Dodge Luhan. They were in turn cross and conciliatory to her. But it seems that she just accepted them as other intense admirers of Lawrence, took it all simply and wrote it all down with a minimum of comment. Dorothy Brett was well-known in her own right. The daughter of Viscount Esher Brett, confidant of Queen Victoria, she spent six years studying at the Slade School of Art in London and was a member of the Bloomsbury set in England, among whose many luminaries Brett moved when a young woman. She was also gaining recognition as an artist even before she arrived in the American Southwest. But it was there that her true artistic talents emerged and her works now hang in major museums as well as in private collections. When this book was first published in 1933, it was praised by critics as well as the general public. Alfred Stieglitz said: "It was a rare spiritual experience--no student of Lawrence can afford to miss this book.. There is an integrity in the book--a sense of the eternal--a sense of Light--which raises it above all the other books I have read about Lawrence." And, interestingly, Mabel Dodge Luhan called it "clearly and explicitly drawn." Here it all is again with additional material added by Dorothy Brett herself when the 1974 edition was first published by Sunstone Press.

In March of 1924, D. H. Lawrence, Frieda Lawrence and the Honorable Dorothy Brett went to Taos, New Mexico, to absorb the color and romance of what was to them a mysterious and compelling land. Dorothy Brett recreated those days in this fascinating first-hand account, and also writes of when she was the close friend of Aldous Huxley, Lytton Strachey, Katherine Mansfield, and other important literary and artistic figures. But more importantly, she focused on her relationship with Lawrence and the book was specifically addressed to him as if he were to read it, reminding him personally of her long-standing devotion. Such devotion was not rebuffed by Lawrence, it seems, but it was met differently by the two other women orbiting the famous writer: his wife, Frieda Lawrence, and Mabel Dodge Luhan. They were in turn cross and conciliatory to her. But it seems that she just accepted them as other intense admirers of Lawrence, took it all simply and wrote it all down with a minimum of comment. Dorothy Brett was well-known in her own right. The daughter of Viscount Esher Brett, confidant of Queen Victoria, she spent six years studying at the Slade School of Art in London and was a member of the Bloomsbury set in England, among whose many luminaries Brett moved when a young woman. She was also gaining recognition as an artist even before she arrived in the American Southwest. But it was there that her true artistic talents emerged and her works now hang in major museums as well as in private collections. When this book was first published in 1933, it was praised by critics as well as the general public. Alfred Stieglitz said: "It was a rare spiritual experience--no student of Lawrence can afford to miss this book.. There is an integrity in the book--a sense of the eternal--a sense of Light--which raises it above all the other books I have read about Lawrence." And, interestingly, Mabel Dodge Luhan called it "clearly and explicitly drawn." Here it all is again with additional material added by Dorothy Brett herself when the 1974 edition was first published by Sunstone Press.

“Shows us just how brave, rebellious, and creative this unique woman really was, and how her generosity benefits us to this day.” —Gloria Steinem In The Silver Swan, Sallie Bingham chronicles the notorious tobacco heiress who was perhaps the greatest modern woman philanthropist. Duke established her first foundation when she was twenty-one; cultivated friendships with Jackie Kennedy, Imelda Marcos, and Michael Jackson; flaunted interracial relationships; and adopted a thirty-two year-old woman she believed to be the reincarnation of her deceased daughter. Even though Duke was the subject of constant scrutiny, little beyond the tabloid accounts of her behavior has been publicly known. When her personal papers were made available, Sallie Bingham set out to discover her true identity. She found an alluring woman whose life was forged in the Jazz Age, who was not only an early war correspondent but also an environmentalist, a surfer, a collector of Islamic art, a savvy businesswoman who tripled her father’s fortune, and a major philanthropist with wide-ranging passions from dance to historic preservation to human rights. In The Silver Swan, Bingham dissects the stereotypes that have defined Duke’s story while also confronting the disturbing questions that cleave to her legacy. “Illuminating . . . Bingham is a generous biographer in this exacting, measured work.” —Publishers Weekly “The most significant, dramatic, and compelling biography of Doris Duke. . . . that will delight and inspire all readers concerned about a more humane future.” —Blanche Wiesen Cook, author of Eleanor Roosevelt (vols. I, II, III)

“The highest achievers share some of their lowest moments, and there is much wisdom to be gained from those struggles. Captivating, thought-provoking.” —David Faber, CNBC The path to success is rarely easy or direct, and good mentors are hard to find. In Getting There, thirty leaders in diverse fields share their secrets to navigating the rocky road to the top. In an honest, direct, and engaging way, these role models describe the obstacles they faced, the setbacks they endured, and the vital lessons they learned. They dispense not only essential and practical career advice, but also priceless wisdom applicable to life in general. Getting There is for everyone—from students contemplating their futures to the vast majority of us facing challenges or seeking to reach our potential. “Kudos to Gillian Zoe Segal for assembling this remarkable group of visionaries and helping them all tell their stories without filters or false bravado. Getting There is both empowering and illuminating.” —Piper Kerman, New York Times-bestselling author of Orange Is the New Black “Life-changing, real-world advice.” —Vanity Fair “Reading Getting There is like having an intimate, one-on-one talk with some of the world’s most fascinating and accomplished people. You will be taken aback by their honesty, entertained by their anecdotes, and, most of all, learn invaluable lessons about both business and life. This book is fantastic—you will not be able to put it down!”—JJ Ramberg, bestselling author of It’s Your Business “Somehow, Gillian Zoe Segal has gotten these leaders to share their stories in a unique, authentic, and revealing way.” —Robert Steven Kaplan, former president and CEO of the Federal Reserve Bank of Dallas

For D. H. Lawrence the novel was the pinnacle, 'the one bright book of life', yet his non-fiction shows him at his most freewheeling and playful. This is a selection of his brilliantly varied essays, on subjects including art, morality, obscenity, songbirds, Italy, Thomas Hardy, the death of a porcupine in the Rocky Mountains and the narcissism of photographing ourselves. Arranged chronologically to illuminate the patterns of Lawrence's thought over time, and including many little-known pieces, they reveal a writer of enduring freshness and force.

"Lorenzo in Taos," is written loosely in the form of letters to and from D.H. Lawrence, Frieda Lawrence, Robinson Jeffers, and Luhan. The book is a highly personal and most informative account of an intense relationship with a great writer.

Brett Christophers shows how laws help capitalism maintain a crucial balance between competition and monopoly. When monopolistic forces dominate, antitrust law discourages the growth of corporations and restores competitiveness. When competition becomes dominant, intellectual property law protects corporate assets and encourages investment.

A family history centered around three generations of women spans the Civil War through the Jazz Age.

Udall's lively account of the quirky editor, poet, journalist, diarist, and printer Walter Willard "Spud" Johnson focuses especially on brilliant and diverse artists he befriended and published. Together they helped to create a new voice for the Southwest.