Catalog of an exhibition held at Penlee House Gallery & Museum, Penzance, June 16-Sep. 8, 2012; at Djanogly Art Gallery, Nottingham, Sept. 22-Nov. 4, 2012; and at Worcester City Art Gallery, Nov. 17, 2012-Feb. 10, 2013.

Laura Knight (1877-1970) was one of the most distinguished women artists of the early 20th century with an international reputation. This much-anticipated biography appears at a time of renewed interest in Dame Laura's extensive repertoire. Laura Knight: A Life probes beneath the myths and fictions that have and continue to be woven around the artist. This highly readable and objective biography covers her early years in Nottingham; relationship with her husband Harold; life in the artists colonies of Staithes on the North Yorkshire coast, Laren in Holland and Newlyn in Cornwall; Laura's subsequent immersion in the worlds of the ballet, the circus, the theatre and her travels in Europe and America; her work as a designer of theatrical costume, posters and ceramics; and her role as Official War Artist during World War 11 and recorder of the Nuremberg Trials in 1945-46. The author does more than merely draw the solid lines of Dame Laura's professional and public identity for the reader, she fills in the background, expresses the light and colour of Laura Knight's vibrant personality and, by also exploring the darker shades of her character, gives this portrait of the artist depth and perspective. If you read just one biography of Laura Knight it should be this one.

Part of a series dedicated to the English art of Laura Knight. This publication is primarily outdoor paintings. Mostly representation of the artist's beautiful paintings and little on analysis of the body of work or biographical content.. Check this series listing for more aspects in other fields of painting.-(Wikipedia) Dame Laura Knight, (née Johnson), DBE (b. 4 August 1877 - d. 7 July 1970) an English artist who worked in oils, watercolours, etching, engraving and drypoint. Laura Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.

Paintings and drawing of the ballet and the stage

Sir Alfred Munnings, retiring President of the Royal Academy, chooses the 1949 Annual Banquet to launch a savage attack on Modern Art. The effect of his diatribe is doubly shocking, leaving not only his distinguished audience gasping but also many people tuning in to the BBC's live radio broadcast. But as he approaches the end of his assault, the speech suddenly dissolves into incoherence when he stumbles over a name - a name he normally takes such pains to avoid - that takes him back forty years to a special time and a special place. Summer in February is a disturbing and moving re-creation of a celebrated Edwardian artistic community enjoying the last days of a golden age soon to be shattered by war. As resonant and understated as The Go-Between, it is a love story of beauty, deprivation and tragedy.