-First complete overview of Latif al Ani's work Latif al Ani (born 1932, Baghdad) is known as the father of Iraqi photography. He was the first to capture cosmopolitan life in Iraq from the 1950s to the '70s. His black and white images represent a unique visual archive of the country during its 20th-century heyday. Al Ani photographed Iraq's vibrant culture in all its abundance and complexity; as well as documenting the country's westernised everyday life, political culture and industry, he also captured images of Iraq from the air for a British-owned oil company. Later, under Saddam Hussein's oppressive regime, Al Ani ceased photographing. For a long time, nothing was heard of the artist. Today, his images provide testimony of an era long gone. In 2015 Al Ani was presented with the Prince Claus Award, given annually by the Dutch Royal Family. In the same year he exhibited his work at the Venice Biennale in the Iraq Pavilion. This widely praised exhibition focused on works from the early period of his career and showed how Al Ani saw his country jump impatiently towards modernity while at the same time holding on to its traditions. The publication is introduced by an interview with Latif al Ani by Tamara Chalabi, the president of the Ruya Foundation in Iraq. It also contains an essay by Iranian Morad Montazami, curator of Middle Eastern Art at Tate Modern, London. Montazami puts Al Ani's work into the broader context of the modernization of Iraq, as well as the architecture, archaeology and the development of photography and visual culture in the country. Contents: Interview with Latif al Ani (by Tamara Chalabi); Essay by Morad Montazami

Jordan's diverse socioeconomic make-up encapsulates, like no other Middle Eastern state, both the array of pressing short-term problems facing the region, and the underlying challenges that Arab states will need to face once the current spate of civil conflicts is over: meaningful youth employment, female participation in politics, and integration of refugees into society. This book tells the story of Jordan through the lives of ordinary people, including a political cartoonist, a Syrian refugee, a Jihadist and a female parliamentarian. The raw voices and everyday struggles of these people shine a fresh light on the politics, religion, and society of a culture coming to terms with the harsh reality of modernization and urbanization at a time of regional upheaval. With her deep knowledge of Jordan's landscape, language and culture, Rana Sweis sketches an intimate portrait of the intricacies and complexities of life in the Middle East. Rather than focusing on how individuals are affected by events in the region, she reveals a cast of characters shaping their own lives and times. Voices of Jordan shares those stories in all of their rich detail, offering a living, breathing social and political history.

'Traces of Survival' communicates to the world visually the tragedies that have befallen entire communities in Iraq due to the ISIS onslaught that has left over 1.8 million people internally displaced. The drawings in this book were created by the refugees in three camps in northern Iraq. Representatives from the Ruya Foundation took simple art materials to the camps-- sketch books, pencils, felt tip pens, pastels, erasers and sharpeners-- and invited people to tell the world about their feelings and experiences through their drawings and words.

For Tamara Chalabi, Iraq is more than a country of war and controversy; it is a place of poignant memory. For much of the twentieth century, the Chalabis were among the most influential families in Iraq. In the 1920s they were at the forefront of their country's awakening to modernity, and they played an integral part in the establishment of its monarchy. As courtiers, politicians, businessmen, rebels, merchants, and scholars, the Chalabis enjoyed vast privilege until the end of the 1950s, when they were forced to flee to the land of exile, myth, and imagination, where their beloved homeland took on the quality of a phantom country. In between came rebellions, foreign interventions, and the transformative development of oil wealth. But in 2003, after a lifetime of exile, Tamara arrived in Baghdad just ten days after the city's fall, in the company of her father, Ahmad Chalabi, a leading opposition figure against the Saddam regime. Late for Tea at the Deer Palace chronicles a daughter's return to a homeland she'd known only through stories and her own imagination. As she investigates four generations of her family's history, Tamara offers a rich portrait of Middle Eastern family life and a provocative look at a lost Iraq. The story is populated by an array of unforgettable characters, among them Tamara's great-grandfather Abdul Hussein Chalabi, who as a member of the Ottoman parliament witnessed the end of the empire in Baghdad and the birth of the modern Iraqi state at the hands of the British; her grandfather Abdul Hadi Chalabi, who became one of the wealthiest men in Iraq and had strong ties with the British during World War II; and her grandmother Bibi, a grande dame who presided over Iraq's social and political life during Baghdad's 1920s and '30s heyday as the Paris of the Middle East. At once intimate and magisterial, Late for Tea at the Deer Palace vividly captures the rich, overlooked history of a country that has been uprooted by war and a family that has persevered by never forgetting its dreams or its past.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

Formed by a group of young architects, photographers, and psychologists in the Venice Beach of the late 1960s, Environmental Communications honed an image practice that constituted a new visual syntax for the late twentieth century city. The group speculated that their "environmental photography" would alter architecture and transform the consciousness of architecture students by way of the ubiquitous architecture slide library. Through their media experiments, events, and slide catalogs, they positioned themselves as interpreters and purveyors of new trends, assembling a lively body of populist and radical design imagery that undermined the canons defined by the prevailing institutions of architectural design. In reproducing the group's photography, booklets, and ephemera, Environmental Communications: Contact High records and critically reflects upon the work of this West Coast media collective.

Featuring the latest research commissioned on the occasion of the Bauhaus centenary, this book explores the global influence of the renowned Bauhaus school of arts and its famed artists. Bauhaus Imaginista marks the centennial anniversary of this fascinating and popular school of art, which championed the idea of artists working together as a community. The Bauhaus reconnected art with everyday life and was active in the fields of architecture, performance, design, and visual art. Founded by Walter Gropius, its faculty included such luminaries as Paul Klee, Wassily Kandinsky, La´szlo´ Moholy-Nagy, and Josef Albers. Placing emphasis on the international dissemination and reception of the Bauhaus, this book expresses the Bauhaus’ influence, philosophy, and history beyond Germany. Rethinking the school from an international perspective, it sets its entanglements against a century of geopolitical change, as many of its artists fled World War II Germany. Bauhaus Imaginista takes readers on a global visual tour of Bauhaus influence from art and design museums to campus galleries and art institutes in India, Japan, China, Russia, Brazil, Berlin, and the United States.

"Moholy-Nagy: Future Present is published in conjunction with an exhibition organized by the Solomon R. Guggenheim Foundation, the Art Institute of Chicago, and the Los Angeles County Museum of Art."

First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

PEOPLE OF RAS AL KHAIMAH is an important book. This photography book documents the stories of the people who shaped Ras Al Khaimah's great economic, political and social transformation in the second half of the twentieth century. The accounts here show what this transformation meant in human terms. In their own words and accompanied by over 100 stunning photographs, it features more than 50 portraits and oral histories of the Emiratis and immigrants who call the Emirate home. They came together to create a warm and welcoming society in the open spaces in the north of the United Arab Emirates. Anna Zacharias and Jeff Topping spent three years talking to residents, teasing out their personal stories and photographing them at work and play in all their diverse backgrounds.