INTERNATIONAL BESTSELLER For the second time in his short life, fourteen-year-old Teddy Clock has survived a massacre. Orphaned once more when his foster family is murdered, the traumatized teenager has nowhere to turn—until the Boston PD puts Detective Jane Rizzoli on the case. Jane spirits Teddy to the exclusive Evensong boarding school, a sanctuary where young victims of violent crime learn vital skills of survival. But even behind locked gates, Jane fears that Evensong’s benefactors aren’t the only ones watching. And when she learns of two other students whose pasts bear a shocking resemblance to Teddy’s, it becomes chillingly clear that a circling predator has more than one victim in mind. Joining forces with medical examiner Maura Isles, Jane races to stop an obsessed killer’s twisted quest—before an unspeakable secret dooms the children’s fate. Don’t miss Tess Gerritsen’s short story “John Doe,” and a sneak peek of her novel, Girl Missing, in the back of the book. “One of the most versatile voices in thriller fiction today.”—The Providence Journal “[Tess] Gerritsen has a knack for creating great characters and mysterious plots that seem straightforward but also dazzle with complexity and twists.”—Associated Press “An exciting and puzzling mystery . . . [Last to Die] is a key book in a series that keeps getting better and better.”—Bookreporter “Gerritsen skillfully heightens the tension right up to the suspenseful ending.”—Booklist

Razor-edge suspense in this original eBook short story from “one of the most versatile voices in thriller fiction today” (The Providence Journal) It should have been a night to remember, but Maura Isles can’t recall a thing. Maura is longing to ditch a ritzy cocktail party, along with her four-inch heels, when a handsome, charming stranger appears. But somewhere between sipping a fresh glass of champagne and waking up the next day on her sofa lies a black hole of forgotten time. As Boston’s medical examiner, Maura regularly teams up with police detective Jane Rizzoli on homicide investigations, and Jane’s latest case makes Maura’s blood run cold. A brutally murdered man has been found in a city park with Maura’s address tucked in his pocket. Maura IDs the victim as the charmer she met at the party. Her alarm turns to terror when she learns the murdered man was a predator with victims of his own. Fearing she may be guilty of a lethal crime she can’t recall, Maura races to recover the missing hours that hold the truth—and that hide a shocking secret. Includes an excerpt from Tess Gerritsen’s Rizzoli & Isles novel Last to Die.

NEW YORK TIMES BESTSELLER • Jane Rizzoli and Maura Isles—the inspiration for the hit TNT series—continue their bestselling crime-solving streak. “Crime writing at its unputdownable, nerve-tingling best.”—Harlan Coben Boston medical examiner Dr. Maura Isles is shocked to discover that the murdered woman looks exactly like her. For Maura, an only child, a DNA test confirms the startling fact: the mysterious doppelgänger is in fact her twin sister. Now an already bizarre homicide investigation becomes a disturbing excursion into a past full of dark secrets and twisted truths. It is a journey that leads Maura to the mother she never knew—an icy and cunning woman who gave Maura life . . . and who just might have a plan to take it away. This ebook edition contains a special preview of Tess Gerritsen’s I Know a Secret. Praise for Tess Gerritsen and Body Double “One of the most versatile voices in thriller fiction today.”—The Providence Journal “Masterful . . . Gerritsen rises to her best yet.”—Kirkus Reviews (starred review) “The story zips along.”—Entertainment Weekly “Chilling suspense . . . leaves the reader breathless.”—The Philadelphia Inquirer

In this Rizzoli & Isles short story from New York Times bestselling author Tess Gerritsen, a bizarre death comes with a supernatural twist. Homicide cop Jane Rizzoli and medical examiner Maura Isles have seen their fair share of mortal crimes, but the death of Kimberly Rayner may qualify as inhuman in more ways than one. When corpse of the emaciated seventeen-year-old girl is discovered next to an empty coffin in an abandoned church, mysterious bruises around the throat suggest foul play. Caught fleeing the scene is the victim’s closest friend, Lucas Henry, an equally skeletal, pale teenager who claims he’s guilty only of having a taste for blood—a craving he shared with Kimberly. But the victim’s distraught father doesn’t believe in vampires, only vengeance. And now, another life may be at risk unless Rizzoli and Isles can uncover the astonishing truth. Includes an excerpt from Tess Gerritsen’s Rizzoli & Isles novel The Silent Girl

A gripping standalone thriller by the New York Times bestselling author of the Rizzoli & Isles series INTERNATIONAL THRILLER WRITERS AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LOS ANGELES TIMES AND SUSPENSE MAGAZINE In a shadowy antiques shop in Rome, violinist Julia Ansdell happens upon a curious piece of music—the Incendio waltz—and is immediately entranced by its unusual composition. Full of passion, torment, and chilling beauty, and seemingly unknown to the world, the waltz, its mournful minor key, its feverish arpeggios, appear to dance with a strange life of their own. Julia is determined to master the complex work and make its melody heard. Back home in Boston, from the moment Julia’s bow moves across the strings, drawing the waltz’s fiery notes into the air, something strange is stirred—and Julia’s world comes under threat. The music has a terrifying and inexplicable effect on her young daughter, who seems violently transformed. Convinced that the hypnotic strains of Incendio are weaving a malevolent spell, Julia sets out to discover the man and the meaning behind the score. Her quest beckons Julia to the ancient city of Venice, where she uncovers a dark, decades-old secret involving a dangerously powerful family that will stop at nothing to keep Julia from bringing the truth to light. Praise for Playing with Fire “Compelling . . . I defy you to read the first chapter and not singe your fingers reading the rest.”—David Baldacci “One of the best and most original thrillers of the year.”—Providence Journal “[A] novel brimming with emotion, literary description, and psychological suspense.”—The Huffington Post “Will make readers drop everything to immerse themselves in its propulsive dual narrative.”—Los Angeles Times

This sequel to Grammy-nominated bestseller Under the Big Black Sun continues the up-close and personal account of the L.A. punk scene—and includes fifty rare photos. Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national—and often international—stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded. As with Under the Big Black Sun, the book features stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene, with a cohesive narrative from authors Doe and DeSavia. Along with many returning voices, More Fun in the New World weaves in the perspectives of musicians Henry Rollins, Fishbone, Billy Zoom, Mike Ness, Jane Weidlin, Keith Morris, Dave Alvin, Louis Pérez, Charlotte Caffey, Peter Case, Chip Kinman, Maria McKee, and Jack Grisham, among others. And renowned artist/illustrator Shepard Fairey, filmmaker Allison Anders, actor Tim Robbins, and pro-skater Tony Hawk each contribute chapters on punk's indelible influence on the artistic spirit. In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercially diverse acts such as Green Day, Rancid, Red Hot Chili Peppers, Wilco, and Neko Case. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows the progression of the first decade of L.A. punk, its conclusion, and its cultural rebirth.

'Tess Gerritsen gets better with every book.' DAILY MIRROR Detective Jane Rizzoli is investigating the violent murder of a woman in Boston's Chinatown. Two strands of silver hair cling to the body - Rizzoli's only clue, but enough for her and Forensic Pathologist Maura Isles to make a startling discovery. Years earlier, five people died in a horrifying murder-suicide in a restaurant close by. But one woman connected to that massacre is very much alive, and harbouring a deadly secret. A secret that will kill again. Unless Jane and Maura can track it down, and defeat it . . . 'Suspense doesn't get smarter than this' LEE CHILD 'Absolutely riveting' MO HAYDER Don't miss Tess Gerritsen's gripping new thriller, LISTEN TO ME - out now!

Songs of Innocence and Experience: Romance in the Cinema of Frank Capra is a study of the director’s chosen movies from the perspective of three types of comedies: paradisal, purgatorial and infernal, as assigned by Dante in his Divine Comedy. Magdalena Grabias views Capra’s films in two broader categories of “innocence” and “experience,” where “innocence” represents Dantean paradisal level, and “experience” combines the levels of purgatory and inferno. Such a division constitutes the means to interpret Capra’s filmic universe and to describe the ever-evolving directorial vision of Frank Capra. The main purpose of the book is to demonstrate how, in the light of the theory of literary romance as presented by Northrop Frye in his seminal works concerning the subject, the films of Frank Capra fit into the genre of romance. Romantic elements in Frank Capra’s movies can be found in both “innocence” and “experience” categories and, hence, consequently in his paradisal, purgatorial and infernal comedies. However, in both categories, and all three comedy types, the romantic reality of each examined film is structured and developed in a different manner. The book offers an insight into Frank Capra’s films and the complex process of creating his multidimensional romantic universe within them.

The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.