LAST STOP: DUISBURG is the retelling of the captivating true story of the Rechtschaffen family, from forefathers born in the foothills of the Carpathian Mountains to present day descendants around the world. One family’s heroic story to keep hope alive against unimaginable brutality during extraordinary times, and their constant faith while surrounded by antisemitism. From the pogroms in Eastern Europe to the horrific rise of Hitler, the Rechtschaffen’s navigated through incredible obstacles; their history is a testament to courage and enduring faith, and their story exposes the best and the worst humanity has to offer. Candace Rechtschaffen-Gillhoolley was born in New York City and grew up in Scarsdale, New York. She attended Barnard College of Columbia University and double majored in English and Women Studies. She immigrated to Montreal, Quebec where she lives with her husband Sean of 25 years and her two teenagers Ronin and Autumn. She is a proud American and Canadian dual citizen. This is her first novel.

The unforgettable memoir of 70 years of contemporary and personal history from the great French filmmaker, journalist and intellectual Claude Lanzmann Born to a Jewish family in Paris, 1925, Lanzmann's first encounter with radicalism was as part of the Resistance during the Nazi occupation. He and his father were soldiers of the underground until the end of the war, smuggling arms and making raids on the German army. After the liberation of France, he studied philosophy at the Sorbonne, making money as a student in surprising ways (by dressing as a priest and collecting donations, and stealing philosophy books from bookshops). It was in Paris however, that he met Jean-Paul Sartre and Simone de Beauvoir. It was a life-changing meeting. The young man began an affair with the older de Beauvoir that would last for seven years. He became the editor of Sartre's political-literary journal, Les Temps Modernes—a position which he holds to this day—and came to know the most important literary and philosophical figures of postwar France. And all this before he was 30 years old. Written in precise, rich prose of rare beauty, organized—like human recollection itself—in interconnected fragments that eschew conventional chronology, and describing in detail the making of his seminal film Shoah, The Patagonian Hare becomes a work of art, more significant, more ambitious than mere memoir. In it, Lanzmann has created a love song to life balanced by the eye of a true auteur.

Groundbreaking analyses of the vast archive of newly digitized and released outtakes from Lanzmann's masterwork.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

A biography of Gustav Mahler and his family. Describes his youth, his musical career, and his circle of Jewish friends. Pp. 212-558 relate the fate of members of his family and of his friends in the Holocaust.

Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - and what images would be desirable?

Filmmaker, film essayist, installation artist, writer: the Berlin artist Harun Farocki has devoted his life to the power of images. Over the thirty-plus years of his career, Farocki has explored not the images of life but rather the life of images that surrounds us in newspapers, cinema, books, television, and advertising. Harun Farocki examines, from different critical perspectives, his vast oeuvre, which includes three feature films, critical media pieces, children’s television features, “learning films” in the tradition of Brecht, and installation pieces. Interviews, a selection of Farocki’s own writings, and an annotated filmography complete a valuable biography of this pioneering artist and his legendary career.

Jewish customs and traditions about death, burial and mourning are numerous, diverse and intriguing. They are considered by many to have a respectable pedigree that goes back to the earliest rabbinic period. In order to examine the accurate historical origins of many of them, an international conference was held at Tel Aviv University in 2010 and experts dealt with many aspects of the topic. This volume includes most of the papers given then, as well as a few added later. What emerges are a wealth of fresh material and perspectives, as well as the realization that the high Middle Ages saw a set of exceptional innovations, some of which later became central to traditional Judaism while others were gradually abandoned. Were these innovations influenced by Christian practice? Which prayers and poems reflect these innovations? What do the sources tell us about changing attitudes to death and life-after death? Are tombstones an important guide to historical developments? Answers to these questions are to be found in this unusual, illuminating and readable collection of essays that have been well documented, carefully edited and well indexed.

For the first time ever, a book unravels the complex process of the tremendous delegitimization efforts directed toward Israel. "The War of a Million Cuts" explains how these attempts at the delegitimization of Israel, as well as anti-Semitism can be fought. The book describes the hateful messages of those who defame Israel and the Jews, details why anti-Semitism and anti-Israelism have the same core motifs, and discusses the main groups of inciters, including Muslim states, Muslims in the Western world, politicians, media, NGOs, church leaders, those on the extreme left and the extreme right, Jewish self-haters, academics, social democrats and many others. It explains how the hate messages are effectively transmitted to the public at large, and discusses what impact the delegitimization has already made on Israel and the Jews.

Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.