Larrikins, Rebels, and Journalistic Freedom is a cultural history of Australian journalism. In a democratic nation where a free news media is not guaranteed, Australian journalism has inherited what could be described as a ‘Larrikin’ tradition to protect its independence. This book mines Australian journalism’s rebelliousness, humor and distinct disrespect for authority in various socio-historical contexts, to explore its determination to maintain professional independence. Beginning with a Larrikin analysis of Australian journalism’s inherited Enlightenment tradition, Dr Josie Vine takes the reader through the Colonial era’s hardships, Federation, two World Wars, the Cold War’s fear and suspicion, the swinging sixties, a Prime Minister’s dismissal, 1980’s neo-liberalism, post-9/11 and, finally, provides a conclusive synthesis of current Australian journalism culture. Throughout, the book highlights the audacious, iconoclastic and determined figure of the Larrikin-journalist, forever pushing boundaries to protect democracy’s cornerstone – freedom of the news media. “Book-length histories of Australian journalism are still relatively rare, but what makes this new arrival particularly welcome is the way in which it is structured around an exploration of the ‘Larrikin paradox’. This refers to the fact that although Australian journalism may profess to be ‘professional’ and ‘reputable’, it can also be raucous, unruly and disrespectful in pursuit of what it sees as its democratic purposes. The Larrikin may be a uniquely Australian figure but the paradox is far from confined to Australian journalism (not least because of the influence of erstwhile Australian Rupert Murdoch on journalism in the Anglosphere), and this book should be of considerable interest to those concerned with the means whereby journalism performs its democratic, Fourth Estate role in modern democracies. This is an extremely very well-informed and highly insightful work which ought to appeal equally to those interested in journalism and in Australian politics.” — Julian Petley, Professor, Brunel University London, UK

"This is an extremely very well-informed and highly insightful work which ought to appeal equally to those interested in journalism and in Australian politics." - Julian Petley, Professor, Brunel University London, UK Larrikins, Rebels, and Journalistic Freedom is a cultural history of Australian journalism. In a democratic nation where a free news media is not guaranteed, Australian journalism has inherited what could be described as a 'Larrikin' tradition to protect its independence. This book mines Australian journalism's rebelliousness, humor and distinct disrespect for authority in various socio-historical contexts, to explore its determination to maintain professional independence. Beginning with a Larrikin analysis of Australian journalism's inherited Enlightenment tradition, Dr Josie Vine takes the reader through the Colonial era's hardships, Federation, two World Wars, the Cold War's fear and suspicion, the swinging sixties, a Prime Minister's dismissal, 1980's neo-liberalism, post-9/11 and, finally, provides a conclusive synthesis of current Australian journalism culture. Throughout, the book highlights the audacious, iconoclastic and determined figure of the Larrikin-journalist, forever pushing boundaries to protect democracy's cornerstone - freedom of the news media. Dr Josie Vine is Senior Lecturer in the School of Media and Communication at RMIT University, Melbourne, Australia. Her research interests revolve around the cultural history of Australian journalism, and the development of professional ideologies and ethical sensibilities. Her current project is a comparative analysis of the cultural functions of newsrooms in Australia and the UK.

This book offers fresh insights into the central role of journalism in shaping popular memories of community heroism in times of crisis. Further, it challenges familiar assumptions about Hollywood celebrity reporting and shows journalists’ active role in connecting popular culture icons with local communities. This book showcases fresh insights into how audiences collaborated and contributed to these widespread stories. The chapters included show how His Girl Friday, a Hollywood classic about tabloid newsroom stars, became a must-see movie for journalists, inspiring hundreds to choose the profession. Other appearances include Peter Fleming (James Bond creator Ian Fleming’s brother) and Norman Rockwell who helped create heroic characters in the news that became global symbols of community leadership. This offers a look at digital news activists who recreated heroic icons in social media to champion human rights in the Middle East. The historical and contemporary case studies offer insights into larger news trends that have contributed to the enduring popularity of these diverse, heroic identities in journalism. Presenting unique views of community, collaborative and interactive journalism, this book will be a valuable resource to students and scholars of journalism, communication, media and political history, as well as professionals already operating within the field of journalism.

This book examines the micro-cultural ideologies of the journalism profession in Britain and Australia by focusing on the design, execution and development of newspaper building architecture. Concentrating on the main newspaper buildings in some of the major metropolitan areas in Australia (Melbourne, Sydney, Adelaide) and the UK (Manchester, London, Edinburgh and Liverpool) from 1855 to 2010, Newspaper Building Design and Journalism Cultures in Australia and the UK: 1855–2010 interweaves a rich analysis of spatial characteristics of newspaper offices with compelling anecdotes from journalists’ working lives, to examine the history, evolution and precarious future of the physical newsroom and the surrounding interior and exterior space. The book argues that newspaper buildings are designed to accommodate and extend journalism’s professional values and belief systems over time and that their architecture reflects ideological change and continuity in these value and belief systems, such as the evolution from trade to profession. Ancillary factors, such as the influence of the newspapers’ owners on the building design and the financing of new structures are also considered. As professional practice rapidly shifts out of the newspaper offices, this insightful study questions what this may mean for the future of the industry. Newspaper Building Design and Journalism Cultures in Australia and the UK: 1855–2010 will benefit academics and researchers in the areas of media, journalism, cultural studies and urban history.

The originality and depth of Gramsci's theory of hegemony is now evidenced in the wide-ranging intellectual applications within a growing corpus of research and writings that include social, political and cultural theory, historical interpretation, gender and globalization. The reason that hegemony has been so widely and diversely adopted lies in the unique way that Gramsci formulated the 'problematics' of structure/superstructure, coercion/consensus, materialism/idealism and regression/progression within the concept hegemony. However, in much of the contemporary literature the full complexity of hegemony is either obfuscated or ignored. Hegemony, through comprehensive and systematic analyses of Gramsci's formulation, a picture of hegemony as a complex syncretism of these dichotomies. In other words, hegemony is presented as a concept that is as much about aspiration and progressive politico-social relations as it is about regressive and dominative processes. Thus, the volume recognises and presents this complexity through a selection of contemporary theoretical as well as historico-social investigations that mark a significantly innovative moment in the work on hegemony.

This book examines the multi-media explosion of contemporary political satire. Rooted in 18th century Augustan practice, satire’s indelible link with politics underlies today’s universal disgust with the ways of elected politicians. This study interrogates the impact of British and American satirical media on political life, with a special focus on political cartoons and the levelling humour of Australasian satirists.

Originally published in 1930, this book provides an account of Australian economic development from 1788 up until the early twentieth century. The text is divided into three main sections: 'Convicts, Wool, and Gold 1788-1860'; 'Colonial Particularism 1860-1900'; 'The Commonwealth'. Notes are incorporated throughout. This book will be of value to anyone with an interest in perspectives on the development of Australia and economic history.

Presents an exploration of the gendered production of news - and in particular the experiences of women - in the Australian print news media. This book engages with the question of how gender shapes newsroom culture and in so doing is concerned with production practices and cultural processes.

It’s compulsory to vote in Australia. We are one of a handful of countries in the world that enforce this rule at election time, and the only English-speaking country that makes its citizens vote. Not only that, we embrace it. We celebrate compulsory voting with barbeques and cake stalls at polling stations, and election parties that spill over into Sunday morning. But how did this come to be: when and why was voting in Australia made compulsory? How has this affected our politics? And how else is the way we vote different from other democracies? Lively and inspiring, From Secret Ballot to Democracy Sausage is a landmark account of the character of Australian democracy by the celebrated historian Judith Brett, the prize-winning biographer of Alfred Deakin. Judith Brett is the author of Robert Menzies’ Forgotten People and emeritus professor of politics at La Trobe University. The Enigmatic Mr Deakin won the 2018 National Biography Award, and was shortlisted in the NSW Premier’s Literary Awards, NSW Premier’s History Awards and Queensland Literary Awards. ‘A tremendous piece of work.’ ABC Radio National: Minefield ‘Brett’s writing is capable of extraordinary clarity, insight and compassion.’ Monthly ‘A great treasure that sizzles like the sausage in the title. I’ll be surprised if, by the time you’ve finished it, you don’t, like me, feel a little bit prouder of the Australian democratic system.’ Andrew Leigh MP, Shadow Assistant Treasurer ‘Australia led the world in broadening the franchise and introducing the secret ballot, but few nations followed us down the path of compulsory voting. This absorbing book explains a century-old institution, how it came to be, and how it survives.’ Antony Green ‘Magnificent...Brett has constructed an excellent, fast-moving narrative establishing how Australia became one of the world’s pre-eminent democracies...[She] skilfully weaves her way through what would be in the hands of a lesser writer a dull, dry topic...Brett is right to point out that we need “more than the Anzac story” to understand our success. From Secret Ballot to Democracy Sausage: How Australia Got Compulsory Voting will be an important part of that conversation.’ Weekend Australian ‘Excellent...Brett’s book shows how democracy sausages are the symbolic culmination of the proud history of the Australian contribution to electoral and voting practice around the world.’ Canberra Times ‘The Australian way of voting seems – to us – entirely ordinary but, as Judith Brett reveals, it’s a singular miracle of innovation of which we can all be fiercely proud. This riveting and deeply researched little book is full of jaw-dropping moments. Like the time that South Australian women accidentally won the right to stand as candidates – an international first. Or the horrifying debates that preceded the Australian parliament’s shameful decision to disenfranchise Aborigines in 1902. This is the story of a young democracy that is unique. A thrilling and valuable book.’ Annabel Crabb

Youth subcultures: theory, history and the Australian experience.