Have you ever wondered why Minnesota's forests grow in the north and not in the West? Why gaming casinos are prospering? Why producers raise chickens instead of cows? Why some towns grow while others fail? Minnesota's natural wonders have had an effect on and been changed by the people who call this complex mosaic of lakes and forests, rivers and fields home. Through engaging, in-depth text and copious illustrations, John Fraser Hart and Susy Svatek Ziegler explore the human and environmental characteristics that define the state in Landscapes of Minnesota. Illustrated with hundreds of maps and color photographs that reveal the changing character of Minnesota, this stunning geography traces the development of the state's natural environment, how the land formations, plants, and animals became a part of its fabric, and how they have changed over time. Focusing on small towns, the authors document patterns of growth and decline, offering striking commentary on these once-key bastions of Minnesota-ness. Turning to the Twin Cities, they analyze the expanding urban arc and the surprising growth of a baby boomer retirement belt. Landscapes of Minnesota explores how the lives and livelihoods of Minnesotans have affected what the state has become and what it will one day be. John Fraser Hart is a professor of geography at the University of Minnesota and a Guggenheim Fellow. Susy Svatek Ziegler is an assistant professor of geography at the University of Minnesota and a Fulbright Scholar.

This new and updated edition of Landscaping with Native Plants of Minnesota combines the practicality of a field guide with all the basic information homeowners need to create an effective landscape design. The plant profiles section includes comprehensive descriptions of approximately 150 flowers, trees, shrubs, vines, evergreens, grasses, and ferns that grew in Minnesota before European settlement, as well as complete information on planting, maintenance, and landscape uses for each plant. The book also includes complete information on how to garden successfully in Minnesota’s harsh climate and how to install and maintain an attractive, low-maintenance home landscape suitable for any lifestyle.

To be human is to experience fear, but what is it exactly that makes us fearful? Here is one geographer’s striking exploration of our landscapes of fear as they change throughout our lives and have changed throughout history. Yi-fu Tuan investigates landscapes of the natural environment which are threatening, and landscapes filled with the dark imageries of the mind; fears of drought, flood, famine, and disease, shared by all members of a community, and fears of the particular ghosts which haunt the individual imagination. In this lucidly-written, ground-breaking survey, Professor Tuan delves into many cultures and reaches back into our prehistory to discover what is universal and what is particular in our inheritance of fear. Starting with fear in animals, he raises and explores a variety of questions: What is specifically human about fear? Is there or has there ever been a “fearless” society? Professor Tuan examines the most specific forms fear takes in the mind of the child, among hunters and agriculturists, inside the walls of a medieval Chinese city, among Navaho Indians and American immigrants. He explores the ways in which authorities create landscapes of terror to instill fear in their own populations; and he probes that most basic of all contradictions between the need for human security and the fear of human nature. Professor Tuan particularly emphasizes how, in coping with fears of enemies, strangers, the insane, wolves, wind, witches, mountains, dragons, rain, or the terror that the universe itself might crumble, humans respond adventurously by creating “shelters,” ranging from fairy tales to cosmological myths. We watch as human beings continually draw and redraw their “circles of safety,” never feeling entirely at peace within them.

The classic autobiography of the famous Indigenous writer and critic Gerald Vizenor The classic memoir by one of the most celebrated Indigenous writers of the modern era, Interior Landscapes offers an unforgettable glimpse of the life and world of Gerald Vizenor. Vizenor writes about his experiences as a tribal mixedblood in the new world of simulations; the themes in his autobiographical stories are lost memories and a "remembrance past the barriers." The chapters open with natural harmonies and the premier union of the Anishinaabe families of the crane and the first white fur traders. The author bares his fosterage, his ambitions, his contentions with institutions and imposed histories; his encounters as a community advocate, journalist for the Minneapolis Tribune, university teacher, critic, and novelist. Vizenor celebrates chance, or "trickster signatures" and communal metaphors in these pages: he was hired to teach social sciences at Lake Forest College, his first experience as a teacher, because the head of the department admired his haiku poems; he toured the armorial emblems at Maxim's de Beijingwhen it opened on October 1, 1983, in the People's Republic of China; he wrote about the suicide of Dane White and the murderer Thomas White Hawk; he rescued his dreams from the skinwalkers at the Clyde Kluckhohn house in Santa Fe, New Mexico; and, as an editorial writer, he followed the American Indian Movement from Custer to Rapid City, from Calico Hall on the Pine Ridge Reservation to Wounded Knee, South Dakota. Teasing, revealing, and irresistible, Interior Landscapes charts the fascinating life of a brilliant Anishinaabe writer. The new edition contains a wealth of new photographs and information on the journey of Gerald Vizenor. Gerald Vizenor, a member of the White Earth Anishinaabeg, is a professor of American Studies at the University of New Mexico. His many books include Fugitive Poses, Manifest Manners, Hiroshima Bugi, and Survivance. He is the editor of the series Native Traces (SUNY) and Native Storiers (Nebraska). "The Chippewa writer Gerald Vizenor is at once a brilliant and evasive trickster figure. . . He is perhaps the supreme ironist among American Indian writers of the twentieth century." -- N. Scott Momaday "Instead of trying to walk the thin, often invisible line between art and politics, history and future, Vizenor dances on both sides, knowing all too well that in our time politics can become myth and vice versa."--San Francisco Review of Books

Landscape is the space of negotiation between human beings and the physical world, and rarely are the negotiations more complex and subtle than those conducted through the desert landscape along the Mexico-U.S. border. Patricia L. Price views the shaping of the landscape on and around the border through various narratives that have sought to establish claims to these dry lands. Most prominent are the accounts of Anglo-American expansionism and Manifest Destiny juxtaposed with the Chicano nationalist tale of Aztlan in the twentieth century, all constituting collective, contending claims to the U.S. Southwest. Demonstrating how stories can become vehicles for reshaping places and identities, Price considers characters old and new who inhabit the contemporary borderlands between Mexico and the United States-ranging from longstanding manifestations of good and evil in the figures of the Virgin of Guadalupe and the Devil to a collection of lay saints embodying current concerns. Dry Place weaves together theoretical insights with field-based inquiry, autobiography, and creative writing to arrive at a textured understanding of the bordered landscape of late modern subjectivity. Patricia L. Price is associate professor of geography in the Department of International Relations at Florida International University in Miami.

“Nothing defines California and our nation’s heritage as significantly or emotionally,” says the California Mission Foundation, “as do the twenty-one missions that were founded along the coast from San Diego to Sonoma.” Indeed, the missions collectively represent the state’s most iconic tourist destinations and are touchstones for interpreting its history. Elementary school students today still make model missions evoking the romanticized versions of the 1930s. Does it occur to them or to the tourists that the missions have a dark history? California Mission Landscapes is an unprecedented and fascinating history of California mission landscapes from colonial outposts to their reinvention as heritage sites through the late nineteenth and twentieth centuries. Illuminating the deeply political nature of this transformation, Elizabeth Kryder-Reid argues that the designed landscapes have long recast the missions from sites of colonial oppression to aestheticized and nostalgia-drenched monasteries. She investigates how such landscapes have been appropriated in social and political power struggles, particularly in the perpetuation of social inequalities across boundaries of gender, race, class, ethnicity, and religion. California Mission Landscapes demonstrates how the gardens planted in mission courtyards over the past 150 years are not merely anachronistic but have become potent ideological spaces. The transformation of these sites of conquest into physical and metaphoric gardens has reinforced the marginalization of indigenous agency and diminished the contemporary consequences of colonialism. And yet, importantly, this book also points to the potential to create very different visitor experiences than these landscapes currently do. Despite the wealth of scholarship on California history, until now no book has explored the mission landscapes as an avenue into understanding the politics of the past, tracing the continuum between the Spanish colonial period, emerging American nationalism, and the contemporary heritage industry.

"You are here, a map declares, but of course you are not, any more than you truly occupy the vantage point into which a landscape painting puts you. How maps and paintings figure and reconfigure space--as well as our place in it--is the subject of Edward S. Casey's study, an exploration of how we portray the world and its many places. Casey's discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of representation emerges. Casey proposes that the representation of place in visual works be judged in terms not of resemblance, but of reconnecting with an earth and world that are not the mere content of mind or language--a reconnection that calls for the embodiment and implacement of the human subject." -- Book jacket.

The theory of preservation assumes that humans are different from and opposed to the rest of nature. The contributors to "Beyond preservation", on the other hand, explore their belief that humans are inextricably entwined with nature and therefore have an unavoidable impact on the entire ecosystem. The comprehensive and multidisciplinary approach employed by the editors addresses the possibilities of and problems with the restoration of damaged landscapes and even the invention of new ones. William R. Jordan III, a botanist by training, is committed to ecological restoration, and in the keynote essay he advocates the premises on which his theory is based. Poet and essayist Frederick Turner is fascinated with the construction of new landscapes and proposes a more rather than less ambitious human effort to shape nature. Turner contributes an essay that, together with Jordan's, serves as a cornerstone of the volume. Both Turner and Jordan urge us to use our intelligence and our creative faculties to manage nature by restoring damaged landscapes and creating mutually beneficial relationships among all species. The lead essays are followed by a series of broadly interdisciplinary critiques that confront a host of contemporary issues having to do with our attempts to preserve or restore landscapes. Individual essays address the theoretical issues entailed in restoration; examine case studies of the application of restoration/reclamation/preservation theory and techniques; and finally, reflect on the implications and consequences of environmental restoration. Taken together, these essays are as important for the questions they raise as for their individual assessments of Jordan's and Turner's programmatic statements. A. Dwight Baldwin, Jr., is Professor of Geology at Miami University. Judith De Luce is Professor of Classics, affiliate in women's studies, and fellow in the Scripps Gerontology Center at Miami University. Carl Pletsch is Associate Professor of History at Miami University.

“If you loved Wilder’s books, or if you garden with a child who loves her books, you will enjoy the read.” —San Francisco Chronicle In this revealing exploration of Laura Ingalls Wilder’s deep connection with the natural world, Marta McDowell follows the wagon trail of the beloved Little House series. You’ll learn details about Wilder’s life and inspirations, pinpoint the Ingalls and Wilder homestead claims on authentic archival maps, and learn how to grow the plants and vegetables featured in the series. Excerpts from Wilder’s books, letters, and diaries bring to light her profound appreciation for the landscapes at the heart of her world. Featuring the beloved illustrations by Helen Sewell and Garth Williams, plus hundreds of historic and contemporary photographs, The World of Laura Ingalls Wilder is a treasure that honors Laura’s wild and beautiful life.

Established in the middle of the sixteenth century, Bangalore has today become a center for high-technology research and production, the new "Silicon Valley" of India, with a metropolitan population approaching six million. It is also the site of the very popular annual performance called the "Karaga" dedicated to Draupadi, the polyandrous wife of the heroes of the pan-Indian epic of the Mahabharata. Through her analysis of this performance and its significance for the sense of the civic in Bangalore, Smriti Srinivas shows how constructions of locality and globality emerge from existing cultural milieus and how articulations of the urban are modes of cultural self-invention tied to historical, spatial, somatic, and ritual practices. The book highlights cultural practices embedded in urbanization, and moves beyond economistic arguments about globalization or their reliance on the European polis or the American metropolis as models. Drawing from urban studies, sociology, anthropology, performance studies, religion, and history, Landscapes of Urban Memory greatly expands our understanding of how the civic is constructed.