Although geared toward professional artists, this accessible approach to landscape sketching will also appeal to amateurs. English artist Donald Maxwell's entertaining and straightforward attitude begins with the basics: "We will draw a brick. Anybody can draw a brick." Following introductions to perspective, light and shade, and composition, Maxwell proceeds to demonstrate how to direct a picture's focus, and he discusses the challenges of ink as a medium. His observations are complemented and enhanced with illustrative examples of boatyards, bridges, churches, and country farms from throughout Great Britain that date from the early twentieth century. A concluding gallery features a bonus collection of twenty-five images by Frank Brangwyn, Joseph Pennell, Otto Fischer, and other contemporary masters of pen-and-ink landscapes. Specially added for this edition is a new Foreword written by Sonja Rozman and Gašper Habjanič, two landscape architects with a passion for drawing.

Pen & Ink Drawing: A Simple Guide covers the essential aspects of pen and ink drawing and more. It explores basic materials and instruments; fundamental properties of strokes and pen control; key elements of shading; and indispensable techniques for creating vibrant textures. As a bonus, a chapter is devoted to what the author refers to as, the secret Line of Balance. This book is not just written to instruct but also to inspire enthusiasts of pen and ink and drawing as well.

Capture the Rich Textures of Nature, Step by Step Capture nature's beauty as you never have before. Beloved artist and teacher Claudia Nice leads you on an inspired journey through the great outdoors. With paints in hand, she shares with you her best techniques for creating landscapes that come alive with richness, depth and textured detail. Open this guide and start painting right away. As you follow engaging, step-by-step demonstrations and exercises, you'll learn to recreate the textural elements of a range of terrains and landscapes. Chapters include: • Creative clouds and skies • Majestic mountains, hills and mesas • Texturing trees, trunks and foliage • Rugged rocks and gritty gravel • Transparent textures for rivers, falls and lakes • Flowers of the field In a special section, Claudia covers basic texturing techniques with mini demos using lines, dots, bruising, scribbling, spattering, blotting, printing, stamping and more. From paints and pens to sponges, leaves and facial tissue, you'll explore all kinds of fun and inventive ways to create amazing textures. And to help you put it all together, Claudia includes her masterful advice for creating compositions using reference photos, field sketches and your own creative license. Each demonstration features a large image of the completed landscape, so you can see exactly how Claudia's methods work - from start to finish.

An inspiring sourcebook, this guide helps artists discover a wide variety of subjects and ideas. More than 140 of the author's drawings illustrate nostalgic scenes, old engravings, atmospheric effects, photographs, and landscapes.

This clear and concise guide to pen-and-ink work presents 37 step-by-step illustrations that progress from pencil sketch to ink outline to shadows and details to completed work. Written in a direct, engaging style and richly illustrated, its drawings range from easy to complex and offer guidance for artists at every level.

Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.

This richly illustrated manual for beginning, intermediate, and advanced artists covers everything from hatching, tones, and stippling to dealing with the problems that can arise when adding texture, light, and shade.

Pen & Ink is packed with page after page of bite-sized creative sketching tips and accessible advice, and offers aspiring artists the freedom to dip in and out for practical information or flick through for fresh inspiration and ideas. Exploring around 200 pieces of artwork by young contemporary artists, Pen & Ink highlights and examines the different techniques, qualities, and effects relating to each piece. Organized into chapters according to the technique exemplified (e.g.water soluble, mixed media) artwork is featured large and luscious, accompanied by extended captions, insightful tips, and practical advice. A detailed index at the front of the book also groups the paintings according to three main categories: Principles (e.g. composition), Media, Type of sketch (e.g. abstract), and Subject (e.g. nature). Listing each page where similar examples may be found, this category index enables the reader to easily identify and cross reference subjects that have been painted in similar styles. Throughout the book, useful information and practical tips are provided on a wide range of topics such as tone, perspective, color, and much more besides. Readers are encouraged to discover the various ways in which similar subjects and styles are executed by different artists, while also being inspired to use the tips in the book as a way of building on their existing skills. Offering a bold, refreshing change from other run-of-the-mill art books, Pen & Ink adopts the unique approach of accessing practical information via the images, focusing on the way subjects can be treated using a whole range of different drawing techniques, rather than looking at how to master one single style. This gives the reader a much wider skill set—allowing them to capture or create the essence of any image in a variety of different ways.

The Technical Pen features over 300 illustrations, including 34 full-color images in the hardcover edition (paperback edition is in gray scale). Although originally designed for architects and engineers, a technical pen is an ideal tool for fine artists, illustrators, and graphic artists. Whether you want loose gestural sketching or tight, deliberate renderings, a technical pen moves smoothly and easily over the paper's surface. It offers a precise and predictable line quality that can't be matched by any other type of pen. Gary Simmons, renowned teacher of pen-and-ink techniques, covers every aspect of working with the technical pen, beginning with a thorough explanation of its anatomy, operation, and care. He also includes troubleshooting tips as well as advice on choosing appropriate nib widths, inks, and drawing surfaces. Simmons demonstrates how to achieve the wide variety of strokes and stroke patterns that the technical pen makes possible--including continuous parallel lines, crosshatching, stippling, and more--and explores, through copious illustrations, the different effects various techniques have on their own and in combination with other approaches. Simmons shows how to put the pen strokes to work through step-by-step demonstrations that illustrate the ins and outs of expert level image construction, from initial pencil sketch through final inking. He explains the fundamentals of form, tone, texture, and "color" in drawings, and how to make sure that the pen strokes do what you really want them to do. For instance, perhaps you've added a layer of hatched lines over a bird's feathers to create a shadow effect, only to discover that you've obscured their texture, or maybe one area of your drawing has become too dark. Gary Simmons addresses these and other common obstacles of mastering the medium and explains how you can avoid and solve them. Gary Simmons has been working with pen and ink and the technical pen for over forty years. Simmons has conducted pen-and-ink drawing workshops nationally for Koh-I-Noor, and he teaches fine arts at Henderson State University in Arkadelphia, Arkansas.

This is a new release of the original 1932 edition.