Landlock: Paralysing Dispute over Minerals on Adivasi Land in India explores the ways in which political controversy over a bauxite mining and refining project on constitutionally protected tribal lands in Andhra Pradesh descended into a state of paralysis where no productive outcome was possible. Long-running support for Adivasi (or tribal) land rights motivated a wide range of actors to block the project’s implementation by recourse to India’s dispersed institutional landscape, while project proponents proved adept in proposing workarounds to prevent its outright cancellation. In the ensuing deadlock, the project was unable to move towards completion, while marginalised Adivasi groups were equally unable to repossess their land. Such a ‘landlock’ is argued to be characteristic of India’s wider inability to deal with conflicts over land matters, despite the crucial importance of land for smallholder livelihoods and various economic processes in an intensely growth-focused country. The result has been frequent yet grindingly slow processes of contestation in which powerful business and state interests are, at times, halted in their tracks, but mostly seem able to slowly exhaust local resistance in their pursuit of large-scale projects that produce no benefits for the rural poor.

Sarah Audsley’s debut poetry collection, Landlock X, joins a growing body of adoptee poetics. By examining the consequences of the international transracial adoptee experience—her own—Audsley’s collection finds more questions than solid answers. Employing a variety of poetic forms, co-opting the pastoral tradition to argue for belonging to the rural landscape—despite the inheritance of displacement and removal from a country of origin—Landlock X tries to solve for all of the (adoptee’s) variables and knows it is an impossible task that the “I”, “you”, and “we” of the poems only approximate. ... From “The Black Cows in the Foreground” it is unknown where the bones of your mother turned to fragments none in the painting of the black cows so where to grieve her body no parcel of land to plant sorrow in furrowed rows the black cows graze

& Quot;The Transit Regime for Landlocked States" assesses the strengths and limits of existing international law related to the free access of landlocked states to and from the sea. The book analyzes whether the provisions of international law satisfy the economic demands of landlocked states, the majority of which are among the world's poorest nations. The book reviews the several principles of international law that dominated the evolution of the rights of access. It discusses both general and specific conventions, as well as treaty regimes emanating therefrom, and examines some restrict.

An Archipelago in a Landlocked Country is the lyrical storytelling of fieldwork conducted in Neuland, a Mennonite colony in Paraguay's Boquerón department, and Cayim ô Clim, the neighboring Nivaklé settlement. The author was conceived in Neuland in 1990 and returned in 2013 and in 2016. This multi-sequentially read book shifts in genre from ekphrastic descriptions of 30-second films shot in Asunción, Filadelfia, and Neuland; to a short story collection inspired by metonymically translated Nivaklé myths; and finally, a novella that mythologizes the life of a third generation Mennonite woman. These three parts are not meant to be read in order. The hypertext gestures towards the omitted films and translations. This structure attunes readers to absent presences. The author's narratives render other kinds of realities--Nivaklé, Paraguayan, and Mennonite ways of being made over--and her own. This "unweaving" technique is inspired by Ñandutí--a spider web pattern created by unraveling threads from a piece of fabric.