Ryan, Mel, Sally and John are strangers on their first day of high school. They know nothing about each other and are unaware of the secrets held beneath their small town. Within the depths of an old mine lay a magical portal to a colorful world inhabited by talking animals, screaming vegetables, evil sorcerers and other mythical creatures. Through a chain of collisions and mishaps, these four strangers embark on a forced journey into this mystical land. The key to their way home is to fulfill Fate's ancient prophecy and bring peace back to the Land of Enchantas.

With great narrative, Campbell takes readers with him as he travels 1,200 miles up the Amazon, turns left up the Rio Jurua, and continues for another 28 days to the town of Cruzeiro do Sul where he collects three friends and continues further into the rainforest.

The Work of Enchantment suggests that it is a lack of "enchantment" in rich, developed countries that causes soul-starved Westerners to experience mental (and sometimes physical) illness. Del Nevo argues that this "enchantment" is most often experienced in childhood, but can also be found in adulthood, particularly through art. However, adults must cultivate within themselves the ability to appreciate art by reading, listening, and gaing—activities often misconceived in advanced industrial societies. Del Nevo describes the framework of enchantment and its philosophical and historical roots. He then concentrates on the work of enchantment within literature, considering what enchantment might entail taking the works of Proust, Rilke, and Goethe as examples. Del Nevo shows how a sense of enchantment forms within and between art works, using his literary examples, as well as between the work and the audience. The reader will learn along the way that enchantment may be found in the power of words, as an expression of the desire of the soul, a compliment of melancholy, and in art that points to something beyond itself. Enchantment may be found in many places, ranging from philosophy, religion, and psychology to sociology and culture, but here Del Nevo focuses on literature. His audience is people who are searching for something beyond money or glamour—perhaps the meaning of art and culture. His focus on literary masterpieces such as the Duino Elegies, Remembrance of Things Past, Wilhelm Meister's Journeyman Years, and others will make it of interest to those in cultural studies. Well written and engaging, and accessible to non-specialist readers, this unusual work in philosophy and aesthetics is free of jargon and complicated verbiage. Inspiring and enlivening, it is, in the author's words, "a stirring call to idleness."

It's been over fourteen Enchantian cycles since the 'Battle for Enchantas'. Peace and prosperity has been restored for the most part, but the goddaughter of the witch and warlock, now the self-proclaimed Empress, is roaming free, wreaking havoc over the lands, terrorizing villages and threatening their newly developed way of life. Ryan, Sally and John have been summoned to return and assist their old friend Mel in putting an end to the Empress's treachery. However, this time they are not alone. John's sister Becky, an outspoken rebel with her own cause, joins them and discovers firsthand the strange and mysterious world hiding beneath the depths of their hometown. Together, they must embark on another forced journey as Destiny's prophets, in hopes of restoring peace and order to the Land of Enchantas, forever...

From “a marvelous new voice” (Rebecca Makkai), these “extraordinarily imaginative” (Sigrid Nunez), “revelatory” (Nicole Krauss), “superb” (Kiran Desai) stories transcend borders as they render the intimate lives of people striving for connection. WINNER OF THE AJL JEWISH FICTION AWARD • FINALIST FOR THE WINGATE PRIZE The Man Who Sold Air in the Holy Land announces the arrival of a natural-born storyteller of immense talent. Warm, poignant, delightfully whimsical, Omer Friedlander’s gorgeously immersive and imaginative stories take you to the narrow limestone alleyways of Jerusalem, the desolate beauty of the Negev Desert, and the sprawling orange groves of Jaffa, with characters that spring to vivid life. A divorced con artist and his daughter sell empty bottles of “holy air” to credulous tourists; a Lebanese Scheherazade enchants three young soldiers in a bombed-out Beirut radio station; a boy daringly “rooftops” at night, climbing steel cranes in scuffed sneakers even as he reimagines the bravery of a Polish-Jewish dancer during the Holocaust; an Israeli volunteer at a West Bank checkpoint mourns the death of her son, a soldier killed in Gaza. These stories render the intimate lives of people striving for connection. They are fairy tales turned on their head by the stakes of real life, where moments of fragile intimacy mix with comedy and notes of the absurd. Told in prose of astonishing vividness that also demonstrates remarkable control and restraint, they have a universal appeal to the heart.

So here I am walking again an old path made new by the very fact that I am upon it once more, accompanied by familiar hordes: the fecund majority of the dead, the myriad of the living in all of their many forms, defunct, mutant, revenant or otherwise, traversing memory’s infinite field. In the evocative prose that makes him one of our finest writers, Martin Edmond recalls his experiences of growing up in rural New Zealand in the 1950s and 60s. The son of schoolteachers, Edmond’s early life was shaped by his father’s developing career and the moves it dictated: from Ohakune, to Greytown, to Huntly, to Heretaunga. The Dreaming Land shows us the making of a thinker and a writer. Edmond documents the people, locations, and events that made a lasting impression on him, and maps the development of his mental landscape – a landscape marked by curiosity, empathy and the capacity for acute observation. It is a book that is at once personal and universal, charting formative moments yet filled with details that resonate more broadly. The Dreaming Land pushes at the boundaries of what can be remembered to create a narrative which absorbs, illuminates and enchants.

'Beasts of a Little Land is a stunning achievement’ TLS 'Spectacular' Lisa See, author of The Island of Sea Women 'I loved it' Brandon Hobson, author of The Removed 'Unforgettable' Nguyễn Phan Quế Mai, author of The Mountains Sing An epic story of love and war, set during the turbulent decades of Korea's fight for independence It is 1917, and Korea is under Japanese occupation; the country is yet to be divided into north and south. With the threat of famine looming, a young girl named Jade is sold by her family to Miss Silver's courtesan school in cosmopolitan Pyongyang, an act of desperation that will cement her place in the lowest social class. But the city's days as a haven are numbered. Jade flees to Seoul where she forms a deep friendship with an orphan boy called JungHo, who scrapes together a living begging on the streets. As Jade becomes a sought-after performer with unexpected romantic prospects, JungHo is swept up in the revolutionary fight for independence. Soon, Jade must decide between following her own ambitions or risking everyone for the one she loves. From the perfumed chambers of the courtesan school to the glamorous cafés of a modernising Seoul, the unforgettable characters of Beasts of a Little Land unveil a world where friends become enemies and enemies become saviours, where heroes are persecuted and beasts take many shapes.