North America, tundra plants, tundra ecology, mountain ecology.

Winner of the 2021 John Burroughs Medal for Distinguished Natural History Writing "This deeply nourishing book invites us to reclaim reciprocity with the living world." —Robin Wall Kimmerer, author of Braiding Sweetgrass Once, farmers and rural people knew how to prune hazel to foster abundance: both of edible nuts and of straight, strong, flexible rods for bridges, walls, and baskets. Townspeople felled their beeches to make charcoal to fuel ironworks. Shipwrights shaped oaks to make hulls. No place could prosper without its inhabitants knowing how to cut their trees so they would sprout again. Pruning the trees didn’t destroy them. Rather, it created the healthiest, most sustainable and diverse woodlands that we have ever known. Arborist William Bryant Logan offers us both practical knowledge about how to live with trees to mutual benefit and hope that humans may again learn what the persistence and generosity of trees can teach. He recovers the lost tradition that sustained human life and culture for ten millennia.

“They moved along in the bobbing, springy gait of a family that followed the woods as some families follow the sea.” In that first sentence Conrad Richter sets the mood of this magnificent epic of the American wilderness. Toward the close of the eighteenth century the land west of the Alleghenies and north of the Ohio river was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here the Lucketts, a wild, woodsfaring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation. Richter has written, not a historical novel, of which there are so many, but a novel of authentic early American life, of which there are so few. It is the primitive story of Worth Luckett, the hunter, and of Jary, his woman; of Genny, Wyitt, Achsa, and Sulie, their woods-wild children; of the bound boy and the Solitary and Jake Tench; but principally of the oldest girl, Sayward Luckett, whos people as far back as she knew had always been hunters and gunsmiths to hunters, but who, through the quiet, growing, and yet tragic oppression of the trees, turns her back at last on her life as a hunter’s child and becomes a tiller of the soil. This novel of great lyrical beauty and high excitement tells the story of the transition of American pioneers from the ways of the wilderness to the ways of civilization. Here is the true American epic. Here is the raw adventure, swift and cruel in its episodes; but here too is the poetry of loneliness. Here is a portrait of frontier life as it really must have seemed to the pioneers. Here in short is a masterpiece by the man who gave us The Sea of Grass.

A collection of writings about nature follows the author's early life in Indiana, to her home in Colorado, and to her journeys west and overseas

The Land Under: Seeing the Forest Through the Trees is a charming middle-grade adventure story about a boys journey to an underground kingdom of talking animals. Unhappy because of his parents financial difficulties, thirteen-year-old Frank finds himself summoned to the Land Under, a place that parallels our world but is only for animals. Fallen trees linked to forests aboveground are damming up the mighty waterfall, Naveah, which powers the rivers that keep the three kingdoms of the underground civilization separated. If Frank doesnt find a way to unblock the waterfall, the northern forest kingdom will be overrun by savage animals from the jungle and safari kingdoms. Its a race against time, the elements, and the balance of nature for an average boy with an extraordinary mission. Like a fairy tale in its intuitive simplicity, The Land Under grows before your eyes into a completely detailed world that feels so ordinary and real that it almost doesnt seem to be fantasy.

Whether in a small backyard or a larger farm or forest, trees are vital to the web of life. Protecting and planting trees can restore wildlife habitat, heal degraded land, conserve soil, protect watersheds, diversify farm or garden products, beautify landscapes, and enhance the economic and ecological viability of land use systems. Careful planning and sound information is needed to reach these goals. The Overstory Book distills essential information about working with trees into 134 short, easy-to-read, single-subject chapters. Each chapter shares key concepts and useful information, so readers can get back to planting and protecting more trees, gardens, and forests, more effectively. * Discover time-tested agricultural and conservation techniques from indigenous and traditional peoples * Work with beneficial microorganisms, from mycorrhizal fungi to nitrogen-fixing bacteria and more * Create abundance with fruit trees, timber trees, vine crops, vegetables, mushrooms, and more * Form alliances with animals, from wildlife, birds, and insects to integrated, free-range livestock * Design effective tree-based windbreaks, noise barriers, live fences, and erosion buffers * Understand how to grow or obtain the highest quality seeds, seedlings, and plant materials * Restore fertility, productivity, and biodiversity with trees * Work with multipurpose plants including trees, palms, bamboos, and more * Market products effectively to improve economic returns sustainably * Locate helpful internet sites, organizations, people, and publications * And much more!

Building from his acclaimed anthology Tales of Two Americas, beloved writer and editor John Freeman draws together a group of our greatest writers from around the world to help us see how the environmental crisis is hitting some of the most vulnerable communities where they live. In the past five years, John Freeman, previously editor of Granta, has launched a celebrated international literary magazine, Freeman's, and compiled two acclaimed anthologies that deal with income inequality as it is experienced. In the course of this work, one major theme came up repeatedly: Climate change is making already dire inequalities much worse, devastating further the already devastated. But the problems of climate change are not restricted to those from the less developed world. Galvanized by his conversations with writers and activists around the world, Freeman engaged with some of today's most eloquent storytellers, many of whom hail from the places under the most acute stress--from the capital of Burundi to Bangkok, Thailand. The response has been extraordinary. Margaret Atwood conjures with a dys¬topian future in a remarkable poem. Lauren Groff whisks us to Florida; Edwidge Danticat to Haiti; Tahmima Anam to Bangladesh; Yasmine El Rashidi to Egypt, while Eka Kurniawan brings us to Indonesia, Chinelo Okparanta to Nigeria, and Anuradha Roy to the Himalayas in the wake of floods, dam building, and drought. This is a literary all-points bulletin of fiction, essays, poems, and reportage about the most important crisis of our times.

Winner of the Pulitzer Prize in Fiction Winner of the William Dean Howells Medal Shortlisted for the Man Booker Prize Over One Year on the New York Times Bestseller List A New York Times Notable Book and a Washington Post, Time, Oprah Magazine, Newsweek, Chicago Tribune, and Kirkus Reviews Best Book of the Year "The best novel ever written about trees, and really just one of the best novels, period." —Ann Patchett The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.