Oral traditions and myths have long been an integral part of Native American cosmology. Not only have they been - and continue to be - an essential part of handing down Native American customs, norms, beliefs, and cultural histories, but they also form a communal mythic discourse. This discourse is not a "fixed text," but rather a dynamic process of interactive relations that are developed over generations of experience, and passed from relation to relation and generation to generation. In this sense, the traditional structures of mythic discourse serve an integrative function: to form a coherent basis for communal identity in terms of a shared set of fundamental ideas and beliefs expressed in multiple forms. The oral traditions and myths recorded in this book are part of the communal mythic discourse of the Lakota Sioux people. Originally collected and recorded at the close of the nineteenth century by two Native language speakers - Marie L. McLaughlin and Zitkala Sa - these oral traditions provide some of the least distorted or colonially disrupted examples of the Lakota Sioux communal mythic discourse. Containing over 40 oral traditions, Lakota Sioux Legends and Myths brings together into a single volume these remarkable myths and legends. Edited and with a forward by Peter N. Jones, Ph.D., Lakota Sioux Legends and Myths is a welcome and refreshing addition to the literature. Once again the beauty, depth, and knowledge contained within the Lakota Sioux oral traditions can speak for themselves.

Native American Mythology began long before the European settlers arrived on North American soil. Contrary to popular beliefs, there is more to Native American Folklore than stories of buffalo hunts, teepee living and animal stories. Hundreds of tribes throughout North American created a huge mythological system that has rivaled that of the Greeks. The Sioux Indians are no exception, they have offered many enjoyable and educational legends of their people, and beliefs. Included in this anthology are a group of collected works from the Sioux, a confederacy of several tribes that speak three different dialects, the Lakota, Dakota and Nakota. The Sioux, a proud people with a rich heritage, have recorded a huge amount of their history through storytelling. They were the masters of the North American plains and prairies. In these stories you will relive their history and the lives of one of North America’s First People. The stories in this book have been handed down from generation to generation. And in such tradition, they are now handed down to you to share with the next generation. Included in this collection are the stories: The Story of the Lost Wife, The Simpleton's Wisdom, How the Fawn Got its Spots, The Man Who Was Afraid of Nothing, Two Ghostly Lovers, How the Rabbit Lost His Tail, A Bashful Courtship, The Bound Children, The Legend of Standing Rock, The Boy and the Turtles, Unktomi and the Arrowheads, The Pet Donkey, The Faithful Lovers, The Story of the Peace Pipe, The Rabbit and the Grouse Girls, The Raccoon and the Crawfish, The Legend of the White Horse Plain, Myth of the White Buffalo Woman, The Stone Boy, The Legend of the Dream Catcher, The Resuscitation of the only Daughter, The Origin of the Prairie Rose, A Little Brave and the Medicine Woman, How the Crow came to be Black, Wakinyan Tanka, The Great Thunderbird, Uncegila's Seventh Spot, The Gift of Corn, The Warlike Seven, Iktomi and many others.

James R. Walker was a physician to the Pine Ridge Sioux from 1896 to 1914. His accounts of this time, taken from his personal papers, reveal much about Lakota life and culture. This third volume of previously unpublished material from the Walker collection presents his work on Lakota myth and legend. This edition includes classic examples of Lakota oral literature, narratives that were known only to a few Oglala holy men, and Walker's own literary cycle based on all he had learned about Lakota myth. Lakota Myth is an indispensable source for students of comparative literature, religion, and mythology, as well as those interested in Lakota culture.

Lakota Texts is a treasure trove of stories told in the original language by modern Lakota women who make their home in Denver, Colorado. Sometimes witty, often moving, and invariably engaging and fascinating, these stories are both autobiographical and cultural. The stories present personal experiences along with lessons the women have learned or were taught about Lakota history, culture, and legends. The women share aspects of their own lives, including such rituals as powwows, the sweatlodge, and rites of puberty. The women also include details of the older Lakota world and its customs, revered myths, more recent stories, and jokes. In addition to the valuable light Lakota Texts sheds on the lives of modern Lakota women, these stories also represent a significant contribution to American Indian linguistics. Regina Pustet has meticulously transcribed and translated the stories in a detailed, interlinear format that makes the texts a rich source of information about modern Lakota language itself.

In writings about the Great Sioux War, the perspectives of its Native American participants often are ignored and forgotten. Jerome A. Greene corrects that oversight by presenting a comprehensive overview of America's largest Indian war from the point of view of the Lakotas and Northern Cheyennes.

More than 160 tales from eighty tribal groups present a rich and lively panorama of the Native American mythic heritage. From across the continent comes tales of creation and love; heroes and war; animals, tricksters, and the end of the world. “This fine, valuable new gathering of ... tales is truly alive, mysterious, and wonderful—overflowing, that is, with wonder, mystery and life" (National Book Award Winner Peter Matthiessen). In addition to mining the best folkloric sources of the nineteenth century, the editors have also included a broad selection of contemporary Native American voices.

IKTOMI is a spider fairy. He wears brown deerskin leggins with long soft fringes on either side, and tiny beaded moccasins on his feet. His long black hair is parted in the middle and wrapped with red, red bands. Each round braid hangs over a small brown ear and falls forward over his shoulders.He even paints his funny face with red and yellow, and draws big black rings around his eyes. He wears a deerskin jacket, with bright colored beads sewed tightly on it. Iktomi dresses like a real Dakota brave. In truth, his paint and deerskins are the best part of him—if ever dress is part of man or fairy.

A grandmother’s love is forever in Star People, a picture book about remembrance and tradition from S. D. Nelson, award-winning author and member of the Standing Rock Sioux tribe. “A young Lakota Indian girl narrates the story of how she and her little brother, Young Wolf, survive a prairie fire.” —School Library Journal “A stirring, original story based on Lakota legend . . . The swirling images of the celestial dance beautifully reflect the story’s celebration and awe of the natural world.” —Booklist Sister Girl and her brother, Young Wolf, wander away from their village and soon find themselves far out in the surrounding prairie. They sit down in the grass and watch the clouds passing above billow to form an eagle, horses, and other creatures. We sat in the dry, sweet-smelling grass, watching the clouds drift overhead. Young Wolf pointed and said, “Sister Girl, that cloud looks like a buffalo’s head!” We both laughed with amazement. “There’s an eagle,” I cried! Suddenly, animals begin to race past the children on the ground—followed by a wall of fire! Fleeing along with the frightened beasts, Sister Girl and Young Wolf save themselves by tumbling into a shallow stream. The fire leaves behind ash and a barren, forbidding landscape. The children realize that they are hopelessly lost. Night is coming—how will they get home to their parents? And why are the evening stars dancing so? Drawing upon traditional Lakota ledger book art, S. D. Nelson’s illustrations bring to life a memorable new legend about the Star People.

A thought-provoking collection of searing prose from a Sioux woman that covers race, identity, assimilation, and perceptions of Native American culture Zitkala-Sa wrestled with the conflicting influences of American Indian and white culture throughout her life. Raised on a Sioux reservation, she was educated at boarding schools that enforced assimilation and was witness to major events in white-Indian relations in the late 1800s and early 1900s. Tapping her troubled personal history, Zitkala-Sa created stories that illuminate the tragedy and complexity of the American Indian experience. In evocative prose laced with political savvy, she forces new thinking about the perceptions, assumptions, and customs of both Sioux and white cultures and raises issues of assimilation, identity, and race relations that remain compelling today.