Romantic Suspense-Thriller: Grieving widow Jesse McClain didn't kill herself, no matter what her diary says. Michele Jenks, about to end her seven year marriage to top private investigator Ethan Jenks, goes undercover as an amateur investigator in the Tennessee resort town of Lake Braxton, obsessed with proving her cousin Jesse's suicide was finely orchestrated murder. The amateur goes toe-to-toe with the professional as Michele and Ethan work together to unmask the killer. Only, the killer is waiting for Michele, with different plans. Plans that include a five-million-dollar land deal, no questions about the death of the woman who had been about to expose him (Jesse) and one final murder...Michele's.

Sheena Renee Jackson the high profile attorney is on an unbelievable journey. The move to Washington DC to open a new law firm is a simple task compared to the seven men Sheena meets along the way. It’s no doubt one case Sheena is having trouble winning. It is a matter of the heart and Sheena finds herself against the odds as she tries to find true love. Sheena is in a state of confusion and things change for the worst. Will Sheena find true love or will true love find Sheena? It all depends on the support from her four friends and the lessons learned along the way.

New Musical Figurations exemplifies a dramatically new way of configuring jazz music and history. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culture—a culture that has eroded conventional categories defining jazz and the jazz musician. Radano accomplishes all this by analyzing the creative life of Anthony Braxton, one of the most emblematic figures of this cultural crisis. Born in 1945, Braxton is not only a virtuoso jazz saxophonist but an innovative theoretician and composer of experimental art music. His refusal to conform to the conventions of official musical culture has helped unhinge the very ideologies on which definitions of "jazz," "black music," "popular music," and "art music" are founded. New Musical Figurations gives the richest view available of this many-sided artist. Radano examines Braxton's early years on the South Side of Chicago, whose vibrant black musical legacy inspired him to explore new avenues of expression. Here is the first detailed history of Braxton's central role in the Association for the Advancement of Creative Musicians, the principal musician-run institution of free jazz in the United States. After leaving Chicago, Braxton was active in Paris and New York, collaborating with Philip Glass, Steve Reich, Frederic Rzewski, and other composers affiliated with the experimental-music movement. From 1974 to 1981, he gained renown as a popular jazz performer and recording artist. Since then he has taught at Mills College and Wesleyan University, given lectures on his theoretical musical system, and written works for chamber groups as well as large, opera-scale pieces. The neglect of radical, challenging figures like Braxton in standard histories of jazz, Radano argues, mutes the innovative voice of the African-American musical tradition. Refreshingly free of technical jargon, New Musical Figurations is more than just another variation on the same jazz theme. Rather, it is an exploratory work as rich in theoretical vision as it is in historical detail.

Employing modes of criticism and theory that have transformed study in the humanities, this title addresses questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art?

In the early 1990s, prior to Don't Ask, Don't Tell, the U.S. military discharged gay and lesbian servicemembers under a longstanding ban. During the first Gulf War, many of those soldiers were kept in under a "stop loss" order, only to be discharged upon their return home. Now that DADT has been struck down, this novel is perfectly timed to give a closer look at the lives of people impacted by any policies or laws that ask them to compromise who they are. In The Half Life of Sgt. Jen Hunter, long-time lesbian journalist Tracy Baim takes a fictional look at this era in our nation's history, when gays and lesbians served proudly, but quietly, risking their lives for a country that disrespected and attacked who they were. What would happen if an out lesbian journalist met a closeted military spokeswoman? Would sparks fly? Would the sergeant risk her career for love? Would the journalist compromise her ideals for a chance at happiness? What about the servicemembers on the ground in Iraq? They faced bullets and dangerous chemicals, and some came back wounded and faced the loss of their career. See what happens in this fast-paced tale of war, pride, sacrifice, and love. This story was adapted for the Chicago stage as Half Life, in 2004.