The rich findings of recent exploration and research are incorporated in this completely revised and greatly expanded sixth edition of this standard work on the Maya people. New field discoveries, new technical advances, new successes in the decipherment of Maya writing, and new theoretical perspectives on the Maya past have made this new edition necessary.

It is the year 682, but to the Maya it is the ninth baktun, twelfth katun, tenth tun. Born to a renegade splinter of the noble line of Mutal, Ix Wac Chanil, Lady Six Sky, is unique among Maya princesses. More than an ornament to a great king, she will rule as well as reign. Sent to the ruined kingdom of Saal to restore its royal blood, Chanil has one condition to traveling into the embattled Maya heartland to hold the peace. She gets to choose her own mate. And she chooses well. Ah Maxam, Tiliw T'ul, is a great artist and respected scribe. She's wanted him since she was a girl and he was a man in exile. No other man makes her body throb with need. But can she ever believe he wants her as more than a queen? Together, can the intensity of their passion rebuild a kingdom torn apart by generations of war?

This book is concerned with the historical reality recorded on Classic Maya monuments of the first millennium AD, its interpretation in terms of social and political interaction within and between states, and the better understanding of Maya civilization that is emerging from a more accurate perception of the role of its ruling elites.

The flood of archaeological work in Maya lands has revolutionized our understanding of gender in ancient Maya society. The dozen contributors to this volume use a wide range of methodological strategies--archaeology, bioarchaeology, iconography, ethnohistory, epigraphy, ethnography--to tease out the details of the lives, actions, and identities of women of Mesoamerica. The chapters, most based upon recent fieldwork in Central America, examine the role of women in Maya society, their place in the political hierarchy and lineage structures, the gendered division of labor, and the discrepancy between idealized Mayan womanhood and the daily reality, among other topics. In each case, the complexities and nuances of gender relations is highlighted and the limitations of our knowledge acknowledged. These pieces represent an important advance in the understanding of Maya socioeconomic, political, and cultural life--and the archaeology of gender--and will be of great interest to scholars and students.

Numerous archaeological projects have found substantial evidence of the military nature of Maya society, and warfare is a frequent theme of Maya art. Maya Gods of War investigates the Classic period Maya gods who were associated with weapons of war and the flint and obsidian from which those weapons were made. Author Karen Bassie-Sweet traces the semantic markers used to distinguish flint from other types of stone, surveys various types of Chahk thunderbolt deities and their relationship to flint weapons, and explores the connection between lightning and the ruling elite. Additional chapters review these fire and solar deities and their roles in Maya warfare and examine the nature and manifestations of the Central Mexican thunderbolt god Tlaloc, his incorporation into the Maya pantheon, and his identification with meteors and obsidian weapons. Finally, Bassie-Sweet addresses the characteristics of the deity God L, his role as an obsidian merchant god, and his close association with the ancient land route between the highland Guatemalan obsidian sources and the lowlands. Through analysis of the nature of the Teotihuacán deities and exploration of the ways in which these gods were introduced into the Maya region and incorporated into the Maya worldview, Maya Gods of War offers new insights into the relationship between warfare and religious beliefs in Mesoamerica. This significant work will be of interest to scholars of Maya religion and iconography.

In Maya Narrative Arts, authors Karen Bassie-Sweet and Nicholas A. Hopkins present a comprehensive and innovative analysis of the principles of Classic Maya narrative arts and apply those principles to some of the major monuments of the site of Palenque. They demonstrate a recent methodological shift in the examination of art and inscriptions away from minute technical issues and toward the poetics and narratives of texts and the relationship between texts and images. Bassie-Sweet and Hopkins show that both visual and verbal media present carefully planned narratives, and that the two are intimately related in the composition of Classic Maya monuments. Text and image interaction is discussed through examples of stelae, wall panels, lintels, benches, and miscellaneous artifacts including ceramic vessels and codices. Bassie-Sweet and Hopkins consider the principles of contrast and complementarity that underlie narrative structures and place this study in the context of earlier work, proposing a new paradigm for Maya epigraphy. They also address the narrative organization of texts and images as manifested in selected hieroglyphic inscriptions and the accompanying illustrations, stressing the interplay between the two. Arguing for a more holistic approach to Classic Maya art and literature, Maya Narrative Arts reveals how close observation and reading can be equally if not more productive than theoretical discussions, which too often stray from the very data that they attempt to elucidate. The book will be significant for Mesoamerican art historians, epigraphers, linguists, and archaeologists.

Discover twenty true stories of royal intrigue, power, and passion, brought to life through the gorgeous illustrations of Jennifer Orkin Lewis and the witty words of Shweta Jha. From Cleopatra to Empress Wu Zetian, Marie Antoinette to Queen Liliuokalani of Hawaii, these extraordinary female monarchs from all over the world have captured imaginations throughout the ages. With a deluxe foil-spangled two-piece case, this elegant and diverse celebration of women in charge makes the perfect Mother's Day or girlfriend go-to gift for the queen in our lives.

With new readings of ancient texts, Ancient Maya Politics unlocks the long-enigmatic political system of the Classic Maya.

Would you have survived in the Maya Empire? Make decisions and tally your score to find out. Written at a lower reading level with considerate text, these high maturity books are sure to grab struggling readers as they engage and play along. Also includes a table of contents, glossary, index, author biography, sidebars, educational matter, and activities.

"The Only True People" is a timely and rigorous examination of ethnicity among the ancient and modern Maya, focusing on ethnogenesis and exploring the complexities of Maya identity—how it developed, where and when it emerged, and why it continues to change over time. In the volume, a multidisciplinary group of well-known scholars including archaeologists, linguists, ethnographers, ethnohistorians, and epigraphers investigate ethnicity and other forms of group identity at a number of Maya sites and places, from the northern reaches of the Yucatan to the Southern Periphery, and across different time periods, from the Classic period to the modern day. Each contribution challenges the notion of ethnically homogenous "Maya peoples" for their region and chronology and explores how their work contributes to the definition of "ethnicity" for ancient Maya society. Contributors confront some of the most difficult theoretical debates concerning identity in the literature today: how different ethnic groups define themselves in relation to others; under what circumstances ethnicity is marked by overt expressions of group membership and when it is hidden from view; and the processes that transform ethnic identities and their expressions. By addressing the social constructs and conditions behind Maya ethnicity, both past and present, "The Only True People" contributes to the understanding of ethnicity as a complex set of relationships among people who lived in real and imagined communities, as well as among people separated by social boundaries. The volume will be a key resource for Mayanists and will be of interest to students and scholars of ethnography, anthropology, and cultural studies as well. Contributors: McCale Ashenbrener, Ellen E. Bell, Marcello A. Canuto, Juan Castillo Cocom, David A. Freidel, Wolfgang Gabbert, Stanley P. Guente, Jonathan Hill, Charles Andrew Hofling, Martha J. Macri, Damien B. Marken, Matthew Restall, Timoteo Rodriguez, Mathew C. Samson, Edward Schortman, Rebecca Storey