One of Japan’s great modern masters, Kaoru Takamura, makes her English-language debut with this two-volume publication of her magnum opus. Tokyo, 1995. Five men meet at the racetrack every Sunday to bet on horses. They have little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his race; a struggling single dad of a teenage girl with Down syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who has died suspiciously after the revelation of a family connection with the segregated buraku community, historically subjected to severe discrimination. Intent on revenge against a society that values corporate behemoths more than human life, the five conspirators decide to carry out a heist: kidnap the CEO of Japan’s largest beer conglomerate and extract blood money from the company’s corrupt financiers. Inspired by the unsolved true-crime kidnapping case perpetrated by “the Monster with 21 Faces,” Lady Joker has become a cultural touchstone since its 1997 publication, acknowledged as the magnum opus by one of Japan’s literary masters, twice adapted for film and TV and often taught in high school and college classrooms.

“A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts.” —Yoko Ogawa, author of The Memory Police This second half of Lady Joker, by Kaoru Takamura, the Grand Dame of Japanese crime fiction, concludes the breathtaking saga introduced in Volume I. Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case that terrorized Japan for two years, Lady Joker reimagines the circumstances of this watershed episode in modern Japanese history and brings into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. As the shady networks linking corporations to syndicates are brought to light, the stakes rise, and some of the professionals we have watched try to fight their way through this crisis will lose everything—some even their lives. Will the culprits ever be brought to justice? More importantly—what is justice?

*THE JAPANESE CRIME CLASSIC - ONE MILLION COPIES SOLD* 'One of the great masterpieces of Japanese crime fiction and one of the must-read books of this or any year' David Peace Tokyo, 1995. Five men meet at the racetrack every Sunday to bet on horses. They have little in common except a deep disaffection with their lives, but together they represent the social struggles and griefs of post-War Japan: a poorly socialized genius stuck working as a welder; a demoted detective with a chip on his shoulder; a Zainichi Korean banker sick of being ostracized for his ethnicity; a struggling single dad of a teenage girl with Down syndrome. The fifth man bringing them all together is an elderly drugstore owner grieving his grandson, who died in suspicious circumstances. Intent on revenge against a society that values corporate behemoths more than human life, the five conspirators decide to carry out a heist: kidnap the CEO of Japan's largest beer conglomerate and extract blood money from the company's corrupt financiers. Inspired by the unsolved true-crime kidnapping case perpetrated by "the Monster with 21 Faces," Lady Joker has become a cultural touchstone since its 1997 publication, acknowledged as the magnum opus by one of Japan's literary masters. 'A novel that portrays with devastating immensity how those on the dark fringes of society can be consumed by the darkness of their own hearts' Yoko Ogawa, author of The Memory Police 'Takamura's prismatic heist novel offers a broad indictment of capitalist society' New York Times 'Lady Joker is a work you get immersed in, like a sprawling 19th century novel or a TV series like The Wire' NPR

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.

Named a Favorite Book for Southerners in 2020 by Garden & Gun "Donovan is such a vivid writer—smart, raunchy, vulnerable and funny— that if her vaunted caramel cakes and sugar pies are half as good as her prose, well, I'd be open to even giving that signature buttermilk whipped cream she tops her desserts with a try.”—Maureen Corrigan, NPR Noted chef and James Beard Award-winning essayist Lisa Donovan helped establish some of the South's most important kitchens, and her pastry work is at the forefront of a resurgence in traditional desserts. Yet Donovan struggled to make a living in an industry where male chefs built successful careers on the stories, recipes, and culinary heritage passed down from generations of female cooks and cooks of color. At one of her career peaks, she made the perfect dessert at a celebration for food-world goddess Diana Kennedy. When Kennedy asked why she had not heard of her, Donovan said she did not know. "I do," Kennedy said, "Stop letting men tell your story." OUR LADY OF PERPETUAL HUNGER is Donovan's searing, beautiful, and searching chronicle of reclaiming her own story and the narrative of the women who came before her. Her family's matriarchs found strength and passion through food, and they inspired Donovan's accomplished career. Donovan's love language is hospitality, and she wants to welcome everyone to the table of good food and fairness. Donovan herself had been told at every juncture that she wasn't enough: she came from a struggling southern family that felt ashamed of its own mixed race heritage and whose elders diminished their women. She survived abuse and assault as a young mother. But Donovan's salvations were food, self-reliance, and the network of women in food who stood by her. In the school of the late John Egerton, OUR LADY OF PERPETUAL HUNGER is an unforgettable Southern journey of class, gender, and race as told at table.

Main story: It’s murder and mayhem in the jungles of South America with pits The Joker pitted against everyone hunting him! He’s prepared for this massacre in a way that only the Clown Prince of Crime can…but what secret does he whisper to Jim Gordon as the bullets fly?! What is the TRUE mystery?!

After liberating New York City from her now-feral Gang of Harleys, poor Harley wants nothing more than to slip back into retirement in her coastal (and heavily guarded) paradise. But the Laughing Boys gang has another idea—they’ll follow her to the ends of the Earth, to drag her back to their leader! It can’t actually be...him! Right?! He couldn’t possibly still be alive, could he? After all...Harley killed him herself with her bare hands! Should she turn to President Power Girl for help? Or flee to the 51st state, Atlantis? Step into an insane vision of a future DC Universe we all better hope we don’t live to see! Collects the five-issue miniseries and HARLEY QUINN #42!

Some joker is causing trouble for Danner & Bishop, Chicago’s most exclusive department store, but no one’s laughing. Then Nancy and friends go undercover as store employees to catch the culprit—and find themselves in serious trouble.

This book begins with the childhood sweetheart husband who was having strange behavior and nightmare flashbacks of Vietnam leaving his home. His wife and four young children are now stranded and alone. The wife is filled with two overwhelming emotions: (1) freedom, as no longer would she have to deal with this unfathomable behavior, and (2) extreme fear, fear of how she and the children would pay for food and rent in this most expensive city. As the endless calls come in from doctors, lawyers, police, and random women, the wife decides to test the citys infinite possibilities of love and hope. This puts her on the brink of insanity.

First translated from Dd joker in 2015.