Ladakh, for centuries, has been a land of mystery for the people of many ethnicities. Notwithstanding a rich historical background, Ladakh today is a vastland with its own unique culture and traditions. Known by many names like the Land of Lamas, Moon land, Land of High Winds, Cold Desert and the like; Ladakh is truly the Nature's workshop, studio and art gallery all rolled in one. This book is dedicated by the author to Rigzin Namgyal Kalon, the man who did wonders for the development of the Ladakh region. Ladakh and many generations to follow would always be grateful to him and all that he did for this region and the people, irrespective of their place, caste, creed or religion. For Ladakh, with all its glory and splendid isolation; the twentieth century has been a period of great trials and tribulations, crisis and opportunities; and in the final analysis a number of downs and many moreups. The region has flourished but is still not clearly out of the woods. The author with his personal experience in the region has brought out these facets of the region in great details.

Ladakh, for centuries, has been a land of mystery for the people of many ethnicities. Notwithstanding a rich historical background, Ladakh today is a vastland with its own unique culture and traditions. Known by many names like the Land of Lamas, Moon land, Land of High Winds, Cold Desert and the like; Ladakh is truly the Nature's workshop, studio and art gallery all rolled in one. This book is dedicated by the author to Rigzin Namgyal Kalon, the man who did wonders for the development of the Ladakh region. Ladakh and many generations to follow would always be grateful to him and all that he did for this region and the people, irrespective of their place, caste, creed or religion. For Ladakh, with all its glory and splendid isolation; the twentieth century has been a period of great trials and tribulations, crisis and opportunities; and in the final analysis a number of downs and many more ups. The region has flourished but is still not clearly out of the woods. The author with his personal experience in the region has brought out these facets of the region in great details.

This book provides an ethno-historical study of the trade system in Ladakh (India), a busy entrepôt for Silk Route trade between Central and South Asia. Previously a part of global networks, Ladakh became an isolated border area as national boundaries were defined and enforced in the mid-20th century. As trade with Central Asia ended, social life in Ladakh was irrevocably altered. The author's research combines anthropological, historical, and archaeological methods of investigation, using data from primary documents, ethnographic interviews and participation-observation fieldwork. The result is a cultural history of South and Central Asia, detailing the social lives of historical Ladakhi traders and identifying their community as a cosmopolitan social group. The relationship between the historical narratives and the modern ethnographic context illustrates how social issues in modern communities are related to those of the past. It is demonstrated that this relationship depends on both memories, narratives about the past constructed within present social contexts, and legacies, ways in which the past continues to shape present social interactions. This book will be of particular interest to anthropologists, historians and specialists in South and Central Asian studies, as well as those interested in historical archaeology, science, sociology, political science and economics.

This is the first book to combine essays on the history and ongoing production of art in Ladakh and to recognize both Buddhist and Islamic contributions to the cultural environment. Drawing on recent research in the region, Ladakh: Cultu re at the Crossroads covers subjects ranging from the analysis of key sites and prominent

Art and Architecture in Ladakh shows how the region’s cultural development has been influenced by its location across the great communications routes linking India with Tibet and Central Asia. Edited by Erberto Lo Bue and John Bray, the collection contains 17 research papers by experienced international art historians and architectural conservationists, as well as emerging scholars from Ladakh itself. Their topics range widely over time, from prehistoric rock art to mediaeval Buddhist stupas and wall paintings, as well as early modern castle architecture, the inter-regional trade in silk brocades, and the challenges of 21st century conservation. Taken together, these studies complement each other to provide a detailed view of Ladakh’s varied cultural inheritance in the light of the latest research. Contributors include: Monisha Ahmed, Marjo Alafouzo, André Alexander, Chiara Bellini, Kristin Blancke, John Bray, Laurianne Bruneau, Andreas Catanese, Philip Denwood, Quentin Devers, Phuntsog Dorjay, Hubert Feiglstorfer, John Harrison, Neil and Kath Howard, Gerald Kozicz, Erberto Lo Bue, Filippo Lunardo, Kacho Mumtaz Ali Khan, Heinrich Poell, Tashi Ldawa Thsangspa and Martin Vernier.

The modern history of Ladakh has been profoundly shaped by influences from South Asia and beyond. In detailed empirical case-studies the contributors document and analyse change and continuities in this region brought about by colonialism, independence and modernisation. In an introductory review essay highlighting emerging themes and continuing debates in the scholarship on Ladakh, the editors argue for the need to situate Ladakh in an Indian and South Asian context, while also taking into account its cultural, linguistic and historical ties with Tibet. Studies from the neighbouring (sub)regions of Kargil, Ladakh, Zangskar and Baltistan are brought together to make an important contribution to the anthropological and sociological literature on development and modernity, as well as to Ladakh, Tibetan and South Asian studies.

Covers the period, earliest times to 21st century.

This book sheds light on the history of political and religious globalisation in modern Asia, transcending both national and imperial boundaries, while expanding the range of methodologies and sources brought to bear on studying Asia's modernity. It illuminates how ideas travelled across Asia, and how they changed in the process.