L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930's through the present day. This book explores the metamorphosis of the solitary detective figure and the many facets of the genre itself.

Private Eyes is the complete map to what Raymond Bhandler called "the mean streets," the exciting world of the fictional private eye. It is intended to entertain current PI fans and to make new ones.

BONUS: This edition contains an excerpt from Jonathan Kellerman's Guilt. NEW YORK TIMES BESTSELLER The voice belongs to a woman, but Dr. Alex Delaware remembers a little girl. It is eleven years since seven-year-old Melissa Dickinson dialed the hospital help line for comfort—and found it in therapy with Alex Delaware. Now the lovely young heiress is desperately calling for the psychologist’s help once more. Only this time it looks like Melissa’s deepest childhood nightmare is really coming true. “A page-turner from beginning to end.”—Los Angeles Times Twenty years ago, Gina Dickinson, Melissa’s mother, suffered a grisly assault that left the budding actress irreparably scarred and emotionally crippled. Now her acid-wielding assailant is out of prison and back in L.A.—and Melissa is terrified that the monster has returned to hurt Gina again. But before Alex Delaware can even begin to soothe his former patient’s fears, Gina, a recluse for twenty years, disappears. And now, unless Delaware turns crack detective to uncover the truth, Gina Dickinson will be just one more victim of a cold fury that has already spawned madness . . . and murder.

From Philip Marlowe and Sam Spade to Jake Gittes, private eyes have made for some of the most memorable characters in cinema. We often view these detectives as lone wolves who confront and try to make sense of a violent and chaotic modern world. Bran Nicol challenges this stereotype in The Private Eye and offers a fresh take on this iconic character and the film noir genre. Nicol traces the history of private eye movies from the influential film noirs of the 1940s to 1970s neonoir cinema, whose slow and brilliant decline gave way to the fading of detectives into movie mythology today. Analyzing a number of classic films—including The Maltese Falcon, The Big Sleep, Chinatown, and The Long Goodbye—he reveals that while these movies are ostensibly thrillers, they are actually occupied by issues of work and love. The private eye is not a romantic hero, Nicol argues, but a figure who investigates the concealments of others at the expense of his own private life. Combining a lucid introduction to an underexplored tradition in movie history with a new approach to the detective in film, this book casts new light on the private worlds of the private eye.

THE STORY: PRIVATE EYES is a comedy of suspicion in which nothing is ever quite what it seems. Matthew's wife, Lisa, is having an affair with Adrian, a British theatre director. Or perhaps the affair is part of the play being rehearsed. Or perhaps

Elizabeth Greenwood studied sculpture at St. Martins School of Art in London and in Florence and Rome. She had a classical education, preferring Greek to Latin for the richness of its vocabulary, and her sculpture, with its reference to Greek mythology, reflects this preference. She started her writing career as a scriptwriter in the World Service of the BBC, where she learnt the value of dedicated researching. Apart from poetry, she enjoys producing emblematic fiction based on Mary Poppinss song A Spoonful of Sugar Helps the Medicine Go Down, thus fulfilling the writers task as an entertainer cum moralist. Both the poetry and the modeling activity date from early childhood. She was fortunate in having been born into a family where close relatives united a passion for literature with a keen interest in science (of space especially), politics and, the cinema. In later years, she has applied herself to creating works in the field of philosophy and religion. Her particular interest in Sherlock Holmes comes from the fact that as a famous character, Sherlock Holmes was born in America in a play on Broadway, where it was an immediate success with a famous leading actor of the time in the main part, while Conan Doyle, his creator, was fighting as a voluntary frontline surgeon in the Boer War.

NEW YORK TIMES BESTSELLER The voice belongs to a woman, but Dr. Alex Delaware remembers a little girl. It is eleven years since seven-year-old Melissa Dickinson dialed the hospital help line for comfort—and found it in therapy with Alex Delaware. Now the lovely young heiress is desperately calling for the psychologist’s help once more. Only this time it looks like Melissa’s deepest childhood nightmare is really coming true. “A page-turner from beginning to end.”—Los Angeles Times Twenty years ago, Gina Dickinson, Melissa’s mother, suffered a grisly assault that left the budding actress irreparably scarred and emotionally crippled. Now her acid-wielding assailant is out of prison and back in L.A.—and Melissa is terrified that the monster has returned to hurt Gina again. But before Alex Delaware can even begin to soothe his former patient’s fears, Gina, a recluse for twenty years, disappears. And now, unless Delaware turns crack detective to uncover the truth, Gina Dickinson will be just one more victim of a cold fury that has already spawned madness . . . and murder.

The novel that inspired the film starring James Franco and Seth Rogen: “One of a kind . . . a funny, unnervingly surreal page turner” (Newsweek). Named one of the Best Books of the Year by the Washington Post Book World, Newsweek, and the Los Angeles Times Book Review Zeroville centers on the story of Vikar, a young architecture student so enthralled with the movies that his friends call him “cinéautistic.” With an intensely religious childhood behind him, and tattoos of Elizabeth Taylor and Montgomery Clift on his head, he arrives in Hollywood—where he’s mistaken for a member of the Manson family and eventually scores a job as a film editor. Vikar discovers the frames of a secret film within the reels of every movie ever made, and sets about splicing them together—a task that takes on frightening theological dimensions. Electrifying and “darkly funny,” Zeroville dives into the renegade American cinema of the 1970s and ’80s and emerges into an era for which we have no name (Publishers Weekly). “Funny, disturbing, daring . . . dreamlike and sometimes nightmarish.” —The New York Times Book Review “Magnificent.” —The Believer “[A] writer who has been compared to Vladimir Nabokov, Don DeLillo, and Thomas Pynchon.” —Bookmarks Magazine “Erickson is as unique and vital and pure a voice as American fiction has produced.” —Jonathan Lethem

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.