Why would a man tie up a cheap suitcase with grass rope, leave his family and his paesani in Italy to risk his life and meager possessions among the dock thieves of Naples and Genoa to suffer the congestion and stench of steerage accommodations aboard ship, to endure the assembly-line processing of Ellis Island, to wander almost incommunicado through a city of sneering strangers speaking an unknown tongue, to perform ten to twelve hours of heavy manual labor a day for wages of perhaps $1.65—most of which he probably owed to the "company store" before he got it? Why were there not just a few such men but droves of them coming to the United States in the late nineteenth and early twentieth century? How did they survive and—some of them—prosper? How did they surmount the language barrier? Why did some stay, some go home, and some bounce back and forth repeatedly across the Atlantic? Michael La Sorte examines these questions and more in this lively study of Italian immigration prior to World War I. In exploring for answers, he draws upon the commentary of recent scholars, as well as the statistical documents of the day. But most importantly, he has searched out individual stories in the published and unpublished diaries, letters, and autobiographies of immigrants who lived the "greenhorn" (grignoni) experience. In their own language, the men bring to life the teeming tenements of New York's Mulberry Street, the exploitative labor-recruiting practices of Boston's North Square, and the harsh squalor of work camp life along the country's expanding railroad lines. What emerges is a powerful, moving, alternately funny and appalling picture of their everyday lives. Through detailed narration, La Sorte traces the men's lives from their native villages across the Atlantic through the ports of entry to their first immigrant jobs. He describes their views of Italy, America, and each other, the cultural and linguistic adjustments that they were compelled to make, and their motives for either Americanizing or repatriating themselves. His chapter on "Italglish" (a hybrid language developed by the greenhorns) will echo in the ears of Italian-Americans as the sound of their parents' and grandparents' voices.

An examination of Italian immigrants and their children in the early twentieth century, A New Language, A New World is the first full-length historical case study of one immigrant group's experience with language in America. Incorporating the interdisciplinary literature on language within a historical framework, Nancy C. Carnevale illustrates the complexity of the topic of language in American immigrant life. By looking at language from the perspectives of both immigrants and the dominant culture as well as their interaction, this book reveals the role of language in the formation of ethnic identity and the often coercive context within which immigrants must negotiate this process.

La Merica (la mer'.e.ca) Ancient Portuguese name for America. Meaning: "The Western Star" This book is made possible by the re-discovery of an ancient science handed down to the Portuguese, by successive secret societies, within the important ancient cultures that preceded them. You will read of the hidden history of the Celts, the Vikings, the Knights Templar, and the Freemasons, as well as the part the author's ancestors played in this history. You may be surprised to read that they all helped shape the pre-Columbian history of the Americas. Evidence is presented that proves Sir Henry Sinclair of Scotland lived in what became, Baltimore, Maryland, and that the Portuguese ceded North America to the Templars in 1362 AD. For the first time unknown facts about Rosslyn Chapel in Scotland are revealed. The solutions to the Newport Tower and Kensington Runestone Mysteries are presented. The true purpose of the Voyage of Columbus is revealed. As you read this incredible story, please compare the physical information presented here against theories some use by some to validate past history. Please remember that the evidence presented here is the product of research, the universal science of mathematics, and physical evidence. (Over 150 photos and charts are included, to validate the information contained in the book.)

I, Letticia ChiChi Maggiordino, will put to GOOD use the power of the Evil Eye... ChiChi Maggiordino will do anything to get God's attention. She will hold her breath, stand on tiptoe for an hour, walk a mile backward, climb all stairs on her knees... anything. When her grandmother teaches her how to use the Evil Eye, telling her it's how Jesus Christ made his miracles and how the Italians got rid of Mussolini, ChiChi realizes it's what her prayers have been missing. Now she can get started on the business of making her mother happier by helping her find love, and healing her brother's weak lungs. But ChiChi's family lives in Minneapolis, and it's the 1950s. For an Italian immigrant family, sometimes it seems like nothing can make life easier. ChiChi's mother still pines for her husband, a long-dead American soldier; ChiChi's brother is disdainful of her sacrifices and penance-he doesn't understand what his older sister already knows, that sometimes God needs to be bribed. When her grandmother passes away, ChiChi steps up her search for meaning and happiness, but it seems to be fruitless. And she struggles, the way so many women do, because her love for her family is suffocating, even while it fulfills her. It's not until she meets two Italian dwarves, and they teach her of the ancient clown tradition, the commedia dell'arte, that she comes to understand that in order to make everyone else happy, she herself must be happy. But first she must find her own way in the world... and learn to accept that not even the power of the Evil Eye can keep people from changing. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Since 1987, writer and critic Fred Gardaphé has regularly reviewed Italian/North American literature in Fra Noi, an Italian/American monthly newspaper based in Chicago. This volume features the best of 'Parole Scritte', his monthly columns. Introduced by an essay from which the collection gets its title, Dagoes Read is the first publication of its kind in the history of Italian/North American literature. It serves as a fine introduction to this literary movement as well as a survey of recent publications by Italian/North Americans. Works reviewed include those by Tony Ardiaone, Dorothy Bryant, Pietro di Donato, John Fante, Maria Mazziotti Gillan, Frank Lentricchia, Jay Parini, Diane Raptosh, Gay Talese, Sal LaPuma, and many others.

Power in the Village explores the formation of late-nineteenth-century Italian rural society in southern Brazil, through an examination of how Italian peasants in northern Italy and southern Brazil solved issues related to family honor. Looking specifically at social networks and justice practices to examine the kind of rationality that ruled individual and family behaviors, the book offers an understanding of the restoration of social balance in these communities, and explores the culture of immigrants, particularly in issues related to honor and morality. Taking as a case study the ambush and murder of a parish priest, Antonio Sorio, in January 1900 in Silveira Martins, a small town of Italian immigrants, Vendrame offers a reinterpretation of the society of Italian immigrants in southern Brazil. She argues that rather than being an idyllic picture of a homogeneous and harmonious society, the colonial settlements were places pervaded by tension, solidarity and self-interest, which guided individual and collective behavior. This book will be of great interest to scholars working in Italian history, Brazilian history, immigration history and the history of colonialism. It will also be of interest to scholars working on ethnographic and religious history, as well as to social anthropologists.

Presents a multi-layered social history of a soldier and his Italian American family during World War II.

From its historic forts to its lushly tropical courtyards, from the city squares to the statues and fountains, take a captivating tour through the city of Havana. Magnificent color photographs capture the well-known spots and uncover the quiet corners; vintage black-and-white images showcase the important explorers who changed the course of Cuba's development, as well as landmarks of the past. A fascinating history traces life in Havana from the early 16th century to its heyday in the 19th . Information for the traveler guides the would-be tourist to this newly "in" holiday destination, made popular by the mainstream success of films and music, including the Buena Vista Social Club. It's a lovely tribute to the most extravagantly beautiful city in the Caribbean.

Using original sources--such as newspaper articles, silent movies, letters, autobiographies, and interviews--Ilaria Serra depicts a large tapestry of images that accompanied mass Italian migration to the U.S. at the turn of the twentieth century. She chooses to translate the Italian concept of immaginario with the Latin imago that felicitously blends the double English translation of the word as "imagery" and "imaginary." Imago is a complex knot of collective representations of the immigrant subject, a mental production that finds concrete expression; impalpable, yet real. The "imagined immigrant" walks alongside the real one in flesh and rags.

Unlocks the history and significance of the rock band The Doors in terms of Jim Morrison's published poetry. The book gives us a window into an epic struggle for cultural change, and how it was suppressed. A great way to get started with Jim's poetry and Doors history. "Every time I pick up the new edition of Burning The May Tree, I discover a thought or idea about Jim’s poetry that strikes me as unique and insightful. Yours is the only book to shine a focused, intelligent and critical light on Morrison’s writing." - Frank Lisciandro, co-editor of Wilderness and The American Night, books of Jim Morrison's posthumously published poetry.