Dónde está mi lugar, dónde está mi vida, dónde estoy yo... Tras un grave accidente de tráfico, nuestra protagonista pierde la memoria, teniendo que enfrentarse a la vida sin más herramientas que las que va construyendo con ayuda de su intuición. Libre de condicionamientos sociales que le indiquen un camino, emprenderá un viaje que la llevará a conocer la oscuridad del alma humana, pero también aprenderá a sobrevivir con la fuerza que habita en su interior. La Lluvia me dirá quién eres es la historia de muchas mujeres en diferentes partes del mundo, que salen adelante con el alma rota y las cicatrices de una guerra en la que ellas no siempre son las vencedoras.

Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta

Beseeched by his dying mother to locate his father, Pedro Paramo, whom they fled from years ago, Juan Preciado sets out for Comala. Comala is a town alive with whispers and shadows--a place seemingly populated only by memory and hallucinations. 49 photos.

Un resumen de las historia sucedidas en Metrópolis en los últimos años.

Bilingual collection of traditional tales from Latin America is divided into four categories: Scary Stories, Tricksters, Strong Women, and Myths.