Because the language of the Abenaki Indian people of New England is among the most endangered on the planet, the authors have presented this book in an effort to revitalize this art. The craft of basketry is presented in both languages, with terms, sentences and conjugation charts.

Margaret M. Bruchac is a scholar, writer, and storyteller of Abenaki, English, and Slovak descent. This is her first published book of verse. Some pieces were inspired by historical research for Historic Deerfield, Old Sturbridge Village, the Pocumtuck Valley Memorial Association, and other museums. As a musician, she also performs traditional and contemporary Algonkian Indian songs and stories with her family. Dr. Bruchac is Assistant Professor of Anthropology and Coordinator of Native American and Indigenous Studies at the University of Connecticut at Avery Point. Her academic publications include Indigenous Archaeologies: A Reader in Decolonization, and articles in the Historical Journal of Massachusetts and Museum Anthropology, among other venues. As the 2011-2012 recipient of both a Ford Foundation Diversity Fellowship and the Katrin H. Lamon Fellowship, Bruchac is presently in residence at the School for Advanced Research, completing a book manuscript for the University of Arizona Press.

Sovereignty and Sustainability examines how Native American authors in what is now called New England have maintained their own long and complex literary histories, often entirely outside of mainstream archives, libraries, publishing houses, and other institutions usually associated with literary canon-building. Indigenous people in the Northeast began writing in English almost immediately after the arrival of colonial settlers, and they have continued to write in almost every form--histories, newsletters, novels, poetry, and electronic media. Over the centuries, Native American authors have used literature to assert tribal self-determination and protect traditional homelands and territories. Drawing on the fields of Native American and Indigenous studies, environmental humanities, and literary history, Siobhan Senier argues that sustainability cannot be thought of apart from Indigenous sovereignty and that tribal sovereignty depends on environmental and cultural sustainability. Senier offers the framework of literary stewardship to show how works of Indigenous literature maintain, recirculate, and adapt tribally specific approaches to community, land, and relations. Individual chapters discuss Wampanoag historiography; tribal newsletters and periodicals; novelists and poets Joseph Bruchac, John Christian Hopkins, Cheryl Savageau, and Melissa Tantaquidgeon Zobel; and tribal literature on the web and in electronic archives. Pushing against the idea that Indians have vanished or are irrelevant today, Senier demonstrates to the contrary that regional Native literature is flourishing and looks to a dynamic future.

Dawnland Voices calls attention to the little-known but extraordinarily rich literary traditions of New England’s Native Americans. This pathbreaking anthology includes both classic and contemporary literary works from ten New England indigenous nations: the Abenaki, Maliseet, Mi’kmaq, Mohegan, Narragansett, Nipmuc, Passamaquoddy, Penobscot, Schaghticoke, and Wampanoag. Through literary collaboration and recovery, Siobhan Senier and Native tribal historians and scholars have crafted a unique volume covering a variety of genres and historical periods. From the earliest petroglyphs and petitions to contemporary stories and hip-hop poetry, this volume highlights the diversity and strength of New England Native literary traditions. Dawnland Voices introduces readers to the compelling and unique literary heritage in New England, banishing the misconception that “real” Indians and their traditions vanished from that region centuries ago.

Historian, visual artist and poet rolled into one, Mihku Paul tells lively stories of Maliseet heroes throughout the millennia; vividly maps a territory encompassing old canoe routes and aunties' work tables; and sings in every register from the mythic to the modern. This beautiful chapbook lights up the Native presence that has always permeated Maine and the Maritimes. Paul joins the ranks of other important Wabanaki poets--Alice Azure, Carol Bachofner, Joseph Bruchac, Carol Dana, and Cheryl Savageau--dedicated to preserving and updating their literary traditions. - Siobhan Senier, University of New Hampshire

This bilingual version of an ancient tale, written in both Abenaki and English , exemplifies the role monster stories have played in Algonquin cultures. It not only points out the dangers that life confronts us with, it also reminds us of the importance of bravery, a keen intellect and the healing powers of family and simple kindness.

This is a reprint of Henry Lorne Masta's important work on the Abenaki language, first published in 1932. Abenaki is a member of the Algonquian family and is spoken in Quebec and neighbouring US states. There are few native speakers, but there is considerable interest in keeping the language alive.

This book contains the translation of The Gospel of Mark by Pial Pol Wzôkhilian into the Abenaki language presented here lightly edited, reformatted and for the first time with the inclusion of line-by-line translations in both English and French. Also included is a brief biography of this extremely influential minister, schoolmaster and interpreter of the Saint Francis Abenaki tribe. The Abenaki translation contained within is one of the richest resources and earliest recordings of the Eastern-Algonquin languages and should be of great value to students of the language, linguistics, anthropology and early New England history.

This book contains essays written by Claudia (Mason) Chicklas (1926-2008), a mixed-race daughter of an Abenaki Indian woman and an "Old Yankee" white man. Claudia grew up in the Marlboro/Keene, NH area and lived her middle and later years in Massachusetts. The book has been compiled and edited by her 2 daughters, Joyce (Chicklas) Heywood and Margaret (Chicklas) Perillo to include family history and experiences of the Native American side of the family, dating from the 1870s to the late 1990s. It takes the reader through the beginnings of Claudia's grandfather, Israel Sadoques' married life with Mary (Watso) Sadoques; their beginnings on the Indian reserve (Odanak) in Canada; their journey to CT and their subsequent arrival in Keene, NH; to stories of their 12 children (8 of whom survived to adulthood); to Israel and Mary's children's old age; and right on to Claudia's own older years. It depicts not only how their race affected their lives and how they worked to overcome discrimination to become accepted and respected as valuable members of their community, but also their everyday experiences which all people, no matter what their race, have in common. It is both serious and lighthearted, written in a style reminiscent of James Herriot's, All Creatures Great and Small. This family became well-known in the area of Keene, NH, with perhaps Claudia's mother, Elizabeth being the best known today. Elizabeth had a page about her in the Winter 2008 edition of Minority Nurse Magazine, titled "Who really was the first American Indian RN?" These essays, along with the many accompanying photographs will expand on the known information for this family, as well as give readers and researchers alike, a chance to get to know and appreciate them better.

"Our words are a clearing, a place for fire," writes Carol Bachofner, in perhaps her finest book of poems yet. Her words are always affecting, vivid, numinous. Here, too, they are the words of her Native relatives and ancestors. Clearing a space for Abenaki place names, food terms, and exhortations to gather together, Bachofner tends a poetic fire that joins her to such tribal luminaries as Joseph Bruchac, Cheryl Savageau, and Joseph Laurent. Siobhan Senier, Associate Professor of English Faculty Fellow, Sustainability Academy University of New Hampshire What a gift to read Carol Bachofner's poetry, full of words and phrases from her native Abenaki language that make us long for a kinder world, a world that shows us the possibilities of turning away from the face paints of war - red and black - and opt instead for yellow, the color of peace. Very good poems, indeed. Alice M. Azure Along Came a Spider, Games of Transformation